Tapestry_Development_Summary_Report.4.5.17.pdf
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- Construction Manager as Constructor (CMc) Services for the Dwight D. Eisenhower Memorial Project Federal contract opportunity
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- EQWPIAA-17-0016
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EISENHOWER MEMORIAL
TAPESTRY DEVELOPMENT SUMMARY REPORT
July 12, 2016
TapesTry developmenT sUmmary reporT Table of conTenTs
1.0 TapesTry developmenT eXecUTIve sUmmary
1.1 eIsenHoWer memorIal desIGn overvIeW
1.2 TapesTry commemoraTIve arT
1.3 tapestry proof of concept mock-up
1.4 TapesTry panel consTrUcTIon
1.5 TapesTry arT developmenT
1.6 fabrIcaTIon eQUIpmenT developmenT
1.7 TapesTry proToType panel
2.0 TapesTry panel and HardWare connecTIon desIGn
3.0 TapesTry fabrIcaTIon loGIsTIcal developmenT
3.1 prelImInary fabrIcaTIon crITerIa
3.2 prelImInary prodUcTIon scHemaTIc
3.3 TapesTry panel pacKaGInG for sHIppInG
3.4 TapesTry panel rIGGInG for passIvaTIon
3.5 TapesTry InsTallaTIon dIaGram
3.6 prelImInary TapesTry prodUcTIon scHedUle
4.0 sTrUcTUral calcUlaTIons
5.0 meTallUrGy reporTs
6.0 WeaTHer sImUlaTIon TesTInG
7.0 maInTenance and preservaTIon GUIde
1.0 TapesTry developmenT eXecUTIve
sUmmary
1.0 - tapestry design report executive summary
In 2011, Gehry partners-aecom Joint venture commissioned three small size mockups for the metal mesh tapestry that is a key element in the eisenhower memorial design. Tomas osinski design, Inc, successfully fabricated a mockup that was favorably reviewed by the project stakeholders, and approval agencies, including ncpc and cfa. Gsa engaged Gehry partners-aecom Joint venture and Tomas osinski design, Inc. to further develop the tapestry design and construction methodology so that it could be efficiently constructed in full scale. the following objectives were established for the tapestry development scope.
1. To develop the prototype equipment for the tapestry fabrication and construction methodology to the point where it is possible to determine the technology and time required for efficient full-scale production, while satisfying all design requirements.
2. To produce a full scale prototype sample of one tapestry panel fabricated using the prototype equipment.
3. establish the engineering requirements for the quality control of the future tapestry fabrication for construction.
4. To establish the technology and technical requirements for the future full scale production of the tapestry as part of the construction contract.
5. develop the production process required to prepare the photographic design intent art work image to a vector format that can be run on the prototype cnc welding equipment and meets the artistic and technical design intent.
this report documents the results of the technical and artistic development of the tapestry and outlines the preliminary execution plan for construction and installation. the material testing and engineering results of the tapestry development were submitted to ncpc to demonstrate the tapestry meets the commemorative Works act durability criteria. these documents are referenced in this report. The performance criteria established as a result of the tapestry development have been incorporated into the 100% construction document submission dated february 8, 2016, produced by the Joint venture to establish the quality and engineering required for this unique commemorative art. the performance criteria and are also referenced in this report.
1.1 eIsenHoWer memorIal desIGn overvIeW
The proposed eisenhower memorial site is a four acre site in the southwest district of Washington d.c. located on Independence avenue and maryland avenue, bound by 4th and 6th streets sW, and Lyndon B. Johnson department of education building, the site has a unique urban situation unlike any other major memorials. The site is directly on the maryland avenue axis, an important historical corridor with a viewshed to the U.s. capitol.
To address the urban scale of this large four acre site and create an autonomous presidential memorial experience, the design proposes a unique commemorative art element with a stainless steel tapestry supported on large columns depicting scenes from eisenhower’s home in Kansas. The colonnade and tapestry create an urban room within the scale of the surrounding precinct and frame the entire site to distinguish the memorial in a unified space. The columns are carefully arranged along maryland avenue running through the site, to frame the view to the capitol dome.
at the center of the project site is the contemplative memorial space, where eisenhower’s legacy unfolds in an intimate setting.
Heroic free standing sculptures, bas reliefs, and quotes celebrate eisenhower’s contributions to our nation as the 34th president and the supreme commander of the allied forces. eisenhower as a young man is seated on a wall, looking towards his future achievements.
eisenhower’s humility, values, and achievements are what set him apart...so these are what will set the monument apart.
This is a monument to his ideas. To the words that he left with us. To the principles that guided his decisions and fueled his remarkable achievements.
the treatment of maryland avenue is a significant organizing component of the project. maryland avenue will be closed to street traffic, allowing the disparate parcels to transform the area into an inviting green space. maryland avenue will be restored to its original position and will be framed vertically with an allée of mature trees that in turn frame the capitol dome.
eisenhower square is a memorial conceived as an urban park in an area of the city greatly needing a revitalized pedestrian experience. The park is designed to guide visitors through key view corridors across the site. the landscape design is distinguished by tree species reminiscent of the midwest that provide ample shade and definition to the street edges and open spaces in the park.
To the south is an elevated area in front of the lyndon b. Johnson building that becomes a new forecourt for the department of education and a pedestrian promenade with programming that supports outreach, outdoor seating and gathering areas.
proof of concept mock-ups were created for the tapestry to demonstrate artistic quality, intent, and transparency established for this commemorative art element. the tapestry has technically developed since 2011 when the mock-ups were initially created. the engineering and material testing has been found by ncpc commission to demonstrate the tapestry meets the commemorative Works act durability criteria.
since the 2012, the design team has presented the project numerous times to ncpc, and met with ncpc staff to address the remaining issues and made multiple cfa presentations on detailed aspects of the project. In response to agency comments, the design has evolved with refinements to landscape, commemorative art and perimeter security. the design features including the tapestry, sculpture, and quotations -- in addition to the landscape design, are the result of rigorous research in response to agency review comments. each element is designed to create the most effective and powerful experience for visitors.
1.1 - eisenhoWer memoriaL design overvieW memorIal core The commemorating area of the site, where the public can view eisenhower’s legacy in a shaded intimate setting.
sTaTUes and relIefs General and president eisenhower are depicted with statues on the memorial blocks that also include bas reliefs behind the figures.
TapesTry mocKUp The unique qualities of the stainless steel tapestry create a legible image while maintaining a level of transparency.
TapesTry & colUmns the unique defining element of eisenhower square. the northern columns mark the park entry paths leading to the center of the memorial.
1.1 - eisenhoWer memoriaL design overvieW 1.1 - eisenhoWer memoriaL design overvieW soUTH TapesTry arTWorK
1.2 TapesTry commemoraTIve arT overvIeW
1.2 - tapestry commemorative art the tapestries are a unique method of memorialization presented for the eisenhower memorial. as previously described, the tapestry serves as a commemorative memorial element as well as an urban site planning element, to create both a physical and symbolic context for dwight d. eisenhower.
the stainless steel tapestry, positioned at the southern perimeter of the site frames the urban park with images reflecting the “american landscape” and plains of abilene, Kansas. The tapestries create an autonomous and picturesque experience, framing the context of eisenhower’s early life, and bringing a piece of the american heartland to Washington d.c.
The landscape of the Kansas plains suggests its own simple and beautiful ontology and set of values. this actual and symbolic landscape formed the lens through which eisenhower saw the rest of the world. He recognized and stated this fact throughout his life: “I come from the very heart of America,” and “Whatever America hopes to bring to pass in the world must first come to pass in the heart of America.”
The tapestry is composed of stainless steel cable of various sizes welded to create a drawing through the use of line and transparency.
The image is inherent to the tapestry design, providing a two sided image (mirrored) which changes dramatically throughout the day with the passing light, from bright and reflective to dark as silhouette. the tapestry will be attached to a cable net structural system which spans between the colonnade. the tapestry will have vertical and horizontal seams at a width of 3 feet and 15 feet in vertical length.
the tapestry composition has been developed from photographs taken in Kansas and in abilene. The photo montage is a result of study that incorporates Kansas landscape features on the tapestry. the tapestry composition has been further refined since november 2014. the revised composition now includes the eisenhower family homestead in abilene, on the eastern end of the tapestry. The horizon line has been lowered and strengthened, and the fields have been modified to emphasize the vastness of the landscape. The roads and pathways represent man’s presence in the environment. The scale of the trees in the composition and the grouping arrangement has been carefully studied in relationship to the living landscape. the main tree in the landscape image is the american sycamore, which is a prominent tree at eisenhower’s family home. The design was also refined and adjusted according to the physical conditions near the tapestry including the columns, living trees and site entries and pathways. the tonal contrast of the composition has been exaggerated, keeping in mind the fabrication methods which rely on tonal density to create depth.
the photographic composition is a reference point for the final tapestry art fabricated with welded stainless steel wires. The photo image will be converted to line artwork to accommodate the fabrication process. the stainless steel wires are welded onto the structural base grid or “canvas” by automated computer numerically controlled (cnc) welding equipment invented exclusively for the tapestry fabrication. the equipment, and art continues to be refined to achieve the artistic goals established for this unique commemorative element.
91.2 - tapestry commemorative art
ImaGes from abIlene, Kansas
In september 2011 the design team staged full scale mock-ups on the project site, in front of the department of education building that demonstrated various construction techniques and materials under development for the tapestry. The goal for the mock-up was to illustrate imagery as well as transparency in a manner fitting for the presidential memorial. the mock-ups are a proof-of-concept and did not represent the final production details or connection detailing of the tapestry to the cable net structure.
three mock-up samples by different vendors were developed and reviewed in Washington d.c., and then the two best samples were elevated on the project site for further review. the three alternate fabrication techniques for the tapestry, yielded a preferred method in sample #1 by tomas osinski design, inc. that met the artistic and transparency requirements to the satisfaction of key stakeholders and agency reviewers. The preferred tapestry concept has been further developed in technical and engineering detailing since 2011.
The stainless steel materials intended to be used for the tapestry have undergone environmental testing and other testing to confirm the durability of the tapestry.
1.3 tapestry proof of concept mock-up
1.3 -tapestry proof of concept mock-up mock-up detaiL shoWing Landscape
111.3 - tapestry proof of concept mock-up sampLe #1 sunLight Behind. tapestry mock-up vieWed from THe lbJ bUIldInG sampLe #1 sunLight in front. tapestry mock-up vIeWed aGaInsT THe lbJ bUIldInG
Tapestry Sample #1 consists of stainless steel cable and stainless steel braided wire composed to develop the tapestry solution.
there are four different diameters of braided wire that are welded together to form the imagery. This sample was hand produced. The assembly process used resistance welding as the means of attachment for the stainless steel cable. the mock-up is approximately 10 wide by 15 feet tall. This is a proof of concept mock-up and does not represent the final detail or connection detailing to the cable net structure. The image is the same on each side of the tapestry.
121.3 - tapestry proof of concept mock-up sample #2 fronT sIde, sUnlIGHT beHInd
Tapestry Sample #2 was produced on a jacquard loom and is fabricated from stainless steel wire, black teflon and white teflon thread. the mock-up is 10 feet wide by 15 feet tall. because this tapestry was created on the loom the imagery on the back side is reversed. The transparency on this tapestry tends to vary with the sunlight condition. this is a proof of concept mock-up and does represent the final detail or connection detailing to the cable net structure.
sample #3 fronT sIde
Tapestry Sample #3 was produced on a jacquard loom and is fabricated from stainless steel wire, black teflon and white teflon thread. the mock-up is 10 feet wide by 15 feet tall.
because this tapestry was created on the loom the imagery on the back side is reversed. This tapestry is opaque and does not vary in the sunlight condition. the imagery is very clear and consistent. This is a proof of concept mock-up and does represent the final detail or connection detailing to the cable net structure.
the original design inspiration for the tapestry was to cre-ate a metal weaving created on a jacquard loom. The use of the loom technology was attractive to our team as a poten-tially affordable way to produce large scale art with exist-ing technology. the textile industry has a well-established set of software tools to translate image designs into woven patterns that can be produced on the loom. during the initial tapestry research, textile technology was explored.
textile “weave structures” are simple patterns that con-trol the warp and weft threads to create tones and color values. textile images are controlled by weave structures.
initial samples were created by textile fabricators utilizing software to achieve a desired image from the photographic original. a jacquard loom was used for the fabrication of sample 2 and sample 3 of the proof of concept mock-ups.
The mock-ups showed the jacquard weaving technology did not achieve the transparency required for the project.
The team abandoned jacquard weaving as a viable produc-tion method. the preferred mock-up utilized an method of resistance welding of with four different braided wire types in a layered pattern to make the image. this method was successful in achieving the transparency needed.
the job of translating a photo image into artwork for the preferred welding method could not utilize available tex-tile industry software. a new production technology for the tapestry art had to be invented that is specific to the requirements for the fabrication equipment developed ex-clusively for the tapestry.
proof of concepT arT ImaGe: JacQUard WeavInG versUs Welded WIres eisenhower textile samples with detail image showing weave structure
Jacquard loom Tapestry samples of eisenhower for Weave struc-ture using stainless steel wire and teflon thread
1.3 - tapestry proof of concept mock-up
1.4 TapesTry panel consTrUcTIon
The line artwork on the original mock-up and the welding process was created by hand. due to the large scale of the tapestry at approximately 450’ long by 60’ high, the project requires an automated fabrication system to achieve the construction schedule and budget constraints. the vendor of the preferred mock-up was contracted to further develop the automation technology and other technical and artistic requirements. the tapestry fabrication method required a cnc machine to drive the location of each wire, and a welding method to secure the wire at specific nodal points.
The wire in the cnc machine would be fed from a spool and be continuous. from this starting point, the design team developed ways to establish the art line work to represent stainless steel wires in a continuous pattern that could be built up in layers to make an image. fabrication of a cnc controlled welding device was also developed. The tapes-try design uses four wire types shown below. The art image is welded to a structural base panel also composed of stain-less steel wires. there are eight total “art” layers applied to the structural base panel. four layers are welded on each side of the structural base. the panel construction allows the same art quality on front and back of the tapestry.
ART BRAIDED WIRE - 1-16 braIded WIre sTaInless sTeel 1/16” dIameTer (ImaGe layer on boTH sIdes)
STRUCTURAL PANEL HORIZONTAL WIRE
TYPE 7x7 TWIsTed sTaInless sTeel WIre 1/16” dIameTer
STRUCTURAL PANEL VERTICAL WIRE TYPE
- 7x7 TWIsTed sTaInless sTeel WIre 1/16” dIameTer
ART BRAIDED WIRE - 1-24 braIded WIre sTaInless sTeel 3/32” dIame- Ter (ImaGe layer on boTH sIdes)
ART BRAIDED WIRE - 2-24 sTrand braIded WIre sTaInless sTeel 1/8” dIameTer (on boTH sIdes of ImaGe layer)
1.4 - tapestry paneL construction
2-24 strand Braided Wire stainLess steeL 1/8” dIameTer
1-24 Braided Wire stainLess steeL 1/16” dIameTer
1-16 Braided Wire stainLess steeL 1/16” dIameTer
7X7 TWIsTed sTaInless sTeel cable 1/16” dIameTer
STRUCTURAL PANEL HORIZONTAL AND VERTICAL
WIRE TYPE
ART WIRE TYPE
ART WIRE TYPE ART WIRE TYPE
151.5 - tapestry art deveLopment lIGHTesT darKesT layer 1 (lightest) layer 2 layer 3 all six layers color coded and superimposed Together layer 6 (dark-layer 5layer 4 original photograph of the Tapestry landscape Imagery used for the proof of concept mock-up the tapestry mock-up wire art was created by separating a photographic image into 6 tonal layers. starting with the lightest tonal layer, each layer is welded to the layer below, building up the tonal values of the original image. The darkest layers utilize thicker gages of stainless steel braided wire. each layer had a different angle for the wire pattern determined by the artist and placed by hand. to automate the art development for the entire tapestry computer pro-grams and other softwares were developed and utilized to process and control the image for large scale production.
1.5 TapesTry arT developmenT
the artistic photographic composition for the tapestry must be augmented and modified to be a high resolution image to successfully create the vector line image for the final fabrication. the quality of the high resolution image determines the quality of the vector output. developing the photographic digital composition into a high resolution version includes manipulating the image to increase the light and dark contrast and adding more detail. an example of adding more detail is shown in the figures where a tree photograph was edited to add more branches and leaves. likewise, grasses and sky areas were also revised to create higher resolution and contrast. this work is performed under the artist’s direction.
additionally, the overall photographic composition needs to be panelized into 856 individual panels which are 3’ x 15’ each. each panel will be further divided into layers for separate processing into a vector line version of the image and compiled. each layer corresponds to the fabrication process which builds up eight consecutive layers of stainless steel wires on a base grid to duplicate the richness of the original photographic composition.
developInG a HIGH resolUTIon ImaGe a custom designed cnc machine is used to locate each weld on the tapestry. The cnc machine is controlled with software that needs a vector line based file to establish the xyZ coordinates for each weld location. the high resolution photo image is processed through a series of steps to convert the pixel file into a vector file. the initial step includes dividing the photo image into eight tonal layers from the lightest to darkest to achieve the necessary density and contrast. some areas of the tapestry where the image is more transparent will require less layers, and some areas will require all eight layers for the darkest contrast.
each digital layer is then processed into a vector file made up of one continuous line, representing the stainless wire location on the panel.
our first experiments to convert a pixel image to a vector image utilized an open source software called stipplegen.
stipplegen was created by Windell h. oskay, evil mad scientist Laboratories. this program was originally designed to make patterns for drawings on easter eggs using a cnc machine. this software takes a photo image and converts the image into multiple dots. the dots are then connected together in a continuous line without crossing over itself.
the stipplegen program had some limitations and needed extensive custom programming modifications to support the tapestry’s large scale high resolution images, as well as utilize better processing power. the vector output produced from the first iterations of the program had a spider web quality that was not aesthetically desired. the next step required adding more contrast and variety in the line work details with further programing modifications.
developInG a vecTor lIne draWInG images of the stipplegen software that was created to provide the toolpath for line work drawn onto an easter egg from a cnc machine.
1.5 - tapestry art deveLopment the open source stipplegen software is credited to Windell h.
oskay, evil mad scientist Laboratories for its creation.
step 3 an image is created using a single line that traces every point without cross-ing itself original photograph of sycamore Tree Tree edited for desired effect a detail portion of the tapes-try image at high-resolution.
additional Branches added to shape the Tree draft tapestry composition step 1 Image is prepared Using original photographs
3’-0”
15’-0” step 2 a halftone dot pat-tern is generated using software
1.5 - tapestry art deveLopment
Image recreated using parts of high-resolu-tion photographs.
early study: sample vector panel with 9 layers of vector files
1.5- tapestry art deveLopment vector sample with 8-layers, created with stipplegen in its original program.
vector sample of output after customiza-tion of software to control the angle of the vectors.
the stipplegen software was further modified to control the angle of the vector pattern for connecting the dots to achieve desired aesthetic effects for the line work. the new software developments allow for individual micro-customization on a panel by panel basis to adjust for relative scale and other details at the direction of the artist.
for example, grass in the foreground of the image, may be composed of longer lines than grass further in the distance.
customizing the lines gives the flat image an illusion of scale and perspective and adds artistic interest.
sofTWare cUsTomIZaTIon layerInG THe vecTor fIles
The next step in the art development combines each layer.
the customized stipplegen program was processed on each layer of the original photograph to produce a vector drawing and then combined the layers back together.
multiple iterations of this process were tried on test panels to study the best combination of layers and vector pattern to achieve the photographic quality of the original in a vector format.
early study demonstrating the more layers an image is separated into, the more resolute the final product becomes.
an ideal number of layers is limited between 8-12 layers.
original pixel Image vector files vector sample image with angles vector sample image utilizing curves which simulates the wire behavior on the fabrication equipment.
the vector files are further modified to eliminate sharp curves at vertexes. This step approximates the way the wire behaves during the fabrication welding process and provides a better direct visual comparison between the computer line art and the final welded panel. the spacing of each vertex, or nodal point in the curve in the vector file is also manipulated to allow an even weld spacing of 3/4” to 1” along the wire.
each panel is prepared separately and divided into 8-16 layers depending on the complexity of the individual panel image. each layer is processed separately and then compiled and reviewed. the artist is directly involved in the review, selection and refinement of the layer combinations that work best for each panel. the entire vector composition needs to be evaluated against the original design image. If a particular area does not have the desired aesthetic effect, then the area or layer is partially re-processed.
adjacent panel to panel comparison will be required during the production phase to verify continuity of the image across the panels and confirm the density and contrast is continuous across two or more panels. further adjustments or partial re-processing of a zone of a panel may be required at this step to maintain continuity.
additional highlight layers can be added by the artist to accentuate a part of the composition. the highlight layers will be applied on the panel using the same cnc fabrication equipment, thus reducing the need for hand welding of final detailing that was originally anticipated.
feedbacK from THe aUTomaTIon process
221.5- tapestry art deveLopment panel photo image vector image for panel production showing all layers.
vector image for panel produc-tion showing all layers with artist enhancement shown in red.
the fabrication equipment is a cnc (computer numerically controlled) machine with a work bed to fit the dimensions of a single tapestry panel at 3’ x 15’. computer software directs the machine movement to specific xyZ coordinates at the location for each weld. attached to the cnc transom is the welding equipment, the welding head and a spooling device that distributes the stainless steel wire to the weld location and creates a weld. once the machine moves to the xy location for a weld, the software then initiates the welding equipment to deliver the electrical current for a resistance weld at that location. the welding equipment is optimized for each stainless steel wire type. the machine also delivers argon gas at the weld contact point which improves the corrosion resistance at each weld.
1.6 fabrIcaTIon eQUIpmenT developmenT
Tapestry prototype sample from the automated equipment created for fatigue testing.
early image of cnc machine and cnc controller built for a panel size without the welding equipment.
cnc machine with welding head, weld equipment, and wire spool-ing mechanism added for production of prototype sample.
1.6 - faBrication eQuipment deveLopment
Image of various Welding head prototypes optimization of Weld settings with Welding head prototype for environmental testing
WeldInG developmenT each panel consists of tens of thousands of individual welds of stainless steel wires. all the welds utilize a commercially available welding equipment provided by another manufacturing company. Welding small guage stainless steel wires for a commercial use, is not common, therefore specific equipment was invented at the contact point for two wires to create the weld. This device is referred to as the welding head, and performs multiple tasks. there was extensive experimentation and a number of prototypes developed for the welding head. The welding head delivers the spooled wire, distributes an argon gas shield at the weld point, and is coordinated with the welding equipment to deliver the electrical current at each weld. Two welding
1.6 - faBrication eQuipment deveLopment heads were developed for the tapestry fabrication. one for the structural base layer with the orthogonal wire layout and a separate welding head was created for the random artwork which use a slightly different step welding process.
the team developed the weld settings to maintain the required weld strength and optimize various factors to promote corrosion resistance. Weld samples were environmentally tested to confirm corrosion resistance, and mechanical strength. a fatigue test was also performed on a prototype sample to confirm the durability of the panel welds under simulated fluctuating wind pressures the tapestry would likely experience over time.
completed cnc fabrication equipment prototype for the tapestry.
a prototype tapestry panel, full size at 3’ x 15’ was made utilizing the automated fabrication equipment developed exclusively for the tapestry production. the prototype panel incorporated the lessons learned from the early welding experiments, panel prototypes, durability testing results, and weather simulation testing recommendations.
detail of fabrication equipment prototype showing welding head and spooling mechanism fabrIcaTIon of proToType 3’ X 15’ panel
1.6 - faBrication eQuipment deveLopment
The art image on the prototype sample was selected as a representative sample of the tapestry with many elements in the overall landscape composition. the lessons learned from the full panel fabrication will inform the production procedures for the full scale tapestry production. the panel prototype shows the art fabrication method only, and does not reflect the mechanical attachment details to the primary cable net structure.
Welding head detail prior to weld impact for an art layer
Welding head detail at the moment electrical current is distributed the weld.
cnc equipment during production of 3’ x 15’ prototype panel first layer of art wire cnc equipment during production of final art layer
1.6 - faBrication eQuipment deveLopment
Tapestry panel detail with cloudy sky
1.6 - tapestry prototype paneL
Tapestry panel 3’ x 15’ with 9 layers made with automated equipment. shown with white panel behind to display the art
Tapestry panel 3’ x 15’ with 9 layers made with automated equip-ment. evening light conditions back lit
Tapestry panel 3’ x 15’ with 9 layers made with automated equip-ment. morning light conditions
1.6 - tapestry prototype paneL
Tapestry panel 3’ x 15’ with 9 layers made with automated equipment.
tapestry panel 3’ x 15’ with evening sun conditions
1.7 - tapestry prototype paneL tapestry panel detail with evening sun conditions
1.7 - tapestry prototype paneL
The following drawings show the tapestry panel design and preliminary hardware connection design that connects the tapestry panels to the cable assembly support structure. per the construction documents for the eisenhower memorial developed by the Joint venture, the hardware connections will be engineered, and fabricated by the cable assembly contractor who will engineer the cable structure based on the performance criteria and design profiles established by the Joint venture design team and Tomas osinski design, inc. the hardware connections will be further developed by the cable net vendor, in collaboration with tomas osinski design as part of the construction of the memorial.
2.0 TapesTry panel and HardWare
connecTIon desIGn
2.0 - tapestry paneL and hardWare connection design
PROJECT INFO
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A ll w e ld e d t a p e s tr y p a n e l w ir e s t o b e
L s ta in le s s s te e l.
M c h a n ic a ll y c o n n e c te d p a rt s o f th e t a p e s tr y p a n e ls t o b e s ta in le s s s te e l.
A tt a c h e d i s s e t o f d ra w in g s t h a t s h o w s t h e f o ll o w in g
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T a p e s tr y p a n e l c o n s tr u c ti o n b y t a p e s tr y f a b ri c a to r.
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C o n n e c ti n g h a rd w a re p ro fi le g e o m e tr y d e s ig n e d b y t a p e s tr y f a b ri c a to r to b s u p p li e d b y c a b le a s s e m b ly v e n d o r.
C o n n e c ti n g h a rd w a re r e q u ir e m e n ts s h a ll b e p e r th e c o n s tr u c ti o n d o c u m e n ts
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M a in c a b le s u p p o rt s tr u c tu re t o b e d e s ig n e d a n d c o n s tr u c te d b y c a b le a s e m b ly v e n d o r.
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In s ta ll a ti o n o f ta p e s tr y p a n e l s h a ll b e b y c a b le a s s e m b ly v e n d o r, w it h u p e rv is io n b y t a p e s tr y v e n d o r.
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P10
P11
P12
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P15
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P21
P23
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P24
P25
P26
P27
P28
P29
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P6
P7
P8
P9
P10
P11
P12
P13
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P17
P16
P15
P14
P20
P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
P30
P31
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P2
P3
P4
P5
P6
P7
P8
P9
P10
P11
P12
P13
P18
P17
P16
P15
P14
P20
P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
P30
P31
P32
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P2
P3
P4
P5
P6
P7
P8
P9
P10
P11
P12
P13
P18
P17
P16
P15
P14
P20
P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
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P2
P3
P4
P5
P6
P7
P8
P9
P10
P11
P12
P13
P18
P17
P16
P15
P14
P20
P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
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P2
P3
P4
P5
P6
P7
P8
P9
P10
P11
P12
P13
P18
P17
P16
P15
P14
P20
P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
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P7
P8
P9
P10
P11
P12
P13
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P17
P16
P15
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P19
P21
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P22
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P31
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P7
P8
P9
P10
P11
P12
P13
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P17
P16
P15
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P19
P21
P23
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P24
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P26
P27
P28
P29
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P6
P7
P8
P9
P10
P11
P12
P13
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P17
P16
P15
P14
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P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
P30
P31
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4 EQUAL TAPESTRY PANELS
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A
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TAPESTRY FRONT VIEW
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A D
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ROW D ROW C ROW B ROW A
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P2
P3
P4
P5
P6
P7
P8
P9
P10
P11
P12
P13
P18
P17
P16
P15
P14
P20
P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
P30
P31
P32
P1
P2
P3
P4
P5
P6
P7
P8
P9
P10
P11
P12
P13
P18
P17
P16
P15
P14
P20
P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
P1
P2
P3
P4
P5
P6
P7
P8
P9
P10
P11
P12
P13
P18
P17
P16
P15
P14
P20
P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
P1
P2
P3
P4
P5
P6
P7
P8
P9
P10
P11
P12
P13
P18
P17
P16
P15
P14
P20
P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
P5
P6
P7
P8
P9
P10
P11
P12
P13
P18
P17
P16
P15
P14
P20
P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
P30
P31
C
C
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C
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P3
P2
P1
T A
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P
L A
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W
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C A
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C A
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C A
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C A
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P4
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P4
P5
P6
P7
P8
P9
P10
P11
P12
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P18
P17
P16
P15
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P19
P21
P23
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P24
P25
P26
P27
P28
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P9
P10
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P12
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P2
P3
P4
P5
P6
P7
P8
P9
P10
P11
P12
P13
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P17
P16
P15
P14
P20
P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
P30
P31
P32
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P2
P3
P4
P5
P6
P7
P8
P9
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P11
P12
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P17
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P19
P21
P23
P22
P24
P25
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P4
P5
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P7
P8
P9
P10
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P12
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P17
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P19
P21
P23
P22
P24
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P26
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P6
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P8
P9
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P23
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PARTIAL FRONT VIEW
A
A .2
A
A .1
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A D
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A D
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A D
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P2
P3
P4
P5
P1
P2
P3
P4
P5
P6
P7
P8
P9
P10
P11
P12
P13
P18
P17
P16
P15
P14
P20
P19
P21
P23
P22
P24
P25
P26
P27
P28
P29
P30
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C
C
ROW DROW CROW BROW A
B A
Y B
B
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B
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F O O
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FROM CENTER HORIZONTAL LINE BETWEEN PANELS
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