Attachment_17_PECO_TP_Graphic_Layouts_April_2021.pdf

Pecos National Historical Park

Trading Post Exhibits Attachment 17 - PECO TP Graphic Layouts Production Documents I

Graphics Package

Exhibit Planning & Design

PDI

April 5, 2021

Production Documents I | April 5, 20212 Pecos National Historical Park Trading Post

Background & Introduction 03

Interpretive Framework 04

Site Plan 06

Scheme Overview 07

Scene 01: Exterior Orientation 08

Scene 02: Welcome/Orientation 10

Scene 03: Santa Fe Trail 20

Scene 04: Kozlowski Family Trading Post 28

Scene 05: Civil War in northern New Mexico 37

Scene 06: Ranching 50

Scene 07: Resources of This Land 67

Graphic Styles 70

Project Schedule 73

Contents

3Production Documents I | April 5, 2021

The Park Pecos National Historical Park (PECO) is located just south of Pecos, New Mexico, and southeast of Santa Fe. The park was initially formed as a state monument in 1935. In 1965, the park was established as a national monument. A large addition, consisting primarily of ranchland and archeological sites, greatly expanded the size of PECO and it was renamed as a National Historical Park in 1990.

PECO is also in the process of redesigning the exhibits in the E. E. Fogelson Visitor Center.

The design of that project is slightly ahead of the Trading Post project. While at the kickoff meeting, EDX confirmed with the park that the two designs do not need to relate to each other in terms of content or visuals, but that we will continue to be mindful of the project in general as we progress. The visitor center project will touch on some of the themes covered in the trading post exhibits but will not go in depth on them.

Design Parameters The exhibits will be designed to interpret multiple perspectives as dictated by the interpretive themes. They will be designed to be engaging, interactive, and appealing to visitors with different learning styles. Exhibits will also include minimal outdoor interpretation and orientation signage.

The trading post exhibits will be designed so that the building can be unstaffed. Designs include a desk in the exhibit space as there will sometimes be staff in the space, but exhibits will be self-guided for visitors. As a result, exhibits will be designed to be low-maintenance and free of artifacts.

The trading post is a historic building. The contractual scope of work states (in italics):

Please note that the Kozlowski’s Trading Post is on the National Register and is considered a historic building and exhibits shall not be affixed to the walls or Vigas (ceiling beams).

Currently the building is undergoing a rehabilitation project that will convert the old trading post/ranch into a mixed-use space which will include offices, community meeting room, and visitor contact station.

Update in April 2021:

• EDX designs in PDI deliverable reflect ongoing direction by the Park/HFC to affix exhibit elements to the floor and ceiling only where absolutely necessary.

• Exhibit lighting has been designed/installed by others to integrate with the existing structure.

• Elements do not attach to walls or Vigas (ceiling beams).

• Walls will be painted white, with blue trim around doors and windows.

• All changes due to exhibits will be reversible.

• Designs should be sympathetic to and inspired by the architecture of the building.

Because this park has both a visitor center and the trading post as interpretive facilities, the trading post exhibits can take advantage of the interest that visitors show in choosing to come to this building. The exhibits can be more character-based and building-specific.

Project Budget The Contractual Scope of Work defines the project budget and scope as follows (in italics):

For this project, the contractor shall design to a Production Budget of $396,025.

The Production Budget shall include:

• All costs for purchasing, fabricating, transporting, and installing all exhibit elements as specified in the “National Park Service Standard Exhibit Planning, Design, & Fabrication Specifications, October 2012” and its references.

• Related fabrication costs including but not limited to project management, shop drawings, samples, packing, shipping, and project closeout.

• Production of original audiovisual and electronic interactive programs.

• Production of original artwork including, but not limited to, illustrations, maps, and photographs.

• Acquisition of all pre-existing images required for the exhibition, including use- rights for the life of the exhibition.

• Production or acquisition of all custom elements including, but not limited to, natural history models, taxidermy, reproduction furnishings, topographic maps, architectural models, sculpted or cast human figures.

• Production of the Exhibit Audio Description program including script development, and hardware purchase and installation.

• Information/Sales Desk.

The Production Budget does not include:

• Related infrastructure improvements such as carpet, paint, lighting and electrical wiring.

The Scope of Work defines the design areas as follows (in italics):

1. Primary Exhibit Spaces

Consisting of approximately 1,343 total square feet, exhibit spaces shall be low-to-moderately complex interpretive exhibits that use appropriate technologies, provide interactive opportunities, allow visitors to engage in the story at different levels, appeal to different learning styles and ages, and allow for visitors to actively participate in learning the history and significance of PECO.

The design area will include some outdoor interpretive exhibits and signage, per the Scope of Work. At the kickoff meeting, park staff expressed a need for clear signage outside of the building, including the need to make it clear to visitors that the trading post is not the main visitor center for the park.

This project budget works out to an average of $295/sf. This is a relatively low figure for NPS exhibits and costs are currently rising relatively quickly. The need for very durable exhibits necessitated by the unstaffed nature of the building adds an additional layer of cost.

Design Process So Far / Next Steps This Production Documents I package describes the preferred alternative scheme for the key functions of the Trading Post and related exhibits. It includes graphic layouts with text and perspective views/visualizations. Please review this package together with the corresponding PDI Drawing set, Reference Package, Cost Estimate and Materials Board.

Note that component numbers are included in both this package (in plan views) and in more exact locations in the Drawing Set (in elevations in most cases, unless the component only appears in plan).

Note that all images shown in graphics are “for placement only” and show the image content EDX proposes. With approval of the designs, EDX will research images that can be used in graphics.

EDX will present this document to client representatives the week of April 5-9, 2021 (pending confirmation from NPS). The goal of the presentation will be to confirm the current design direction and compile feedback and information to assist in the next phase of design.

Project Goals These goals were generated during sessions at the kickoff meeting. EDX asked participants to imagine specific examples of experiences that they would like visitors to have in the exhibits. Below are the products of that work. Not all of the goals are within the scope of work of this project but we believe it is important to consider how this project fits within and contributes to the broader overall visitor experience.

The Trading Post exhibits will…

• Provide opportunities to interpret the Santa Fe Trail

• Provide opportunities to interpret the Federal victory in the Civil War

• Provide opportunities to interpret the Forked Lightning Ranch

• Provide opportunities to interpret the architecture of the building

• Orient visitors to local area and opportunities

• Generate interest in and increase awareness of opportunities for ranger-led programs

• Provide opportunities for younger audiences, most notably kids

• Have flexible space (introductory space for recreational opportunities, potential for staff desk and greeting space)

• Be fun! Interactive, less academic, makes visitors want to come back.

Visitors will be able to…

• Connect to the Pecos River and Glorieta Pass

• Understand how landscape played into successes and failures

• Flesh out themes not covered by the VC museum

• Realize how many stories and how much history happened here

• Experience a historic structure and understand its significance/changes

• Extend interest beyond basic knowledge

Background & Introduction

Production Documents I | April 5, 20214 Pecos National Historical Park Trading Post

Interpretive Framework

Exhibit “Big Idea” EDX has found the generation of a main message or “Big Idea” to be an important part of the exhibit design process.

Western American history unfolded in and around this building, shaped by the surrounding land.

The characters making that history often lived, worked, and rested right here.

Interpretive Themes The task order for this project states that the themes will be:

1. Park-wide Orientation

2. Civil War-Battle of Glorieta Pass

3. Santa Fe Trail

4. Ranching

5. Forked Lightning Ranch

These themes were confirmed at the kickoff meeting, with the Forked Lightning Ranch being seen as a part of the overall Ranching theme. EDX also reviewed all of the themes listed in the park’s Foundation Document to confirm the focus of the trading post exhibits. Once the themes were finalized, EDX led an exercise at the kickoff meeting to establish the relative importance, or weight, of these different themes.

Note on Images Throughout the graphics, you’ll notice some images are labeled to indicate the acquisition status. Below are the explanations for the labels.

1. Custom Illustration by Fabricator: Images with this label are placeholder only. They are meant to show the look/feel and placement of the illustration but are not final content.

It is the responsibility of the fabricator to commission these illustrations. See reference package for details on style, composition, and content.

2. Placeholder Image: Images with this label are placeholders that show where the image will appear on the panel but are not final image selections. A “Note to Park” accompanies these images and lists specific questions about image selection for the park.

3. All other images are final selections that EDX hopes to acquire, please make a note if any images are not approved.

Please see the database and reference package for more details about specific images.

Style Guide For Specific Words

• Adobe: a kind of clay used as a building material, typically in the form of sun-dried bricks.

• American Indian: NPS style guide; names of tribes where possible. Also okay to use “indigenous”

• Anglo: Use to describe ethnicity of New Mexicans who are European American and white.

• Hispano: Use to describe ethnicity of New Mexicans who are related to Spanish settlers in the Southwest before it was annexed to the United States. Do not use Hispanic or Latino/x.

• Glorieta Pass: one “t”!

• Kozlowski’s Trading Post: do not use.

• Kozlowski, Elena: use this spelling, per Becky Latanich email 03.02.20

• Kozlowski, Martin: use this spelling, per Becky Latanich email 03.02.20

• Kozlowski children: Martin, Hanna, Joseph, Thomas, and William

• piñon: use for Pinus edulis

• ranch headquarters: use this to refer to the building during the Tex Austin period

• stage stop: use this to refer to the building during era of Santa Fe Trail. Be clear about its use: stage stop where people could get needed supplies

• Trading Post: Per August 2019 meeting, park agreed to use this term to refer to building itself. It will be marked this way on maps, etc. Not Kozlowski’s Trading Post. (It was named this in the 1920s.)

• Union: use instead of Federalist to describe Union side in Civil War.

• Viga: wooden beams used in the traditional adobe architecture.

Accessibility Narrative All aspects of the design will be developed to fully comply with physical and programmatic accessibility strategies.

Accessibility strategies will include but are not limited to:

• Universal design of the physical environment including adherence to ADA/ABA requirements.

• Incorporation of meaningful tactile elements to bring the story alive for visitors with low vision and blindness while also providing an engaging experience for all visitors.

For visitors with cognitive differences:

Exhibits provide multiple methods of obtaining information using a hierarchy of content within interpretive panels. Large, clear illustrations, large summary titles and summary headings with minimal text, and appropriate tactile elements communicate to diverse audiences including non-readers or those with limited reading ability or attention spans, visitors who do not speak English, and visitors with cognitive differences.

For visitors with low vision and blindness:

Audio description will be available for all exhibit elements.

Exhibit text will have a high level of legibility with a minimum 70% contrast ratio, easy-to-read fonts, minimum 24 pt type size, accessible viewing distance and height, and adequate light level.

Primary exhibit content will be contained within a range between 40” and 60” above the floor to allow visitors with low vision to gain close scrutiny for easier reading. Font-size adjustments for readability will be made for titles and other written elements that fall outside of this zone.

Tactile elements communicate key concepts through touch.

For visitors with physical disabilities:

Exhibit layout will provide accessible circulation and clearance.

Exhibits are designed with a minimum 5’ turning radius for wheelchair users within any dead-end spaces. Tactile elements are mounted on a reading rail with 27” clear height below for front wheelchair access. The 27” height also makes it discoverable by visitors with blindness using a cane. All exhibit elements conform to ADA/ABA and NPS Accessibility Guidelines for physical accessibility.

For visitors with hearing impairments:

There will be no audio components of these exhibits.

5Production Documents I | April 5, 2021

Characters The stories of real people are integral to the Trading Post exhibits.

The characters that EDX has proposed in this package are drawn from collaboration with the park.

The design scheme includes major and minor characters. Major characters are represented through graphic cut-outs and have more prominence. Minor characters are integrated into two-dimensional graphics. The characters are:

Major Characters:

Scene 04: Elena Kozlowski

Scene 04: Martin Kozlowski

Scene 05: New Mexico Volunteer, Francisco Abreu

Scene 06: Tex Austin

Scene 06: Buddy Fogelson

Scene 06: Greer Garson

Minor Characters:

Scene 03: Santa Fe Trail kids: Carlos Armijo and Marian Sloan Russell

Scene 05: Wounded Union Soldier: Captain Samuel H. Cook

Scene 06: Rosie Ortiz (worked for Greer Garson 20+ years)

Interpretive Framework

Major characters will be shown as illustrated graphic cut-outs.

See reference package for illustration style details.

Minor character imagery will appear two dimensionally as part of graphic panels

Trading in Santa Fe Carlos Armijo

Running a business on the Santa Fe Trail often involved the whole family. Carlos

Armijo helped his parents run their store, Chick, Armijo, and Co. They sold supplies and trade goods for travelers to take east on the trail to Missouri and beyond.

Custom Illustration by Fabricator

Custom Illustration by Fabricator

Wounded in Battle— Union Captain Samuel H. Cook

Cook was wounded at Apache Canyon in the Battle of Glorieta Pass when

“some nearby Texan emptied a ‘buck and ball’ charge into the officer’s thigh.” He survived his wounds and was probably treated in this building.

Martin Kozlowski 1827–1905

Martin arrived here when he was 31.

He’d already had a busy life—born in

Poland, he fought Prussians, fled to

England, immigrated, and soldiered in the US Calvary.

He grazed sheep and cattle at his family’s stage stop and ranch along the Pecos River. During the Civil War, Martin opened their home as a hospital for local Union troops.

He was short and stout, with the build of a gladiator, and feared neither man, devil, nor tax collector.

—Jim Carter, Santa Fe Trail traveler

Eileen Evelyn Greer Garson 1904–1996

Born and raised in Britain, Garson became a leading Hollywood star, winning an Academy Award in the

1940s. More than a talented actress, Garson challenged twentieth-century female stereotypes as a rancher, cattle breeder, and philanthropist.

She recalled her first visit to the ranch:

I was dressed in an organdy dress, light blue, with high-heeled blue shoes and a huge willowy picture hat. I was so surprised. I thought it would be a farm with a picket fence and a duck pond and maybe a pony. I was immediately struck by the color of the earth, the sky, and the people….I felt so fragile and uncomfortable in that vast, rugged land.

Custom Illustration by Fabricator

Custom Illustration by Fabricator

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These documents have been created to show the designers' intent only. Written dimensions shall take precedence over scaled dimensions.

Contractors shall verify and be responsible for all dimensions and conditions on the job, and this office must be notified of any variations from the dimensions and conditions shown by these drawings.

Shop details must be submitted to this office before beginning fabrication. All ideas, designs, and arrangements indicated on these drawings are the property of EDX and are intended for the sole use of the client noted.

Date:

Revision #:

Title:

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These documents have been created to show the designers' intent only. Written dimensions shall take precedence over scaled dimensions.

Contractors shall verify and be responsible for all dimensions and conditions on the job, and this office must be notified of any variations from the dimensions and conditions shown by these drawings.

Shop details must be submitted to this office before beginning fabrication. All ideas, designs, and arrangements indicated on these drawings are the property of EDX and are intended for the sole use of the client noted.

7/2/18

DD1 DRAFT

SHEET INDEX

ID

A01

A02

A03

A04

A05

A06

A07

A08

A09

A10

A11

NAME

COVER SHEET

SITE PLAN

EXHIBIT PLAN

SCENE 01 WELCOME & ORIENTATION

SCENE 01 DETAILS

SCENE 02 WINDOW EXHIBITS

SCENE 03 NATURAL HISTORY

SCENE 04 EXTERIOR

SCENE 04 ELEVATIONS

LIGHTING & ELECTRICAL PLAN

ARCHITECTURAL CHANGES PLAN

FINISH SCHEDULE

TYPEID

GENERAL NOTES

F1

1. THIS SET OF DRAWINGS, IN ADDITION TO THE EXHIBIT TECHNICAL

SPECIFICATIONS, EXHIBIT DATABASE REPORTS, EXHIBIT GRAPHIC PACKAGE,

AND EXHIBIT MATERIALS SAMPLES COMPRISE THE FINAL EXHIBIT DESIGN

PACKAGE AND EXPRESS THE DESIGNERS' INTENT.

2. SHOP DRAWINGS BY FABRICATOR REQUIRED.

3. FABRICATOR TO VERIFY ALL DIMENSIONS ON SITE.

4. FABRICATOR TO ENSURE STABILITY, SAFETY, AND COMPLIANCE OF ALL

EXHIBITS.

5. ALL EDGES AND CORNERS SHOULD BE EASED OR ROUNDED.

6. FABRICATOR TO CONFORM TO NATIONAL PARK SERVICE FABRICATION

STANDARDS AVAILABLE FROM NPS-HARPERS FERRY CENTER.

DIGITAL PRINT ON ALUMINUM, CLEAR 15MIL LUSTEX PROTECTIVE

LAYER, WRAPPED EDGES, MOUNTED ON 1/2" SUBSTRATE, BLACK

SIDES & BACK

F2

F3

F4

F5

BLACK POWDER - COATED METAL

3" - 4" DIAM. PEELED PINE POLES

"ABACO BEACH" TYPE 2 CANVAS-BACKED WALL GRAPHIC

FLOOR GRAPHIC (TBD)

F6 APPLEPLY FACE (STRAIGHT OR BENT)

F7

F8

DIRECT GRAPHIC PRINT ONTO APPLEPLY

RICHLITE COLOR (TBD)

F9 CAST BRONZE

F10

F11

VINYL WINDOW GRAPHIC

BANNER MATERIAL (TBD)

SITE PLAN

Scale: 1" = 20'-0"1 16'

Exhibit space

6 Pecos National Historical Park Trading PostProduction Documents I | April 5, 2021

Site Plan

Outdoor orientation

01 Relocated Gee Gee sign

02 Small, low profile orientation panel showing location of main visitor center in relation to trading post

Entrance

Not to scale

EXHIBIT PLAN

Scale: 1/8" = 1'-0"1 2 4 8'

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These documents have been created to show the designers' intent only. Written dimensions shall take precedence over scaled dimensions.

Contractors shall verify and be responsible for all dimensions and conditions on the job, and this office must be notified of any variations from the dimensions and conditions shown by these drawings.

Shop details must be submitted to this office before beginning fabrication. All ideas, designs, and arrangements indicated on these drawings are the property of EDX and are intended for the sole use of the client noted.

Date:

Revision #:

Title:

A01

SHEET 1 OF 12

COVER SHEET

2200 Eastlake Ave. E Seattle, WA 98102

(206) 528-5556

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Revision #:

Date:

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These documents have been created to show the designers' intent only. Written dimensions shall take precedence over scaled dimensions.

Contractors shall verify and be responsible for all dimensions and conditions on the job, and this office must be notified of any variations from the dimensions and conditions shown by these drawings.

Shop details must be submitted to this office before beginning fabrication. All ideas, designs, and arrangements indicated on these drawings are the property of EDX and are intended for the sole use of the client noted.

7/2/18

DD1 DRAFT

SHEET INDEX

ID

A01

A02

A03

A04

A05

A06

A07

A08

A09

A10

A11

NAME

COVER SHEET

SITE PLAN

EXHIBIT PLAN

SCENE 01 WELCOME & ORIENTATION

SCENE 01 DETAILS

SCENE 02 WINDOW EXHIBITS

SCENE 03 NATURAL HISTORY

SCENE 04 EXTERIOR

SCENE 04 ELEVATIONS

LIGHTING & ELECTRICAL PLAN

ARCHITECTURAL CHANGES PLAN

FINISH SCHEDULE

TYPEID

GENERAL NOTES

F1

1. THIS SET OF DRAWINGS, IN ADDITION TO THE EXHIBIT TECHNICAL

SPECIFICATIONS, EXHIBIT DATABASE REPORTS, EXHIBIT GRAPHIC PACKAGE,

AND EXHIBIT MATERIALS SAMPLES COMPRISE THE FINAL EXHIBIT DESIGN

PACKAGE AND EXPRESS THE DESIGNERS' INTENT.

2. SHOP DRAWINGS BY FABRICATOR REQUIRED.

3. FABRICATOR TO VERIFY ALL DIMENSIONS ON SITE.

4. FABRICATOR TO ENSURE STABILITY, SAFETY, AND COMPLIANCE OF ALL

EXHIBITS.

5. ALL EDGES AND CORNERS SHOULD BE EASED OR ROUNDED.

6. FABRICATOR TO CONFORM TO NATIONAL PARK SERVICE FABRICATION

STANDARDS AVAILABLE FROM NPS-HARPERS FERRY CENTER.

DIGITAL PRINT ON ALUMINUM, CLEAR 15MIL LUSTEX PROTECTIVE

LAYER, WRAPPED EDGES, MOUNTED ON 1/2" SUBSTRATE, BLACK

SIDES & BACK

F2

F3

F4

F5

BLACK POWDER - COATED METAL

3" - 4" DIAM. PEELED PINE POLES

"ABACO BEACH" TYPE 2 CANVAS-BACKED WALL GRAPHIC

FLOOR GRAPHIC (TBD)

F6 APPLEPLY FACE (STRAIGHT OR BENT)

F7

F8

DIRECT GRAPHIC PRINT ONTO APPLEPLY

RICHLITE COLOR (TBD)

F9 CAST BRONZE

F10

F11

VINYL WINDOW GRAPHIC

BANNER MATERIAL (TBD)

Room 14

Room 1

Room 2

Room 6

Room 5

Room 13

7Production Documents I | April 5, 2021

Design Scheme Overview

Bubble Diagram by Content

Exterior Orientation

Welcome/Orientation

Santa Fe Trail

Kozlowski Stage Stop

Civil War in northern New Mexico

Ranching

Resources of this Land

Room 13 Room numbers reference the historical structures architectural plan.

Scale: 1/8” = 1’-0”

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2200 Eastlake Ave. E Seattle, WA 98102

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These documents have been created to show the designers' intent only. Written dimensions shall take precedence over scaled dimensions.

Contractors shall verify and be responsible for all dimensions and conditions on the job, and this office must be notified of any variations from the dimensions and conditions shown by these drawings.

Shop details must be submitted to this office before beginning fabrication. All ideas, designs, and arrangements indicated on these drawings are the property of EDX and are intended for the sole use of the client noted.

Date:

Revision #:

Title:

A01

SHEET 1 OF 12

COVER SHEET

2200 Eastlake Ave. E Seattle, WA 98102

(206) 528-5556

Title:

Revision #:

Date:

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These documents have been created to show the designers' intent only. Written dimensions shall take precedence over scaled dimensions.

Contractors shall verify and be responsible for all dimensions and conditions on the job, and this office must be notified of any variations from the dimensions and conditions shown by these drawings.

Shop details must be submitted to this office before beginning fabrication. All ideas, designs, and arrangements indicated on these drawings are the property of EDX and are intended for the sole use of the client noted.

7/2/18

DD1 DRAFT

SHEET INDEX

ID

A01

A02

A03

A04

A05

A06

A07

A08

A09

A10

A11

NAME

COVER SHEET

SITE PLAN

EXHIBIT PLAN

SCENE 01 WELCOME & ORIENTATION

SCENE 01 DETAILS

SCENE 02 WINDOW EXHIBITS

SCENE 03 NATURAL HISTORY

SCENE 04 EXTERIOR

SCENE 04 ELEVATIONS

LIGHTING & ELECTRICAL PLAN

ARCHITECTURAL CHANGES PLAN

FINISH SCHEDULE

TYPEID

GENERAL NOTES

F1

1. THIS SET OF DRAWINGS, IN ADDITION TO THE EXHIBIT TECHNICAL

SPECIFICATIONS, EXHIBIT DATABASE REPORTS, EXHIBIT GRAPHIC PACKAGE,

AND EXHIBIT MATERIALS SAMPLES COMPRISE THE FINAL EXHIBIT DESIGN

PACKAGE AND EXPRESS THE DESIGNERS' INTENT.

2. SHOP DRAWINGS BY FABRICATOR REQUIRED.

3. FABRICATOR TO VERIFY ALL DIMENSIONS ON SITE.

4. FABRICATOR TO ENSURE STABILITY, SAFETY, AND COMPLIANCE OF ALL

EXHIBITS.

5. ALL EDGES AND CORNERS SHOULD BE EASED OR ROUNDED.

6. FABRICATOR TO CONFORM TO NATIONAL PARK SERVICE FABRICATION

STANDARDS AVAILABLE FROM NPS-HARPERS FERRY CENTER.

DIGITAL PRINT ON ALUMINUM, CLEAR 15MIL LUSTEX PROTECTIVE

LAYER, WRAPPED EDGES, MOUNTED ON 1/2" SUBSTRATE, BLACK

SIDES & BACK

F2

F3

F4

F5

BLACK POWDER - COATED METAL

3" - 4" DIAM. PEELED PINE POLES

"ABACO BEACH" TYPE 2 CANVAS-BACKED WALL GRAPHIC

FLOOR GRAPHIC (TBD)

F6 APPLEPLY FACE (STRAIGHT OR BENT)

F7

F8

DIRECT GRAPHIC PRINT ONTO APPLEPLY

RICHLITE COLOR (TBD)

F9 CAST BRONZE

F10

F11

VINYL WINDOW GRAPHIC

BANNER MATERIAL (TBD)

SITE PLAN

Scale: 1" = 20'-0"1 16'

Not to scale

8 Pecos National Historical Park Trading PostProduction Documents I | April 5, 2021

Scene Purpose

Orient visitors to different visitor opportunities in the park here at the trading post and in the rest of the park, including the visitor center.

Scene 01: Welcome/Orientation

GL-01.01-100

The Forked Lightning Ranch sign

Content

1.1 Content Group 01: Exterior Welcome/Signage

GL-01.01-100 Wayside: Orientation panel

9Production Documents I | April 5, 2021

Scene 01: Welcome/Orientation

GL-01.01-100 Wayside: Orientation panel

Scale: 35% Panel Size: 36” x 24”

Custom Map by Fabricator

N

Forked Lightning Ranch House (seasonal access)

Trading Post

Visitor Center

Ancestral Sites Trail scale

Ranger Lane

G lo rieta G reek

You are here

Pecos National Historical Park National Park Service U.S. Department of the Interior

Trading Post This brightly colored building has had many functions: stage stop on the Santa Fe Trail, Civil War hospital, dude ranch headquarters, and now a place to experience history.

Natural springs flow from sandstone rock nearby. This made the area an attractive place for immigrants Elena and Martin Kozlowski to set up their Santa Fe Trail stage stop.

Picnic at spring, ca. 1920

Kozlowski ranch and stage stop, ca. 1899

In the midst of the Civil War, this building transformed from stage stop to Union Army field hospital after the Battle of Glorieta Pass.

Rodeo promoter Tex Austin expanded the original building, using it as the headquarters for his dude ranch, the Forked Lightning Ranch.

1850s

Forked Lightning Ranch, ca. 1930

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EXHIBIT PLAN

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These documents have been created to show the designers' intent only. Written dimensions shall take precedence over scaled dimensions.

Contractors shall verify and be responsible for all dimensions and conditions on the job, and this office must be notified of any variations from the dimensions and conditions shown by these drawings.

Shop details must be submitted to this office before beginning fabrication. All ideas, designs, and arrangements indicated on these drawings are the property of EDX and are intended for the sole use of the client noted.

Date:

Revision #:

Title:

A01

SHEET 1 OF 12

COVER SHEET

2200 Eastlake Ave. E Seattle, WA 98102

(206) 528-5556

Title:

Revision #:

Date:

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O S

BA

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These documents have been created to show the designers' intent only. Written dimensions shall take precedence over scaled dimensions.

Contractors shall verify and be responsible for all dimensions and conditions on the job, and this office must be notified of any variations from the dimensions and conditions shown by these drawings.

Shop details must be submitted to this office before beginning fabrication. All ideas, designs, and arrangements indicated on these drawings are the property of EDX and are intended for the sole use of the client noted.

7/2/18

DD1 DRAFT

SHEET INDEX

ID

A01

A02

A03

A04

A05

A06

A07

A08

A09

A10

A11

NAME

COVER SHEET

SITE PLAN

EXHIBIT PLAN

SCENE 01 WELCOME & ORIENTATION

SCENE 01 DETAILS

SCENE 02 WINDOW EXHIBITS

SCENE 03 NATURAL HISTORY

SCENE 04 EXTERIOR

SCENE 04 ELEVATIONS

LIGHTING & ELECTRICAL PLAN

ARCHITECTURAL CHANGES PLAN

FINISH SCHEDULE

TYPEID

GENERAL NOTES

F1

1. THIS SET OF DRAWINGS, IN ADDITION TO THE EXHIBIT TECHNICAL

SPECIFICATIONS, EXHIBIT DATABASE REPORTS, EXHIBIT GRAPHIC PACKAGE,

AND EXHIBIT MATERIALS SAMPLES COMPRISE THE FINAL EXHIBIT DESIGN

PACKAGE AND EXPRESS THE DESIGNERS' INTENT.

2. SHOP DRAWINGS BY FABRICATOR REQUIRED.

3. FABRICATOR TO VERIFY ALL DIMENSIONS ON SITE.

4. FABRICATOR TO ENSURE STABILITY, SAFETY, AND COMPLIANCE OF ALL

EXHIBITS.

5. ALL EDGES AND CORNERS SHOULD BE EASED OR ROUNDED.

6. FABRICATOR TO CONFORM TO NATIONAL PARK SERVICE FABRICATION

STANDARDS AVAILABLE FROM NPS-HARPERS FERRY CENTER.

DIGITAL PRINT ON ALUMINUM, CLEAR 15MIL LUSTEX PROTECTIVE

LAYER, WRAPPED EDGES, MOUNTED ON 1/2" SUBSTRATE, BLACK

SIDES & BACK

F2

F3

F4

F5

BLACK POWDER - COATED METAL

3" - 4" DIAM. PEELED PINE POLES

"ABACO BEACH" TYPE 2 CANVAS-BACKED WALL GRAPHIC

FLOOR GRAPHIC (TBD)

F6 APPLEPLY FACE (STRAIGHT OR BENT)

F7

F8

DIRECT GRAPHIC PRINT ONTO APPLEPLY

RICHLITE COLOR (TBD)

F9 CAST BRONZE

F10

F11

VINYL WINDOW GRAPHIC

BANNER MATERIAL (TBD)

Scale: 1/4” = 1’-0”

10 Pecos National Historical Park Trading PostProduction Documents I | April 5, 2021

Scene 02: Welcome/Orientation

Scene Purpose:

Introduce visitors to the trading post building, how geography influenced its location here, and the exhibit characters and timespan, and orientation information for the park overall.

Component List

2.1 Welcome to the Trading Post

GL-02.01-100 Trading Post Intro

GL-02.01-200 Large Character Panel

CE-02.01-300 Interactive: Spinning Cubes

GL-02.01-310+ Spinning Cube Graphics

2.2 Orientation Information

CE-02.02-100 Welcome desk

GL-02.02-125 Map on Desk

CE-02.02-150 Bench

CE-02.02-200 Passport stamping station

GL-02.02-250 Passport Stamping

CE-02.02-300 Brochure racks

CE-02.02-350 Notice board

CE-02.02-375 Reader Rail Millwork Base

GL-02.02-400 Reading Rail: Glorieta Pass

2.3 Trading Post Building History

GL-02.03-100 Reading Rail: Trading Post building

CE-02.03-150 Tactile Building models

CE-02.03-175 Tactile Adobe brick

GL-02.03-200 Trading Post Building/Adobe

CE-02.02-100

GL-02.02-125

CE-02.02-150

GL-02.02-400

CE-02.02-200

GL-02.02-250

CE-02.02-350

GL-02.03-100

CE-02.03-150

CE-02.03-175

GL-02.03-200

GL-02.01-100GL-02.01-200

CE-02.01-300

GL-02.01-310+

CE-02.02-300

Accessibility Elements For visitors with cognitive differences:

Strong visual cues provide information to non-readers, visitors who don’t speak English, and visitors with cognitive differences:

• Colorful exhibits, including the large wall map and spinning character interactive provide immediate non-verbal, visual information upon entering the building.

For visitors with low vision and blindness:

ADA/ABA requirements for movement through space by visitors with low vision and blindness are adhered to. NPS Guidelines for Programmatic Accessibility are also adhered to:

• Tactile elements including a plan of the building and adobe brick.

• Audio description of all exhibit elements will be available upon request (NIC).

For visitors with physical disabilities:

Universal design of the physical environment, as well as ADA/ABA requirements are adhered to:

• The exhibit layout provides accessible circulation and clearance between all exhibit elements.

• A wide clear pathway connects the entrance with the visitor information desk.

No audio elements in this area.

11Production Documents I | April 5, 2021

Scene 02: Welcome/Orientation

C u st o m M ap b y Fa b ri ca to r

Fo rk ed L ig h tn in g

R an ch H o u se

(s ea so n al a cc es s)

T ra d in g P o st

Ran er L an e

Glorieta G re ek

Santa Fe Trail sc al e

SN

E W

V is it o r C en te r

Yo u a re h er e

A m er ic an h is to ry u n fo ld ed in a n d ar u n d t h is b u ild in g in s u rp ri si n g w ay s.

P e o p le h av e b e e n s to p p in g b y th e

T ra d in g P fo r n e ar ly y e ar s.

T o d ay , t h e

N at io n al P ar k

Se rv ic e h o p e s th at y o u a ls o fi n d r e sp it e h e re a b re ak f ro m y o u r tr av e ls , a v is ta t o e n jo y, a a o ry t h at m ig h t e ve n c h an g e y o u

W el co m to th

Tr ad in g Po at ec os

N at io na l H is to ri ca l Pa rk

Custom Map by Fabricator

Forked Lightning Ranch House (seasonal access)

Trading Post

Ranger Lane

G lo rieta G reek

San ta Fe Trail scale

S

N

EW

Visitor Center

You are here

American history unfolded in and around this building in surprising ways.

People have been stopping by the Trading Post for nearly 200 years. Today, the National Park

Service hopes that you also find respite here— a break from your travels, a vista to enjoy, and a story that might even change you.

Welcome to the Trading Post at Pecos National Historical Park

GL-02.01-100 Trading Post Intro

Scale: 15% Panel Size: 30”x84”

Enlarged to show content

FP

O

FPO

12 Pecos National Historical Park Trading PostProduction Documents I | April 5, 2021

Elena and Martin Kozlowski ran a stage stop and raised their six children here along the Santa Fe Trail.

New Mexico Volunteers, including Sam Adams, fought for the Union at the Battle of Glorieta Pass. Some soldiers were treated for their wounds in this building.

King of the rodeo and self-styled cowboy Tex Austin used this building as headquarters for his Forked Lightning Ranch.

Oil tycoon Buddy Fogelson and Oscar-winning actress Greer Garson spent nearly 40 summers at the ranch. The ranch hands worked from this building.

Santa Fe Trail 1858 to 1880

Civil War

Dude Ranch 1925 to 1934

Hobby Ranch 1941 to 1980sMeet some of the characters who brought this place to life.

This building has been witness to many passages and characters:

traders stopping by on the Santa Fe

Trail, wounded soldiers recovering during the Civil War Battle of Glorieta

Pass, tourists trying out ranch life in the 1920s, and the private lives of

Hollywood star Greer Garson and her husband E.E. “Buddy” Fogelson in the mid-1900s. Today, it is a place to explore that history.

GL-02.01-200 Large Character Panel

Scale: 10% Panel Size: 118” x 58”

13Production Documents I | April 5, 2021

Elena and Martin Kozlowski ran a stage stop and raised their six children here along the Santa Fe Trail.

New Mexico Volunteers, including Sam Adams, fought for the Union at the Battle of Glorieta Pass. Some soldiers were treated for their wounds in this building.

King of the rodeo and self-styled cowboy Tex Austin used this building as headquarters for his Forked Lightning Ranch.

Oil tycoon Buddy Fogelson and Oscar-winning actress Greer Garson spent nearly 40 summers at the ranch. The ranch hands worked from this building.

Santa Fe Trail 1858 to 1880

Civil War

Dude Ranch 1925 to 1934

Hobby Ranch 1941 to 1980sMeet some of the characters who brought this place to life.

This building has been witness to many passages and characters:

traders stopping by on the Santa Fe

Trail, wounded soldiers recovering during the Civil War Battle of Glorieta

Pass, tourists trying out ranch life in the 1920s, and the private lives of

Hollywood star Greer Garson and her husband E.E. “Buddy” Fogelson in the mid-1900s. Today, it is a place to explore that history.

Elena and Martin Kozlowski ran a stage stop and raised their six children here along the Santa Fe Trail.

New Mexico Volunteers, including Sam Adams, fought for the Union at the Battle of Glorieta Pass. Some soldiers were treated for their wounds in this building.

King of the rodeo and self-styled cowboy Tex Austin used this building as headquarters for his Forked Lightning Ranch.

Oil tycoon Buddy Fogelson and Oscar-winning actress Greer Garson spent nearly 40 summers at the ranch. The ranch hands worked from this building.

Santa Fe Trail 1858 to 1880

Civil War

Dude Ranch 1925 to 1934

Hobby Ranch 1941 to 1980sMeet some of the characters who brought this place to life.

This building has been witness to many passages and characters:

traders stopping by on the Santa Fe

Trail, wounded soldiers recovering during the Civil War Battle of Glorieta

Pass, tourists trying out ranch life in the 1920s, and the private lives of

Hollywood star Greer Garson and her husband E.E. “Buddy” Fogelson in the mid-1900s. Today, it is a place to explore that history.

Enlarged to show content

14 Pecos National Historical Park Trading PostProduction Documents I | April 5, 2021

Sources:

Marian Sloan Russell: Along the Santa Fe Trail :

Marian Russell’s Own Story

Juana Kozlowski: 1870 census

George Jones: George Meredith (“Dogie”) Jones, male, born 1926.

Pictured in Tex brochure labeled “Tex - 4.pdf” (received from park 03.02.20) AND there’s an oral history by him at New Mexico Farm and Ranch Heritage museum site: http://oralhistory.frhm.org/ detail.php?interview=102

Victor Ortiz: telephone call with EDX (Sherry Smith) on October 26, 2020 and photographs from Victor emailed to EDX (from Park) on August 11, 2020.

GL-02.01-310+ Interactive: Spinning Cubes

Scale: 13% Cube Size: 18”x18”

Custom Illustration by Fabricator

I’m Marian Sloan and I’m 7.

I came here from Missouri, traveling back and forth on the Santa Fe Trail in a covered wagon with my mom and brother.

I like snuggling with my dolly in the wagon.

Custom Illustration by Fabricator

I’m Juana Kozlowski.

I’m 8.

I live right here.

I help my family run this stage stop on the Santa Fe Trail.

I like playing in the creek nearby.

Custom Illustration by Fabricator

I’m George “Dogie” Jones. I’m 6.

I live a few miles away. My dad’s a veterinarian here at the dude ranch. I like to play with kids that come to visit.

I got my nickname “Dogie” here at the ranch.

Custom Illustration by Fabricator

I’m Victor Ortiz and I’m 9.

My grandpa, mom, and dad have all worked here.

I like to fish in the Pecos River.

My grandpa worked with archaeologists at Pecos Pueblo.

Character portraits on Interactive Spinning Cubes will be custom illustrations.

Please see reference package for details.

15Production Documents I | April 5, 2021

Custom Illustration by Fabricator

I’m Marian Sloan and I’m 7.

I came here from Missouri, traveling back and forth on the Santa Fe Trail in a covered wagon with my mom and brother.

I like snuggling with my dolly in the wagon.

Custom Illustration by Fabricator

I’m Marian Sloan and I’m 7.

I came here from Missouri, traveling back and forth on the Santa Fe Trail in a covered wagon with my mom and brother.

I like snuggling with my dolly in the wagon.

Custom Illustration by Fabricator

I’m Marian Sloan and I’m 7.

I came here from Missouri, traveling back and forth on the Santa Fe Trail in a covered wagon with my mom and brother.

I like snuggling with my dolly in the wagon.

Custom Illustration by Fabricator

I’m Juana Kozlowski.

I’m 8.

I live right here.

I help my family run this stage stop on the Santa Fe Trail.

I like playing in the creek nearby.

Custom Illustration by Fabricator

I’m Juana Kozlowski.

I’m 8.

I live right here.

I help my family run this stage stop on the Santa Fe Trail.

I like playing in the creek nearby.

Custom Illustration by Fabricator

I’m Juana Kozlowski.

I’m 8.

I live right here.

I help my family run this stage stop on the Santa Fe Trail.

I like playing in the creek nearby.

Custom Illustration by Fabricator

I’m George “Dogie” Jones. I’m 6.

I live a few miles away. My dad’s a veterinarian here at the dude ranch. I like to play with kids that come to visit.

I got my nickname “Dogie” here at the ranch.

Custom Illustration by Fabricator

I’m George “Dogie” Jones. I’m 6.

I live a few miles away. My dad’s a veterinarian here at the dude ranch. I like to play with kids that come to visit.

I got my nickname “Dogie” here at the ranch.

Custom Illustration by Fabricator

I’m George “Dogie” Jones. I’m 6.

I live a few miles away. My dad’s a veterinarian here at the dude ranch. I like to play with kids that come to visit.

I got my nickname “Dogie” here at the ranch.

Custom Illustration by Fabricator

I’m Victor Ortiz and I’m 9.

My grandpa, mom, and dad have all worked here.

I like to fish in the Pecos River.

My grandpa worked with archaeologists at Pecos Pueblo.

Custom Illustration by Fabricator

I’m Victor Ortiz and I’m 9.

My grandpa, mom, and dad have all worked here.

I like to fish in the Pecos River.

My grandpa worked with archaeologists at Pecos Pueblo.

Custom Illustration by Fabricator

I’m Victor Ortiz and I’m 9.

My grandpa, mom, and dad have all worked here.

I like to fish in the Pecos River.

My grandpa worked with archaeologists at Pecos Pueblo.

16 Pecos National Historical Park Trading PostProduction Documents I | April 5, 2021

Stamp your passport here.

Meet some of the kids connected to this place.

GL-02.02-250 Graphic: One-of-a-kind Passport Stamping

Scale: 50% Panel Size: 10” x16”

GL-02.01-370 Spinner Topper

Scale: 50% Panel Size: 12” x12”

Note to Park:

There are pen marks on this photo.

Do you want them photoshopped out if it is possible to do so?

Note to Park:

Please confirm wording is correct for the last sentence of the intro paragraph and the caption for the Glorieta Mesa image.

17Production Documents I | April 5, 2021

Scene 02: Welcome/Orientation

GL-02.02-400 Reading Rail: Glorieta Pass

Scale: 30% Panel Size: 48” x 22”

What’s Outside the Window

Geography plays a big role in why this building is here. Nearby Glorieta

Creek provided water for the original

Kozlowski stage stop. Glorieta Mesa rises steeply along the southern horizon. To the west is Glorieta Pass, historically the most direct route between Santa Fe and the high plains.

This stretch of New Mexico Highway 63 between

Pecos and Rowe parallels the old Santa Fe Trail.

This photo is from 1925, when the road was part of the original US Route 66.

Wagon ruts made more than 150 years ago run right to this building. They’re easier to see from the air—like in this photo—than on the ground.

The 30-mile-long Glorieta Mesa marks the transition between the Southern

Rocky Mountains and the Great Plains.

You are here

Santa Fe Trail wagon ruts

18 Pecos National Historical Park Trading PostProduction Documents I | April 5, 2021

GL-02.03-100 Reading Rail: Building Materials

Scale: 30% Panel Size: 54” x 21.5”

CE-02.03-150 Tactile Building models CE-02.03-175 Tactile Adobe brick

CE-02.03-150

20 4 6 8

N

Building in Stages

Locally made adobe bricks form the walls of this building.

Feel the sun-dried mud and embedded straw.

These rooms have taken shape over the last 150 years.

They’ve been a family home, a place of hospitality, a hospital, and ranch headquarters.

At first the building was very small.

The Kozlowski family of eight lived in 550 square feet.

The size of the building more than doubled during this time.

Dude ranch owner Tex Austin greatly expanded the building to use it as the headquarters for his Forked Lightning Ranch.

Ranch owners Buddy Fogelson and Greer Garson added a gate and porches.

1858–1899

1925–1934

1900–1924

1941–1991 You are here Added 1858-1899

Added 1900-1924 Added 1941-1991

Exhibit Areas

Trading Post Floor Plan & Key

Added 1925-1934 scale 0 8’ 16’

Adobe Brick (10x14) and tray

19Production Documents I | April 5, 2021

GL-02.03-200 Topic Panel: Building Materials

Scale: 20% Panel Size: 52” x 42”

Vigas, Vibrant Colors, Adobe Bricks

Adobe bricks form these walls. Builders combined dirt, water, clay, sand, and sometimes straw to create the bricks for this building. The photo above shows adobe brick-makers at Pecos in 1915.

VigAs (pronounced vee-ghas) are wood ceiling beams. They are the primary supports for roofs in adobe construction. Look up and you’ll see some.

blue And pink paint colors were Greer Garson’s choice when she spent summers at the Forked Lightning Ranch in the 1960s.

This adobe building has many stories to tell. One way researchers learn about the history of a structure is by looking closely at the original construction materials.

A03

SHEET 4 OF 21

PDI

EXHIBIT PLAN

4/5/21

2200 Eastlake Ave. E Seattle, WA 98102

(206) 528-5556

PE

C

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A L

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IC

A

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PA

R K

TR

A

D

IN

G P

O S

T E

X H

IB

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These documents have been created to show the designers' intent only. Written dimensions shall take precedence over scaled dimensions.

Contractors shall verify and be responsible for all dimensions and conditions on the job, and this office must be notified of any variations from the dimensions and conditions shown by these drawings.

Shop details must be submitted to this office before beginning fabrication. All ideas, designs, and arrangements indicated on these drawings are the property of EDX and are intended for the sole use of the client noted.

Date:

Revision #:

Title:

A01

SHEET 1 OF 12

COVER SHEET

2200 Eastlake Ave. E Seattle, WA 98102

(206) 528-5556

Title:

Revision #:

Date:

BI

G

B

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D N

P C

H

IS

O S

BA

SI

N

VI

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TO

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CE

NT

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XH

IB

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S

These documents have been created to show the designers' intent only. Written dimensions shall take precedence over scaled dimensions.

Contractors shall verify and be responsible for all dimensions and conditions on the job, and this office must be notified of any variations from the dimensions and conditions shown by these drawings.

Shop details must be submitted to this office before beginning fabrication. All ideas, designs, and arrangements indicated on these drawings are the property of EDX and are intended for the sole use of the client noted.

7/2/18

DD1 DRAFT

SHEET INDEX

ID

A01

A02

A03

A04

A05

A06

A07

A08

A09

A10

A11

NAME

COVER SHEET

SITE PLAN

EXHIBIT PLAN

SCENE 01 WELCOME & ORIENTATION

SCENE 01 DETAILS

SCENE 02 WINDOW EXHIBITS

SCENE 03 NATURAL HISTORY

SCENE 04 EXTERIOR

SCENE 04 ELEVATIONS

LIGHTING & ELECTRICAL PLAN

ARCHITECTURAL CHANGES PLAN

FINISH SCHEDULE

TYPEID

GENERAL NOTES

F1

1. THIS SET OF DRAWINGS, IN ADDITION TO THE EXHIBIT TECHNICAL

SPECIFICATIONS, EXHIBIT DATABASE REPORTS, EXHIBIT GRAPHIC PACKAGE,

AND EXHIBIT MATERIALS SAMPLES COMPRISE THE FINAL EXHIBIT DESIGN

PACKAGE AND EXPRESS THE DESIGNERS' INTENT.

2. SHOP DRAWINGS BY FABRICATOR REQUIRED.

3. FABRICATOR TO VERIFY ALL DIMENSIONS ON SITE.

4. FABRICATOR TO ENSURE STABILITY, SAFETY, AND COMPLIANCE OF ALL

EXHIBITS.

5. ALL EDGES AND CORNERS SHOULD BE EASED OR ROUNDED.

6. FABRICATOR TO CONFORM TO NATIONAL PARK SERVICE FABRICATION

STANDARDS AVAILABLE FROM NPS-HARPERS FERRY CENTER.

DIGITAL PRINT ON ALUMINUM, CLEAR 15MIL LUSTEX PROTECTIVE

LAYER, WRAPPED EDGES, MOUNTED ON 1/2" SUBSTRATE, BLACK

SIDES & BACK

F2

F3

F4

F5

BLACK POWDER - COATED METAL

3" - 4" DIAM. PEELED PINE POLES

"ABACO BEACH" TYPE 2 CANVAS-BACKED WALL GRAPHIC

FLOOR GRAPHIC (TBD)

F6 APPLEPLY FACE (STRAIGHT OR BENT)

F7

F8

DIRECT GRAPHIC PRINT ONTO APPLEPLY

RICHLITE COLOR (TBD)

F9 CAST BRONZE

F10

F11

VINYL WINDOW GRAPHIC

BANNER MATERIAL (TBD)

20 Pecos National Historical Park Trading PostProduction Documents I | April 5, 2021

Scale: 1/4” = 1’-0”

Scene 03: Santa Fe Trail

Content

3.1 Santa Fe Trail Introduction

GL-03.01-100 Graphic: Why Here

GL-03.01-150 Graphic: Intro

GL-03.01-165 Minor Character: Carlos

GL-03.01-175 Minor Character: Marian Sloan Russel

GL-03.01-200 Floor graphic: Santa Fe Trail map

CE-03.01-300 Props: Trade goods (going east to west)

GL-03.01-350 Prop label (in west)

CE-03.01-400 Props: Trade goods (going west to east)

GL-03.01-450 Prop label (in west)

Scene Purpose:

Convey how the Santa Fe Trail was a 900-mile commercial highway for moving goods east and west; what life was like for children working as part of the Santa Fe Trail..

GL-03.01-200

GL-03.01-100

GL-03.01-150

CE-03.01-300

GL-03.01-350

GL-03.01-165

GL-03.01-175

GL-03.01-450

CE-03.01-400

Accessibility Elements For visitors with cognitive differences:

Strong visual cues provide information to non-readers, visitors who don’t speak English, and visitors with cognitive differences:

• Colorful exhibits and graphics, including the large floor map of the Santa Fe Trail.

For visitors with low vision and blindness:

ADA/ABA requirements for movement through space by visitors with low vision and blindness are adhered to. NPS Guidelines for Programmatic Accessibility are also adhered to:

• Tactile elements including various trade goods.

• Audio description of all exhibit elements will be available upon request (NIC).

For visitors with physical disabilities:

Universal design of the physical environment, as well as ADA/ABA requirements are adhered to:

• The exhibit layout provides accessible circulation and clearance between all exhibit elements.

No audio elements in this area.

21Production Documents I | April 5, 2021

Scene 03: Santa Fe Trail

GL-03.01-100 Graphic: Why Here?

Scale: 15% Panel Size: 60” x 48”

Enlarged to show content

Good Spot to Stop

Covered wagons crossing the prairie on the Santa Fe Trail, date unknown.

Pecos is a day’s travel from Santa Fe by wagon. This was a welcome respite, whether you were just starting or had almost completed your trip. There were trout in the creek, a barn to shelter animals, and a warm place to rest.

Good Spot to Stop

Covered wagons crossing the prairie on the Santa Fe Trail, date unknown.

Pecos is a day’s travel from Santa Fe by wagon. This was a welcome respite, whether you were just starting or had almost completed your trip. There were trout in the creek, a barn to shelter animals, and a warm place to rest.

22 Pecos National Historical Park Trading PostProduction Documents I | April 5, 2021

GL-03.01-150 Intro

Scale: 17% Panel Size: 24” x 90”

Enlarged to show content

Scene 03: Santa Fe Trail

Th e

Sa nt a Fe

T ra il

T h e S an ta

F e

T ra il w as a

-m ile , t w o

-w h ig h w ay o f tr ad e li n ki n g

M is so u ri a n d

S an ta F e

T h e r o u te f o llo w e d lo n g

-e st ab lis h e d in d ig e n o u s p at h w ay s.

M e xi c an a n d A m e ri c an f re ig h te rs fi rs t u se d t h e t ra il to h au l w ag o n s lo ad e d w it h g o o d s in t h e s.

W h e n t h e U n it e d

S ta te s ac q u ir s o u th w e st t e rr it o ri e s fr o m M e…