Attachment_13a_PECO_VC_Graphic_Layouts_April_2021.pdf

Pecos National Historical Park Pecos Visitor Center | Pecos, New Mexico

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SDII DDI PRE-PROD PRODUCTIONSDI DDII PDII

GRAPHICS

P R O J E C T:

Exhibit Planning and Design, Pecos Visitor Center

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TYPE STANDARDS—AREA PANEL TITLE

1300–1600 CE

Pecos Pueblo Rises Lato Bold

(OTF)

130/156 10 tracking

AREA PANEL TITLE

Colus Reg

(OTF)

237/284 30 tracking

MMOOMMEENNTTSS

Lato Black

(OTF)

110/110 80 tracking

Area Panel Title—Type StandardsScale = Lifesize

Exhibit Planning and Design, Pecos Visitor Center

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TYPE STANDARDS—AREA PANEL BODY

Pecos Rises Upwards Around 1450

With its strategic geographic location, Pecos grew quickly in the 1400s. By 1450, the pueblo rose four to five stories and surrounded a central plaza. Small, seasonal farming villages, or field houses, remained around the pueblo. Nearly 2000 people lived in Pecos, making this easternmost pueblo the center of human habitation in the Upper Pecos Valley.

Lato Black

(OTF)

76/91.2 30 tracking

AREA PANEL BODY

Lato Bold It

(OTF)

65/78 30 tracking

Neuton Reg

(OTF)

44/56 10 tracking

Area Panel Body—Type StandardsScale = Lifesize

Exhibit Planning and Design, Pecos Visitor Center

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Scale = As Noted

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TYPE STANDARDS—SUB PANEL

Lato Black

(OTF)

2pt outline 60/72 70 tracking

Neuton Reg

(OTF)

36/45 10 tracking

FFIIGGHHTTIINNGG IINN

GGLLOORRIIEETTAA PPAASSSS

Confederate Texans took Santa Fe in March 1862, and then looked northeast to Fort Union, where they could replenish their supply wagons. To get there, they would have to go through Glorieta Pass—and Colorado volunteers fighting for the Union. After a day of fierce fighting, the Union forces retreated. But the Confederate victory would be short lived.

.375 space

SUB A

Sub Panel—Type StandardsScale = Lifesize

Exhibit Planning and Design, Pecos Visitor Center

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TYPE STANDARDS—INSTRUCTIONS

A detachment of Federals moved across Glorieta Mesa and destroyed the Texans’ supply train, setting wagons like these ablaze. Unable to continue without supplies, the Texans had to abandon their plans of western conquest.

Neuton Bold

(OTF)

Neuton Reg

(OTF)

30/36 10 tracking

SUB A INSTRUCTIONS

Instruction —Type StandardsScale = Lifesize

Exhibit Planning and Design, Pecos Visitor Center

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TYPE STANDARDS—QUOTE

lead the Spaniards astray on the plains because, lacking provisions, their horses would die and when they RETURNED WEAK the people of Cicuye could kill them easily and

AVENGE THEMSELVES

for what they had done to them.

PEDRO DE CASTAÑEDA, a member of Coronado’s expedition, wrote that in 1541 the Cicuye (Pecos) people decided to...

Neuton Reg

(OTF)

56/63.7 10 tracking

Colus (OTF) 56/67.2 10 tracking

QUOTE

Neuton Bold

(OTF)

Neuton Reg

(OTF)

30/36

Quote—Type StandardsScale = Lifesize

Exhibit Planning and Design, Pecos Visitor Center

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TYPE STANDARDS—SMALL QUOTE

In this repatriation, the people triumphed by coming together.

PETE TOYA, the War Chief at Jemez Pueblo, said, It does not matter if they are Apache, Navajo, Comanche, or Spanish.

If they were taken from Pecos, WE WILL TAKE THEM and

REBURY THEM back at the place where they were taken from.

Neuton Reg

(OTF)

45/51 10 tracking

Colus (OTF) 45/54 10 tracking

Neuton Bold

(OTF)

Neuton Reg

(OTF)

27/32 10 tracking

QUOTE SMALL

Small Quote—Type StandardsScale = Lifesize

Exhibit Planning and Design, Pecos Visitor Center

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TYPE STANDARDS—LARGE QUOTE (ON CUT FIGURES)

I appoint you as my governor, captain general, caudillo, discoverer, and pacifier of the … provinces of New Mexico … .

You will endeavor to attract the natives with PEACE, FRIENDSHIP, and GOOD TREATMENT, QUOTE LARGE (CUTOUTS)

KING PHILLIP II of Spain’s official appointment

Neuton Reg

(OTF)

65/76 10 tracking

Colus (OTF) 65/76 10 tracking

Neuton Bold

(OTF)

Neuton Reg

(OTF)

36/45

Large Quote used on cut figures—Type StandardsScale = Lifesize

Exhibit Planning and Design, Pecos Visitor Center

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COLOR PALETTE

Brown 1 C=34 M=70 Y=80 K=51

COLOR PALETTE

Yellow 1 C=10 M=21 Y=83 K=0

Green 1 C=50 M=29 Y=75 K=47

Forest 1 C=68 M=50 Y=69 K=39

Teal 1 C=68 M=50 Y=69 K=39

Maroon 1 C=50 M=29 Y=75 K=47

Brown 2 C=38 M=69 Y=80 K=36

Yellow 2 C=10 M=30 Y=68 K=0

Green 2 C=48 M=28 Y=72 K=27

Forest 2 C=52 M=29 Y=73 K=7

Teal 2 C=52 M=29 Y=73 K=7

Maroon 2 C=52 M=29 Y=73 K=7

Yellow 2 Tint 50%Brown 2 Tint 50% Teal 2 Tint 75%

Teal 2 Tint 50%

Green 1 Tint 85%

Green 1 Tint 50%

Maroon 1 Tint 75%

Color PaletteScale = N/A

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

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COLOR PALETTE

COLOR PALETTE

LIGHT TYPE DARK TYPE

Brown 1 C=34 M=70 Y=80 K=51

BASE COLOR

Yellow 2 Tint C=10 M=30 Y=68 K=0 50%

Tan 1 C=6 M=9 Y=16 K= 0 75%

Teal 1 C=68 M=50 Y=69 K=39

Tan 1 Tint C=6 M=9 Y=16 K=0 50%

Color Palette—Base, Light, and DarkScale = N/A

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

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COLOR PALETTE

PANEL COLOR BREAKDOWN

AREA TWO

Green 1 C=50 M=29 Y=75 K=47

Green 2 C=48 M=28 Y=72 K=27

Yellow 2 C=10 M=30 Y=68 K=0

Yellow 2 Tint C=10 M=30 Y=68 K=0 50%

AREA THREE

Brown 2 C=38 M=69 Y=80 K=36

Brown 2 Tint C=10 M=30 Y=68 K=0 50%

Yellow 2 C=10 M=30 Y=68 K=0

Yellow 2 Tint C=10 M=30 Y=68 K=0 50%

Maroon 2 C=52 M=29 Y=73 K=7

Color Palette—By AreaScale = N/A

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

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COLOR PALETTE

PANEL COLOR BREAKDOWN

AREA FOUR

CHURCH

AREA FOUR

STRATIGRAPHY

Brown 2 Tint C=10 M=30 Y=68 K=0 50%

Yellow 2 Tint C=10 M=30 Y=68 K=0 50%

Maroon 2 C=52 M=29 Y=73 K=7

Teal 1 C=68 M=50 Y=69 K=39

Teal 2 Tint C=52 M=29 Y=73 K=7 75%

Teal 2 Tint C=52 M=29 Y=73 K=7 50%

Yellow 1 C=10 M=21 Y=83 K=0

Brown 1 C=34 M=70 Y=80 K=51

Maroon 1 Tint C=50 M=29 Y=75 K=47 75%

Exhibit Planning and Design, Pecos Visitor Center

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Maroon 2 C=52 M=29 Y=73 K=7

PANEL COLOR BREAKDOWN

AREA FIVE

AREA SEVEN

Yellow 2 Tint C=10 M=30 Y=68 K=0 50%

Green 1 Tint C=50 M=29 Y=75 K=47 85%

Forest 1 C=68 M=50 Y=69 K=39

Green 1 Tint C=50 M=29 Y=75 K=47 50%

Yellow 2 Tint C=10 M=30 Y=68 K=0 50%

Maroon 1 C=50 M=29 Y=75 K=47

Maroon 1 Tint C=50 M=29 Y=75 K=47 75%

Teal 2 C=52 M=29 Y=73 K=7

Teal 1 C=68 M=50 Y=69 K=39

Brown 1 C=34 M=70 Y=80 K=51

COLOR PALETTE

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

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COLOR PALETTE

Color Palette—By AreaScale = N/A

PANEL COLOR BREAKDOWN

AREA EIGHT

Forest 1 C=68 M=50 Y=69 K=39

Forest 2 C=52 M=29 Y=73 K=7

Yellow 2 Tint C=10 M=30 Y=68 K=0 50%

Brown 2 C=38 M=69 Y=80 K=36

Maroon 2 C=52 M=29 Y=73 K=7

AREA NINE

Green 1 Tint C=50 M=29 Y=75 K=47 85%

Forest 1 C=68 M=50 Y=69 K=39

Green 1 Tint C=50 M=29 Y=75 K=47 50%

Yellow 2 Tint C=10 M=30 Y=68 K=0 50%

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

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GRAPHICS SCHEDULE

Graphics ScheduleScale = N/A

E D H P M

GL 1 1 Intro 24" 42" Intro

GL 1 2 Intro Instructions 1 " 4" Sub

GL 2 1 Area Panel 4 " " Area Panel

GL 2 2 Area Panel Reader Rail 4 " 13. 2 " Area Panel Rail

GL 2 2 Sub 1 .2 " " Sub

GL 2 2 all Map 4 " 3 "

GL 2 2 Sub Instructions 1 " 4" Sub

GL 2 3 Sub C 1 .2 " " Sub

GL 2 31 Sub C Instructions 1 " 4" Sub

GL 2 32 Sub C Instructions 1 " 4" Sub

GL 2 3 Sub D 1 .2 " " Sub

GL 2 3 Sub D Instructions top 1 " 4" Sub

GL 2 3 Sub D Instructions top 1 " " Sub

GL 2 4 Case Panel Timeline erall 1 2" Far Right 3 . " Mid Right 3 "

Middle 3 " Mid Left 42. " Far Left 3 " 12"

GL 2 4 1 Artifact Label " 2" Artifact label

GL 2 4 2 Artifact Label " 2" Artifact label

GL 2 4 3 Artifact Label " 2.3 " Artifact label

GL 2 4 4 Artifact Label " 2.3 " Artifact label

GL 2 4 Artifact Label " 2" Artifact label

GL 2 4 Artifact Label " 2" Artifact label

GL 2 4 Artifact Label " 2" Artifact label

GL 2 4 Artifact Label " 2" Artifact label

GL 2 4 Artifact Label " 2" Artifact label

GL 2 4 Artifact Label " 2" Artifact label

GL 2 4 1 Artifact Label " 2" Artifact label

GL 2 4 2 Artifact Label " 2" Artifact label

GL 2 4 3 Artifact Label " 2" Artifact label

GL 2 4 4 Artifact Label " 2" Artifact label

GL 2 4 Artifact Label " 2" Artifact label

GL 2 4 Artifact Label " 2" Artifact label

GL 2 4 Artifact Label " 2" Artifact label

PROD METHOD KEY

Artifact Label digital print on vinyl 2nd surface mounted to

1/8" non-glare foam tape mounted

Area Panel DTS Graphic on MDF panel edges painted

Area Panel RR HPL Graphic on MDF rail egdes painted

Flat Area Panel DTS Graphic on MDF panel edges painted

Cut Figures Contour cut graphic, 1 layer of 1" MDF glued edges sanded and painted, all edge has a 1/4" chamfer, front face painted for DTS print

Slant Rails Rail substructure 3/4" MDF & Ply laminated & painted bolted to exhibit or wall

Intro Partially transparent print on glass, 1/2" acrylic panel w/ DTS print on 1st surface

Flora Graphics Front layer 1/4" clear acrylic CNC contour cut to perimeter only w/ dusted crystal graphic applied to back face bolted through copper layer & into back acrylic layer w/ bronze stafast bolts. Center layer 1/4" brushed copper CNC contour cut per graphic file, all edges eased

Sub Panel direct print to 1/4" MDF with edges painted to match graphic

Murals digital wallpaper print applied directly to wall

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

PDII

"QSJM�����

GRAPHICS SCHEDULE

Graphics ScheduleScale = N/A

PROD METHOD KEY

Artifact Label digital print on vinyl 2nd surface mounted to

1/8" non-glare foam tape mounted

Area Panel DTS Graphic on MDF panel edges painted

Area Panel RR HPL Graphic on MDF rail egdes painted

Flat Area Panel DTS Graphic on MDF panel edges painted

Cut Figures Contour cut graphic, 1 layer of 1" MDF glued edges sanded and painted, all edge has a 1/4" chamfer, front face painted for DTS print

Slant Rails Rail substructure 3/4" MDF & Ply laminated & painted bolted to exhibit or wall

Intro Partially transparent print on glass, 1/2" acrylic panel w/ DTS print on 1st surface

Flora Graphics Front layer 1/4" clear acrylic CNC contour cut to perimeter only w/ dusted crystal graphic applied to back face bolted through copper layer & into back acrylic layer w/ bronze stafast bolts. Center layer 1/4" brushed copper CNC contour cut per graphic file, all edges eased

Sub Panel direct print to 1/4" MDF with edges painted to match graphic

Murals digital wallpaper print applied directly to wall

E D H P M

GL 2 4 Artifact Label " 2" Artifact label

GL 2 4 Artifact Label " 2" Artifact label

GL 2 4 Artifact Label " 2" Artifact label

GL 2 4 1 Artifact Label " 2" Artifact label

GL 2 4 2 Artifact Label " 2" Artifact label

GL 2 4 3 Artifact Label " 2" Artifact label

GL 2 4 4 Artifact Label " 2" Artifact label

GL 2 Flora Graphic Flora Graphics

GL 2 1 all Mural .2 " 1. Mural

GL 3 1 Pueblo People 4 .3 Cut Figures

GL 3 1 Area Panel 4 " " Area Panel

GL 3 2 Area Panel RR 4 " 13. 2 " Slant Rails Angle on Right

GL 3 2 Sub RR 21. " .2 " Slant Rails Angle on Left GL 3 3 Sub C 1 .2 " " Sub

GL 3 31 Sub C Instructions 1 " 4" Sub

GL 3 311 Artifact Label " 2" Artifact label

GL 3 312 Artifact Label " 2.3 " Artifact label

GL 3 313 Artifact Label " 1. " Artifact label

GL 3 314 Artifact Label " 2" Artifact label

GL 3 31 Artifact Label " 2.3 " Artifact label

GL 3 31 Artifact Label " 2.3 " Artifact label

GL 3 31 Artifact Label " 2" Artifact label

GL 3 31 Artifact Label " 1. " Artifact label

GL 3 31 Artifact Label " 2.3 " Artifact label

GL 3 32 Artifact Label " 2. 2 " Artifact label

GL 3 321 Artifact Label " 1. " Artifact label

GL 3 3 Sub D 1 .2 " " Sub

GL 3 3 Sub D Instructions 11" " Sub

GL 3 3 Sub D Instructions 1 " 4" Sub

GL 3 3 1 Artifact Label " 4" Artifact label

GL 3 4 Sub 14. " .2 " Sub

GL 3 41 Sub Instructions 1 " 4" Sub

GL 3 all Paper 114.2 " 12 " Mural

GL 3 1 Case Graphic on Glass 4 . " . "" Sub

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

PDII

"QSJM�����

GRAPHICS SCHEDULE

Graphics ScheduleScale = N/A

PROD METHOD KEY

Artifact Label digital print on vinyl 2nd surface mounted to

1/8" non-glare foam tape mounted

Area Panel DTS Graphic on MDF panel edges painted

Area Panel RR HPL Graphic on MDF rail egdes painted

Flat Area Panel DTS Graphic on MDF panel edges painted

Cut Figures Contour cut graphic, 1 layer of 1" MDF glued edges sanded and painted, all edge has a 1/4" chamfer, front face painted for DTS print

Slant Rails Rail substructure 3/4" MDF & Ply laminated & painted bolted to exhibit or wall

Intro Partially transparent print on glass, 1/2" acrylic panel w/ DTS print on 1st surface

Flora Graphics Front layer 1/4" clear acrylic CNC contour cut to perimeter only w/ dusted crystal graphic applied to back face bolted through copper layer & into back acrylic layer w/ bronze stafast bolts. Center layer 1/4" brushed copper CNC contour cut per graphic file, all edges eased

Sub Panel direct print to 1/4" MDF with edges painted to match graphic

Murals digital wallpaper print applied directly to wall

E D H P M

GL 4 1 Mounted Con uistador 4 .12 " .2 " Cut Figures

GL 4 1 Area Panel on Glass 4 . " . "" Sub

GL 4 2 Sub A RR 33.3 " .2 " Slant Rails Angle on Left GL 4 2 Sub 1 .2 " " Sub

GL 4 2 Sub Instructions 1 " 4" Sub

GL 4 2 Sub img 1 .2 " " Sub

GL 4 3 Sub C RR 1 .2 " " Slant Rail Angle on Left

GL 4 3 Sub D 14. " .2 " Sub

GL 4 3 Sub D Instructions 1 " 4" Sub

GL 4 3 1 Artifact Label " 2. 2 " Artifact label

GL 4 3 Sub D Instructions 1 " 4" Sub

GL 4 4 Sub 14. " .2 " Sub

GL 4 41 Sub Instructions 1 " 4" Sub

GL 4 Sub G 1 .2 " " Sub

GL-4-510 Sub G Instructions 1 4" Sub

GL 4 1 Artifact Label " 3.12 " Artifact label

GL 4 2 Artifact Label " 2.3 " Artifact label

GL 4 2.1 Artifact Label " .2 " Artifact label

GL 4 3 Artifact Label " 2.3 " Artifact label

GL 4 4 Artifact Label " 1. " Artifact label

GL 4 Sub I 1 .2 " " Sub

GL 4 1 Sub I Instructions 11" " Sub

GL 4 2 Sub I Instructions 1 " 4" Sub

GL 4 Sub Re eal 3 .312 " . "

GL 4 Sub Instrutions 1 " " Sub

GL 4 Sub 14. " .2 " Sub

GL 4 1 Sub Re eal

GL 4 Sub L 1 " " Sub

GL 4 Sub L Instructions 1 " 4" Sub

GL 4 Sub M 14. " .2 " Sub

GL 4 1 Sub M Instructions 1 " 4" Sub

GL 4 all Paper Mural

GL 4 1 Flora Graphic Flora Graphics

GL 1 Monk & Pecos People 43" 3" Cut Figures

GL 11 Pecos Person Lea ing 31" " Cut Figures

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

PDII

"QSJM�����

GRAPHICS SCHEDULE

Graphics ScheduleScale = N/A

PROD METHOD KEY

Artifact Label digital print on vinyl 2nd surface mounted to

1/8" non-glare foam tape mounted

Area Panel DTS Graphic on MDF panel edges painted

Area Panel RR HPL Graphic on MDF rail egdes painted

Flat Area Panel DTS Graphic on MDF panel edges painted

Cut Figures Contour cut graphic, 1 layer of 1" MDF glued edges sanded and painted, all edge has a 1/4" chamfer, front face painted for DTS print

Slant Rails Rail substructure 3/4" MDF & Ply laminated & painted bolted to exhibit or wall

Intro Partially transparent print on glass, 1/2" acrylic panel w/ DTS print on 1st surface

Flora Graphics Front layer 1/4" clear acrylic CNC contour cut to perimeter only w/ dusted crystal graphic applied to back face bolted through copper layer & into back acrylic layer w/ bronze stafast bolts. Center layer 1/4" brushed copper CNC contour cut per graphic file, all edges eased

Sub Panel direct print to 1/4" MDF with edges painted to match graphic

Murals digital wallpaper print applied directly to wall

E D H P M

GL 1 Area Panel 4 " " Area Panel

GL 2 Area Panel RR 4 " 14" Area Panel Rail

GL 2 Sub A Sub RR 4 .3 " .2 " Slant Rails Angle on Left

GL 3 Sub C 1 .2 " " Sub

GL 3 Sub D 14. " .2 " Sub

GL 3 Sub D Instructions 1 " " Sub

GL 4 Sub 1 .2 " " Sub

GL 41 Sub Instructions 12" " Sub

GL 42 Sub Img . " .2 " Sub

GL 1 Artifact Label " 1. " Artifact label

GL 2 Artifact Label " 1. " Artifact label

GL 3 Artifact Label " 2.3 " Artifact label

GL 4 Artifact Label " 2.3 " Artifact label

GL all Paper 1 . " 1 " Artifact label

GL 1 Flora Graphic Flora Graphics

GL A 1 Intro 2 . 2 " 42. " Sub

GL A 111 Artifact Label " 1. " Artifact label

GL A 1 Plains People 2 . 2 " 42. " Sub

GL A 2 Trade Routes Img 2 . 2 " 42. " Sub

GL A 21 Item A Top

GL A 211 Item A ottom

GL A 21 Item Top

GL A 21 Item ottom

GL A 22 Item C Top

GL A 221 Item C ottom

GL A 22 Item D Top

GL A 22 Item D ottom

GL A 23 Item Top

GL A 231 Item ottom

GL A 2 Map Table

GL A 3 Continental Trade Map

GL 3 Intro 14. " 13" Sub

GL 1 Artifact Label " 2.3 " Artifact label

GL 1 Area Panel 4 " " Flat Area Panel

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

PDII

"QSJM�����

GRAPHICS SCHEDULE

Graphics ScheduleScale = N/A

PROD METHOD KEY

Artifact Label digital print on vinyl 2nd surface mounted to

1/8" non-glare foam tape mounted

Area Panel DTS Graphic on MDF panel edges painted

Area Panel RR HPL Graphic on MDF rail egdes painted

Flat Area Panel DTS Graphic on MDF panel edges painted

Cut Figures Contour cut graphic, 1 layer of 1" MDF glued edges sanded and painted, all edge has a 1/4" chamfer, front face painted for DTS print

Slant Rails Rail substructure 3/4" MDF & Ply laminated & painted bolted to exhibit or wall

Intro Partially transparent print on glass, 1/2" acrylic panel w/ DTS print on 1st surface

Flora Graphics Front layer 1/4" clear acrylic CNC contour cut to perimeter only w/ dusted crystal graphic applied to back face bolted through copper layer & into back acrylic layer w/ bronze stafast bolts. Center layer 1/4" brushed copper CNC contour cut per graphic file, all edges eased

Sub Panel direct print to 1/4" MDF with edges painted to match graphic

Murals digital wallpaper print applied directly to wall

E D H P M

GL 2 Sub A 1 .2 " " Sub

GL 21 Sub A Instructions 1 " 4" Sub

GL 2 Sub 14. " .2 " Sub

GL 2 Sub Instructions 1 " 4" Sub

GL 2 1 Artifact Label " 3.12 " Artifact label

GL 2 2 Artifact Label " 2.3 " Artifact label

GL 2 3 Artifact Label " 2" Artifact label

GL 2 4 Artifact Label " 2. 2 " Artifact label

GL 3 Sub C 1 .2 " " Sub

GL 31 Sub C Instructions 1 " 4" Sub

GL 3 Sub D 1 .2 " " Sub

GL 3 Sub D Instructions 1 " 4" Sub

GL 3 1 Artifact Label " 2.3 " Artifact label

GL 3 2 Artifact Label " 2" Artifact label

GL 3 3 Artifact Label " 2.3 " Artifact label

GL 3 4 Artifact Label " 2" Artifact label

GL 3 Artifact Label " 4.3 " Artifact label

GL 3 Artifact Label " 2" Artifact label

GL 1 all Mural L 1 . 2 " 3 . 2 " Mural

GL 2 all Mural R .2 " 3 . 2 " Mural

GL Ci il ar Soldier 21" " Cut Figures

GL Greer on Horseback 4" " Cut Figures

GL idder S uatting 3 " 4 " Cut Figures

GL 1 Stratigraphy all 11 " "

GL 1 Area Panel 4 " " Flat Area Panel

GL 2 Sub A 1 " 1 " Sub

GL 21 Sub A Instructions 1 " 4" Sub

GL 22 Sub A Img 14. " .2 " Sub

GL 2 Sub 1 .2 " 1 " Sub

GL 3 Sub C 1 .2 " 1 " Sub

GL 3 Sub C Instructions 1 " 4" Sub

GL 3 Sub C Interacti e 2 . " 13" Sub

GL all Paper 1 " 12 " Mural

GL 1 Flora Graphic Flora Graphics

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

PDII

"QSJM�����

GRAPHICS SCHEDULE

Graphics ScheduleScale = N/A

PROD METHOD KEY

Artifact Label digital print on vinyl 2nd surface mounted to

1/8" non-glare foam tape mounted

Area Panel DTS Graphic on MDF panel edges painted

Area Panel RR HPL Graphic on MDF rail egdes painted

Flat Area Panel DTS Graphic on MDF panel edges painted

Cut Figures Contour cut graphic, 1 layer of 1" MDF glued edges sanded and painted, all edge has a 1/4" chamfer, front face painted for DTS print

Slant Rails Rail substructure 3/4" MDF & Ply laminated & painted bolted to exhibit or wall

Intro Partially transparent print on glass, 1/2" acrylic panel w/ DTS print on 1st surface

Flora Graphics Front layer 1/4" clear acrylic CNC contour cut to perimeter only w/ dusted crystal graphic applied to back face bolted through copper layer & into back acrylic layer w/ bronze stafast bolts. Center layer 1/4" brushed copper CNC contour cut per graphic file, all edges eased

Sub Panel direct print to 1/4" MDF with edges painted to match graphic

Murals digital wallpaper print applied directly to wall

E D H P M

GL 1 Area Panel 4 " " Area Panel

GL 2 Sub A 1 .2 " " Sub

GL 2 Sub A uote 1 .2 " " Sub

GL 3 Sub 1 .2 " " Sub

GL 31 Sub uote 1 " 4" Sub

GL 4 Sub C 1 .2 " " Sub

GL Area Panel RR 4 " 14" Area Panel Rail

GL Sub D RR 2 " .2 " Slant Rails Angle on Right

GL 1 Mural and L 2. " 3 . 2 " Mural

GL 2 Mural and R 2. " 3 . 2 " Mural

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

PDII

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Monumental mesas. Green river valleys.

Great Plains extending to the east. The fertile Rio Grande Valley to the west.

Pecos National Historical Park stands as a gateway between past and present. Here in this valley, you will find ancient pueblos, a Spanish mission, the Santa Fe Trail, a Civil War battle, and an historic cattle ranch.

The traditional Towa name for this area is P`ækish:

“THE PLACE ABOVE THE WATER.”

GL-1-100

EXHIBIT 1—EXHIBIT INTRODUCTION PANEL

Monumental mesas. Green river valleys.

Great Plains extending to the east. The fertile Rio Grande Valley to the west.

Pecos National Historical Park stands as a gateway between past and present. Here in this valley, you will find ancient pueblos, a Spanish mission, the Santa Fe Trail, a Civil War battle, and an historic cattle ranch.

The traditional Towa name for this area is P`ækish:

“THE PLACE ABOVE THE WATER.”

GL-1-100 Detail Scale: 3” = 1’

Scale = As Noted GL-1-100 Exhibit Introduction Panel (facing entrance)

Scale: 1 1/2” = 1’

Exhibit Planning and Design, Pecos Visitor Center

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Examine this model to see the scale of the Pecos Pueblo and Mission in 1717. Notice the outline of the earlier 1625 mission church.

GL-1-200

EXHIBIT 1—TACTILE MODEL INSTRUCTIONS PANEL

GL-1-200 Tactile Model Instructions PanelScale = 6” = 1’

Pecos Beginnings

11,500 BCE–1300 CE

Pecos Beginnings

MMOOMMEENNTTSS

Transition to Agriculture

5500 BCE–1100 CE

Hunter Gatherers

11,500 BCE–5500 BCE

People have lived in the Southwest as hunters and gatherers since the Ice Age. They moved seasonally through diverse landscapes that supported various wild plants and game.

When the climate changed after the Ice Age, large animals like mammoths and camels went extinct. People had to adopt new strategies to hunt bison, pronghorn and other smaller mammals.

Formation of Early Pueblos

1100–1300 CE

Fertile lands along Glorieta Creek and the Pecos River yielded crop surpluses, which in turn supported larger settlements. To accommodate the growing population and need for storage, residents built multi-room above-ground structures that the Spanish later called called pueblos or “towns.” By the 1300s, some pueblos in the area had over 100 rooms.

When hunter-gatherers began cultivating corn around 4,000 years ago, they laid the foundation for a transition to an agricultural lifestyle. Over several hundred years, people began incorporating other new foods like beans and squash into their diets. However, they continued to move seasonally.

The highly mobile lifestyle gradually gave way to a more sedentary way of life as families stayed longer in one place so they could tend their crops. An early village of pithouses, semi-subterranean homes, had emerged south of Pecos Pueblo by 800 CE.

P R O J E C T:

Pecos National Historical Park Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

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P H A S E :

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Push the button to light up this Bajada point.

The lines within are “rutile inclusions”—a mineral that formed inside the quartz.

Do you think it is beautiful? Might Archaic people have felt the same way?

It is told in our oral traditions that the P`ækish were a part of the Hemish or Jemez People during the time of the great migration.

—Chris Toya, Jemez Pueblo

Descendants of the “P`ækish”— or Pecos people—live today at Jemez Pueblo. Archaeology supports this oral history of the origins and development of Pecos Pueblo.

OO RRII GG IINN SS HHEERREE FFOORR AA

LLOONNGG TTIIMMEE

Little evidence remains of hunter-gatherers from thousands of years ago. The few artifacts we do have offer tantalizing insights into their lives. Archaeologists found this quartz crystal dart point here in the park. It is more than 5,000 years old.

Lift to Listen

GL-2-100

FPO

FPO

GL-2-200

EXHIBIT 2—AREA PANEL

Scale = 1 1/2” = 1’ GL-2-100 Area panel and GL-2-200 Area RR

FPO

img

Gray boxes in layout will be replaced by selected images.

Exhibit Planning and Design, Pecos Visitor Center

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P H A S E :

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24%

EXHIBIT 2—AREA PANEL (DETAIL)

NOTE—BETTER

AIRBURSHING / MATCHING

NEEDED FOR SKY IN TOP

ILLUSTRATION. HI-RES

IMAGE NEEDED.

MOMENTS

Transition to Agriculture

5500 BCE–1100 CE

Hunter Gatherers

11,500 BCE–5500 BCE

People have lived in the Southwest as hunters and gatherers since the Ice Age. They moved seasonally through diverse landscapes that supported various wild plants and game.

When the climate changed after the Ice Age, large animals like mammoths and camels went extinct. People had to adopt new strategies to hunt bison, pronghorn and other smaller mammals.

Formation of Early Pueblos

1100–1300 CE

Fertile lands along Glorieta Creek and the Pecos River yielded crop surpluses, which in turn supported larger settlements. To accommodate the growing population and need for storage, residents built multi-room above-ground structures that the Spanish later called called pueblos or “towns.” By the 1300s, some pueblos in the area had over 100 rooms.

When hunter-gatherers began cultivating corn around 4,000 years ago, they laid the foundation for a transition to an agricultural lifestyle. Over several hundred years, people began incorporating other new foods like beans and squash into their diets. However, they continued to move seasonally.

The highly mobile lifestyle gradually gave way to a more sedentary way of life as families stayed longer in one place so they could tend their crops. An early village of pithouses, semi-subterranean homes, had emerged south of Pecos Pueblo by 800 CE.

Scale = 3” = 1’ GL-2-100 detail

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

PDII

"QSJM�����

EXHIBIT 2—AREA READER RAIL (DETAIL)

Push the button to light up this Bajada point.

The lines within are “rutile inclusions”—a mineral that formed inside the quartz.

Do you think it is beautiful? Might Archaic people have felt the same way?

It is told in our oral traditions that the P`ækish were a part of the Hemish or Jemez People during the time of the great migration.

—Chris Toya, Jemez Pueblo

Descendants of the “P`ækish”— or Pecos people—live today at Jemez Pueblo. Archaeology supports this oral history of the origins and development of Pecos Pueblo.

OO RRII GG IINN SS HHEERREE FFOORR AA

LLOONNGG TTIIMMEE

Little evidence remains of hunter-gatherers from thousands of years ago. The few artifacts we do have offer tantalizing insights into their lives. Archaeologists found this quartz crystal dart point here in the park. It is more than 5,000 years old.

Lift to Listen

FPO

FPO—IMAGE

TO MATCH

QUOTE

FPO

case

FPO

Scale = 6” = 1’ GL-2-200 detail

FPO

quote

Exhibit Planning and Design, Pecos Visitor Center

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Rio Gra nde R iv er

Glorieta Rowe Mesa

Great Plains

ALBUQUERQUE

INTERSTATE

INTERSTATE

Interstate 25

GLORIETA

PASS

Pecos NHP

Sandia M ou nt ai ns

Pecos River

Sangre de Cristo

Mountains Jemez

Mountains

SANTA FE

EXHIBIT 2—WALL MAP

GL-2-255

GL-2-255 Wall MapScale = 3” = 1’

Exhibit Planning and Design, Pecos Visitor Center

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GL-2-250

EXHIBIT 2—SUB B PANELS

Scale = 6” = 1’ Sub B panels GL-2-250 & GL-2-260 next to the wall map

TTHHEE RRIIGGHHTT PPLLAACCEE

Pecos stands near Glorieta Pass, a gateway between the Rio Grande Valley and the Great Plains. For thousands of years, travel and trade has flowed between the two areas. Diverse landscapes surround this valley. Rivers, creeks, and springs provide a reliable source of water.

The sandy soils and gentle slopes of the valleys are good for agriculture. The mountains and plains offer access to unique animals, plants, and minerals.

Location influences history. Glorieta Pass not only connected diverse landscapes, but also diverse peoples, cultures, and ideas. How do you think the people who lived here may have benefited from this location?

GL-2-260

Exhibit Planning and Design, Pecos Visitor Center

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GL-2-300

EXHIBIT 2—SUB PANELS

Scale = 6” = 1’ Sub panels GL-2-300; GL-2-310 & GL-2-320 are on the rail

FFAARRMMIINNGG IINN PPEECCOOSS

The Three Sisters—corn, beans, and squash—formed the basis of the Pueblo diet. Good soils and reliable water made Pecos a suitable location to grow crops.

Glorieta Creek supported some irrigation farming, but the Pecos people also practiced dry farming.

By planting fields in many strategic locations they took advantage of intermittent, spotty rainfall and reduced the risk of crop failure.

When corn arrived from Mexico more than 4000 years ago it slowly became the life blood of Pueblo culture. Archaeologists found this ancient corn cob here at Pecos.

Compare its size to modern corn.

GL-2-310

How much work do you put into preparing your food? A woman would use a flat metate and a handheld grinding stone, called a mano, to grind corn kernels into a flour or meal.

GL-2-320

Exhibit Planning and Design, Pecos Visitor Center

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GL-2-350

EXHIBIT 2—SUB D PANELS

Scale = 6” = 1’ Sub D panels GL-2-350 & GL-2-370 in case & GL-2-360 on the rail

GL-2-360

As Pueblo people settled into pithouse life, they developed pottery for food storage and cooking. Archaeologists found these pots in Pecos pithouses. They are more than 1,200 years old.

GL-2-370

Examine this model of a pithouse village. Consider how life must have changed for people once they began settling into larger communities.

AA PPIITTHHOOUUSSEE

CCOOMMMMUUNNIITTYY

As people stayed in one place longer, they built structures for greater living spaces and for storage of surplus food and goods. Pithouses are partially subterranean homes constructed by digging a pit into the earth and then erecting a log frame to support walls and a roof made from branches and earth.

Exhibit Planning and Design, Pecos Visitor Center

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EXHIBIT 2—CERAMICS CASE READER RAIL

GL-2-400 Timeline Graphic Scale=1”=1’

GL-2-400 Ceramics Timeline (full)

How do we trace an unwritten past? Archaeologists study oral histories from modern Native Americans and the artifacts their ancestors left behind to reconstruct the past. Pottery provides valuable evidence since fragments survive. Changes in pottery styles and techniques are revealed by studying the pottery in soil layers that accumulate over time at sites like Pecos Pueblo.

Based on stratigraphy, the oldest pottery is in the bottom or deepest soil layers.

Pottery designs and the materials used reflect the economies, social relationships, and beliefs of communities. Some pottery was made locally, while others were imported.

pecos history through pottery

Hunter Gatherers

11,500 BCE–5500 BCE

WWHHAATT IISS AANN

AARRCCHHAAEEOOLLOOGGIICCAALL

TTIIMMEE--PPEERRIIOODD??

Archaeologists use changes in subsistence, settlement, architecture, social organization and material culture to create cultural histories broken into segments of time or periods. The time-periods help highlight major changes in human organization and culture.

The cultural timeline shown here is specific to the Rio Grande Valley, but is also useful for the Pecos area.

Aggregation to Pecos 1325–1450

Pecos BeginningsPecos Pueblo Rises

Contact with Spanish 1540–1541

Spanish Settlement

Spanish, Revolt, and Return

First Church Established at Pecos 1617–1620

Pueblo Revolt Begins

The Spanish Return

Comanche Expansion and Raiding of Pecos Pueblo 1700–1760

The Spanish Return

Final Church Built

Just 269 People Remain at Pecos

Comanche/Spanish Peace Treaty Ceremony at Pecos

Last Remaining Pecos People Go to Jemez

Pecos Pueblo DeclinesPre-Ceramic (Paleo-Indian and Archaic)

11,500 BCE–600 CE

Developmental 600–1200 CE

Early Coalition

Late Coalition

Early Classic

Middle Classic

Late Classic

Colonial

1250–1325

1250–1325

1325–1400

1400–1525

1525–1600 after 1600

How do we trace an unwritten past? Archaeologists study oral histories from modern Native Americans and the artifacts their ancestors left behind to reconstruct the past. Pottery provides valuable evidence since fragments survive. Changes in pottery styles and techniques are revealed by studying the pottery in soil layers that accumulate over time at sites like Pecos Pueblo.

Based on stratigraphy, the oldest pottery is in the bottom or deepest soil layers.

Pottery designs and the materials used reflect the economies, social relationships, and beliefs of communities. Some pottery was made locally, while others were imported.

pecos history through pottery

Hunter Gatherers

11,500 BCE–5500 BCE

Pecos Beginnings

Aggregation to Pecos 1325–1450

Pecos Pueblo Rises

Contact with Spanish 1540–1541

Spanish Settlement

Spanish, Revolt, and Return

First Church Established at Pecos 1617–1620

Pueblo Revolt Begins

The Spanish Return

Comanche Expansion and Raiding of Pecos Pueblo 1700–1760

The Spanish Return

Final Church Built

Just 269 People Remain at Pecos

Comanche/Spanish Peace Treaty Ceremony at Pecos

Last Remaining Pecos People Go to Jemez

Pecos Pueblo DeclinesWWHHAATT IISS AANN

AARRCCHHAAEEOOLLOOGGIICCAALL

TTIIMMEE--PPEERRIIOODD??

Archaeologists use changes in subsistence, settlement, architecture, social organization and material culture to create cultural histories broken into segments of time or periods. The time-periods help highlight major changes in human organization and culture.

The cultural timeline shown here is specific to the Rio Grande Valley, but is also useful for the Pecos area.

Pre-Ceramic (Paleo-Indian and Archaic)

11,500 BCE–600 CE

Developmental 600–1200 CE

Early Coalition

Late Coalition

Early Classic

Middle Classic

Late Classic

Colonial

1250–1325

1250–1325

1325–1400

1400–1525

1525–1600 after 1600

Panelization

1” = 1’

Exhibit Planning and Design, Pecos Visitor Center

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P H A S E :

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"QSJM�����

303” = 1’

EXHIBIT 2—CERAMICS CASE READER RAIL (DETAIL)

GL-2-400 Ceramics Timeline (detail)

How do we trace an unwritten past? Archaeologists study oral histories from modern Native Americans and the artifacts their ancestors left behind to reconstruct the past. Pottery provides valuable evidence since fragments survive. Changes in pottery styles and techniques are revealed by studying the pottery in soil layers that accumulate over time at sites like Pecos Pueblo.

Based on stratigraphy, the oldest pottery is in the bottom or deepest soil layers.

Pottery designs and the materials used reflect the economies, social relationships, and beliefs of communities. Some pottery was made locally, while others were imported.

pecos history through pottery

Hunter Gatherers

11,500 BCE–5500 BCE

Pecos Beginnings

FPO—HI-RES

IMAGE NEEDED

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

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EXHIBIT 2—CERAMICS CASE READER RAIL (DETAIL)

GL-2-400 Ceramics Timeline (detail)3” = 1’

Aggregation to Pecos 1325–1450

Pecos Pueblo Rises

Contact with Spanish 1540–1541

Spanish Settlement

Spanish, Revolt, and Return

First Church Established at Pecos 1617–1620

Pueblo Revolt Begins

The Spanish Return

Comanche Expansion and Raiding of Pecos Pueblo 1700–1760

The Spanish Return

Final Church Built

Just 269 People Remain at Pecos

Comanche/Spanish Peace Treaty Ceremony at Pecos

Last Remaining Pecos People Go to Jemez

Pecos Pueblo Declines

Exhibit Planning and Design, Pecos Visitor Center

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EXHIBIT 2—CERAMICS CASE READER RAIL (DETAIL)

3” = 1’

WWHHAATT IISS AANN

AARRCCHHAAEEOOLLOOGGIICCAALL

TTIIMMEE--PPEERRIIOODD??

Archaeologists use changes in subsistence, settlement, architecture, social organization and material culture to create cultural histories broken into segments of time or periods. The time-periods help highlight major changes in human organization and culture.

The cultural timeline shown here is specific to the Rio Grande Valley, but is also useful for the Pecos area.

Pre-Ceramic (Paleo-Indian and Archaic)

11,500 BCE–600 CE

Developmental 600–1200 CE

Early Coalition

Late Coalition

Early Classic

Middle Classic

Late Classic

Colonial

1250–1325

1250–1325

1325–1400

1400–1525

1525–1600 after 1600

FPO—HI-RES IMAGE NEEDED TO

REMOVE HAIR BUNS FROM LEFT PERSON

GL-2-400 Ceramics Timeline (detail)

Exhibit Planning and Design, Pecos Visitor Center

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Tool-Marked Utility Jar

1515–1650 CE

Indented Blind Corrugated Utility Jar

1300–1500 CE

St. Johns Polychrome Bowl Fragments

1150–1300 CE

Hopi-Jeditto Black on Yellow Bowl

1300–1375 CE

Glaze I Black on Red Jar

1315–1425 CE

Indented Corrugated Utility Jar 1300s CE

GL-2-451 GL-2-452 GL-2-453 GL-2-454

GL-2-455 GL-2-456 GL-2-457 GL-2-458

Glaze I Black on Yellow Bowl

1515–1650 CE

Biscuit A Bowl

1350–1450 CE

EXHIBIT 2— CERAMICS CASE ARTIFACT LABELS

Sankawi Black on Cream

1500–1690 CE

Glaze III Polychrome Jar

1425–1500 CE

Biscuit B Bowl

1400–1550 CE

Glaze II/III Polychrome Jar

1400–1500 CE

Glaze III Polychrome Bowl

1425–1500 CE

Plain “Duck Pot”

1450–1525 CE

GL-2-459 GL-2-460 GL-2-461 GL-2-462

GL-2-463 GL-2-464 GL-2-465 GL-2-466

Plain “Duck Pot”

1175–1325 CE

Glaze V / Pecos Polychrome Bowl

1600–1700 CE

Scale = 6” = 1’ GL-2-451 to -466 Artifact Labels

Exhibit Planning and Design, Pecos Visitor Center

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Glaze IV Bowl

1475–1525 CE

Glaze IV/V Bowl

1475–1600 CE

Glaze V / Pecos Polychrome Bowl

1550–1680 CE

Gobernador Polychrome Jar

1700–1800 CE

Pojoaque Polychrome Jar

1690–1800 CE

Tewa Black Jar

1650–1838 CE

GL-2-467 GL-2-468 GL-2-469 GL-2-470

GL-2-471 GL-2-472 GL-2-473 GL-2-474

Powhoge Polychrome Jar

1760–1838 CE

Plain Striated Utility Jar

1650–1838 CE

EXHIBIT 2— CERAMICS CASE ARTIFACT LABELS

Scale = 6” = 1’ GL-2-467 to -474 Artifact Labels

Exhibit Planning and Design, Pecos Visitor Center

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P H A S E :

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EXHIBIT 2— FLORA GRAPHIC

Scale = 1 1/2” = 1’

GL-2-473

CUTOUTS TO BE REFINED

GL-2-473 Flora Graphic

Exhibit Planning and Design, Pecos Visitor Center

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GL-2-910

Scale = 1” = 1’

EXHIBIT 2—WALL MURAL

GL-2-910 Wall Mural

Pecos Pueblo Rises

MMOOMMEENNTTSS

1300–1600 CE

Pecos Pueblo Rises

Pecos Rises Upwards Around 1450

With its strategic geographic location, Pecos grew quickly in the 1400s. By 1450, the pueblo rose four to five stories and surrounded a central plaza. Small, seasonal farming villages, or field houses, remained around the pueblo. Nearly 2000 people lived in Pecos, making this easternmost pueblo the center of human habitation in the Upper Pecos Valley.

Coming Together Around 1325 CE

People began occupying the Pecos mesa in the early 1300s.

By the early 1400s people had left most of the surrounding smaller villages to gather at Pecos Pueblo. Consider the advantages of a larger community. Living together offered a chance to pool resources, centralize trade relationships, and share in self defense.

A Regional Power Around 1600

Pecos Pueblo stands at the crossroads between the Plains and the pueblos of the Rio Grande Valley. Trade with the Apache made Pecos flourish. Coming from the Plains to the east, Apache brought bison meat, hides, and flint in return for the crops raised in Pecos’s fertile soils and pottery made by pueblo artisans. By the time outsiders from Europe arrived, Pecos was a dominant force in the region.

This map outlines some of the largest pueblos on the eve of Spanish colonization in the late 1500s.

Can you find Pecos?

The P`ækish lived in this village as a great and powerful nation before the Spaniards came.

—Chris Toya, Jemez Pueblo

Archaeology also supports oral history describing the consolidation, growth, and strength of Pecos Pueblo.

GG RROOWW TTHH PPUUEEBBLLOO PPOOWWEERR

Hundreds of smaller villages in the Rio Grande Valley aggregated into some 143 pueblos by 1598. While each remained independent, no pueblo stood isolated from the others. Traders forged economic ties. Warriors defended their pueblos. Families intermarried and formed social connections. Powerful pueblos, like Pecos, exerted political influence.

Lift to Listen

P R O J E C T:

Pecos National Historical Park Exhibit Planning and Design, Pecos Visitor Center

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P H A S E :

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GL-3-100

EXHIBIT 3—AREA PANEL

Scale = 1 1/2” = 1’ GL-3-100 Area Panel and RR

GL-3-200

Gray boxes in layout will be replaced by selected images.

FPO

FPO

img

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

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P H A S E :

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24%

EXHIBIT 3—AREA PANEL (DETAIL) MOMENTS

Pecos Rises Upwards Around 1450

With its strategic geographic location, Pecos grew quickly in the 1400s. By 1450, the pueblo rose four to five stories and surrounded a central plaza. Small, seasonal farming villages, or field houses, remained around the pueblo. Nearly 2000 people lived in Pecos, making this easternmost pueblo the center of human habitation in the Upper Pecos Valley.

Coming Together Around 1325 CE

People began occupying the Pecos mesa in the early 1300s.

By the early 1400s people had left most of the surrounding smaller villages to gather at Pecos Pueblo. Consider the advantages of a larger community. Living together offered a chance to pool resources, centralize trade relationships, and share in self defense.

A Regional Power Around 1600

Pecos Pueblo stands at the crossroads between the Plains and the pueblos of the Rio Grande Valley. Trade with the Apache made Pecos flourish. Coming from the Plains to the east, Apache brought bison meat, hides, and flint in return for the crops raised in Pecos’s fertile soils and pottery made by pueblo artisans. By the time outsiders from Europe arrived, Pecos was a dominant force in the region.

Scale = 3” = 1’ GL-3-100 detail

FPO—HI-RES IMAGE NEEDED

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

PDII

"QSJM�����

EXHIBIT 3—AREA READER RAIL (DETAIL)

This map outlines some of the largest pueblos on the eve of Spanish colonization in the late 1500s.

Can you find Pecos?

The P`ækish lived in this village as a great and powerful nation before the Spaniards came.

—Chris Toya, Jemez Pueblo

Archaeology also supports oral history describing the consolidation, growth, and strength of Pecos Pueblo.

GG RROOWW TTHH PPUUEEBBLLOO PPOOWWEERR

Hundreds of smaller villages in the Rio Grande Valley aggregated into some 143 pueblos by 1598. While each remained independent, no pueblo stood isolated from the others. Traders forged economic ties. Warriors defended their pueblos. Families intermarried and formed social connections. Powerful pueblos, like Pecos, exerted political influence.

Lift to Listen

FPO

FPO

img

Scale = 6” = 1’ GL-3-200 detail quote

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

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"QSJM�����

GL-3-250

EXHIBIT 3—SUB B RR

Scale = 6” = 1’ Sub B panels GL-3-250 next to pueblo diorama

Imagine visiting Pecos Pueblo five hundred years ago. You stand among women taking care of children, plastering the walls of their homes, cooking, and making pottery. Men are making jewelry, weaving blankets, going hunting, and emerging from kivas, the centers of spiritual life.

Children are playing. Neighbors chat and relax between chores. Daily life is not unlike our own.

AA BBUUSSYY PPUUEEBBLLOO

This diorama depicts Pecos Pueblo at its height in the 16th century.

Exhibit Planning and Design, Pecos Visitor Center

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GL-3-300

EXHIBIT 3—SUB C PANELS

Scale = 6” = 1’ Sub C panels GL-3-300 & GL-3-350 profile cut

Look over these objects of work and play. What objects in your life might help people understand your job, chores, and hobbies? Do you see any parallels in the objects here?

GL-3-310

WWOORRKK AANNDD PPLLAAYY

The artifacts we find give us glimpses into the lives of Pecos people. The abundance of pipes found at Pecos, and where they were found, suggests they were an important part of ceremonies and political gatherings. Jewelry reveals the style and tastes of Pecos people. Tools give insights into daily activities.

Exhibit Planning and Design, Pecos Visitor Center

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Stone Blades and Points Projectile points for ARROWS, KNIVES, BLADES, and DRILLS.

Shaft Straighteners Arrows were made straight and true with STONE ABRADERS.

Stone Axes Bone Tools Used for SEWING and PIERCING.

Bone Flesher Used to STRIP FATTY TISSUES from the inner surfaces of animal hides.

Clay Pipes Pecos pipes are unusually decorative and suggest

INFLUENCE FROM PLAINS TRIBES.

GL-3-311 GL-3-312 GL-3-313 GL-3-314

GL-3-315 GL-3-316 GL-3-317 GL-3-318

Bear Tooth and Turkey Bone Necklace

Hair Pin

EXHIBIT 3—SUB C ARTIFACT LABELS

Instruments RASP made from deer scapula and FLUTES made from turkey and raptor bones.

Personal Objects and Adornments Made of TURQUOISE, SHELL, BONE, and

POTTERY SHERDS.

GL-03-320

Eagle Talons

GL-3-319 GL-3-320 GL-3-321

Scale = 6” = 1’ GL-3-311 to -321 Artifact Labels

Exhibit Planning and Design, Pecos Visitor Center

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P H A S E :

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Replica Stone Effigy This is a replica of a ceremonial stone effigy.

It may have been smashed by the Franciscans in the early 1600s when they attempted to end traditional ceremonies. The Pecos people REPAIRED AND THEN HID this powerful religious object underground in the plaza.

GL-3-410

EXHIBIT 3—SUB E ARTIFACT LABELS

Scale = 6” = 1’ GL-3-410 Artifact Label

Exhibit Planning and Design, Pecos Visitor Center

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P H A S E :

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"QSJM�����

GL-3-350

EXHIBIT 3—SUB D PANELS

Scale = 6” = 1’ Sub C panels GL-3-300 & GL-3-350 profile cut

GL-3-360

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Traditional spiritual practice and politics at Pecos was centered in the kiva. Religious societies used these circular underground rooms for ceremonies and prayers to ensure cosmic harmony and the health, safety, and prosperity of the pueblo. These sacred spaces also had a practical function; men wove blankets and clothing in the relative comfort of this protected space and children learned cultural traditions.

The process of entering into—and emerging from—the earth holds deep symbolic meaning in Pueblo cosmology.

You can descend a real ladder into a restored kiva along the trail. Please consider the respect that such a space demands when you visit.

GL-3-370

Religious objects were used in ceremonies within kivas.

Miniature pottery vessels, used in rituals associated with water, were often sealed within kiva walls and under floors. The stepped cloud or terrace design seen on these vessels and in the shape of the stone artifacts represent building rain clouds, the spiritual world, and the terraced Pueblo house. Clay figurines and effigies depict deities and animals.

Exhibit Planning and Design, Pecos Visitor Center

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Pueblo people built their homes from sandstone and limestone rocks stacked in mud mortar. Walls were then covered with mud plaster for insulation.

EXHIBIT 3—SUB E PANELS

Scale = 6” = 1’ Sub E panels GL-3-400 & GL-3-410 near the crack on the pueblo, profile cut

GL-3-400

Pueblos require constant maintenance.

Women were in charge of the home, including construction and upkeep.

Look at this exposed section and imagine plastering your walls as a regular household chore.

GL-3-410

Exhibit Planning and Design, Pecos Visitor Center

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Scale = As Noted

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EXHIBIT 3—WALL PAPER

Scale = 3/4” = 1’ GL-3-900

GL-3-900

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

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EXHIBIT 3—WALL PAPER

Scale = 3/4” = 1’ GL-3-900

GL-3-910

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

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PEDRO DE CASTAÑEDA, describing Pecos as he and Francisco Vásquez de Coronado encountered it in 1540

Cicuye (Pecos) is a pueblo of as many as FIVE HUNDRED WARRIORS.

It is feared throughout that land. … The people of this pueblo PRIDE themselves that no one has been able to subdue them, while they subdue what pueblos they will.

Why cross an ocean and colonize a new continent?

Spanish explorers came to the Americas in search of wealth, power, and prestige. While they did not find gold or silver at Pecos, they did marvel at a powerful pueblo controlling vast, well-established trade routes.

EXHIBIT 3—PUEBLO PEOPLE CUT FIGURES

Scale = 1 1/2” = 1’

GL-3-010 Cut Figures

GL-3-010 PEDRO DE CASTAÑEDA, describing Pecos as he and Francisco Vásquez de Coronado encountered it in 1540

Cicuye (Pecos) is a pueblo of as many as FIVE HUNDRED WARRIORS.

It is feared throughout that land. … The people of this pueblo PRIDE themselves that no one has been able to subdue them, while they subdue what pueblos they will.

Why cross an ocean and colonize a new continent?

Spanish explorers came to the Americas in search of wealth, power, and prestige. While they did not find gold or silver at Pecos, they did marvel at a powerful pueblo controlling vast, well-established trade routes.

(DETAIL) Scale = 6” = 1’

CUTOUTS TO BE REFINED;

CUSTOM MURAL TO BE CREATED

Exhibit Planning and Design, Pecos Visitor Center

G R A P H I C :S C A L E :

Scale = As Noted

P H A S E :

PDII

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Intersections of Power

MMOOMMEENNTTSS

1540–1680

Intersections of Power

Spanish Shake-Up 1598–1680

Gold-Seekers Pecos Buys Time 1540–1598

Francisco Vásquez de Coronado led the first Spanish expedition north from Mexico in search of gold and silver in 1540. They found no such riches, and many pueblos resented their presence.