Attachment_16_PECO_TP_Reference_Package_April_2021_Rev.pdf

Pecos National Historical Park

Trading Post Exhibits Attachment 16 - PECO TP Reference Package

Reference Package

Exhibit Planning & Design

PDI

April 5, 2021

These Reference Packages are provided for exhibit elements that require detailed subject matter, creative, technical, and/ or artistic input to inform and direct production by a creative or technical specialist.

Reference Packages are developed to provide the creative or technical specialist with critical information needed to accurately create the exhibit element.

Each Reference Package provides written descriptions and graphic depictions that together provide the details that are needed to produce the exhibit element.

Custom Artwork

Custom illustrations, will be part of the fabricator’s contract.

These elements are described in this package, noted as such in the database reports, and also marked For Position Only (FPO) in the final production files.

Touchable Elements/Durability

Where items are listed as “touchable,” they should be created with durability in mind and be easily cleaned by staff.

Elements that are made of less durable material are indicated as such and in these instances, it is noted that the fabricator should obtain or create multiples for periodic replacement throughout the life of the exhibit.

Pecos National Historical Park Staff

Every element listed in this reference package requires consultation with and approval from the staff of Pecos National Historical Park during fabrication.

Organization of this Document

The elements in this document are organized by type. This document is intended to be reviewed concurrently with the graphics package, the exhibit database reports, and the exhibit drawings package.

Introduction

Table of Contents by Element Type Tactile Elements: Hot Cast Bronze 05

Tactile Elements: Reproduction Objects 11

Tactile Elements: Relief Maps 35

Custom Illustrations 41

Custom Maps 81

Custom Interactives 91

Exhibit Furniture 103

Exhibit Mounts 109

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Tactile Elem ents:

Hot Cast Bronze

Purpose and Intent

Tactile models are intended to provide some tactility and interest for all visitors within the exhibits. They are intended to be touched by visitors and should be durable enough to withstand heavy use over a period of twenty years in an exterior location.

Accessibility

This tactile element shall meet accessibility requirements specified in Section 8, Accessibility, of the Harpers Ferry Center’s Exhibit Planning and Design Specifications document (attachment A).

Proposed Fabrication Techniques

Sculptures should be made of high-quality hot cast bronze and care should be taken with the design to ensure that no small parts extend from the sculptures that can be broken or snapped off.

Attachments

Each sculpture should built with the ability to be securely bolted to a reading rail. See drawings set for location and details.

Tactile Elements: Hot Cast Bronze

Reference images for fabrication technique

Scene # Item # Size Description 07 CE-07.01-125 TBD Rio Grande Chub 07 CE-07.01-150 TBD Barred tiger salamander 07 CE-07.01-225 TBD Pinon pine frond and seed 07 CE-07.01-250 TBD One seed juniper

Description

Realistic model of adult Rio Grande chub (gila pandora).

“The Rio Grande Chub has large eyes and an elongated head. They also have a forked tail. They typically have a dark dorsal side, or back. They have a light underside. The colors gradually get lighter as you move to the ventral side. They have two faint black lines along the sides of their body.

One these lines is above the fish’s lateral line and the other is below. While these fish are breading, the fins, sides, and mouth of the fish will take on a yellowish color. Males will express brighter colors than females during this period.

More detailed identification can be achieved by counting the number of scales that make up this fish’s lateral line. The Rio Grade chub will have between 51 and 67 scales that create the lateral line. There are also 8 rays in both the dorsal and anal fin. This fish also has 6 to 10 gill rakers.”

from https://en.wikipedia.org/wiki/Rio_Grande_chub

Reference Images

Images from the University of Texas at Austin Biodiversity Center.

CE-07.01-125 Rio Grande Chub

Realistic model of adult barred tiger salamander (Ambystoma mavortium). The model should be 6-8” in length.

Reference Images

Images from myPlainview.com and Oklahoma Wildlife Department.

CE-07.01-150 Barred Tiger Salamander

Realistic model of pinon pine (pinus edulis) frond and seed.

See drawing set for dimensions.

Reference Images

CE-07.01-225 Pinon Pine Frond and Seed

Realistic model of one seed juniper (Juniperus monosperma) leaves and berries. See drawing set for dimensions.

CE-07.01-250 One Seed Juniper

Reproduction O bjects

Tactile models are intended to provide some tactility and interest for all visitors within the exhibits. They are intended to be touched by visitors and should be durable enough to withstand heavy use over a period of twenty years.

Accessibility

This tactile element shall meet accessibility requirements specified in Section 8, Accessibility, of the Harpers Ferry Center’s Exhibit Planning and Design Specifications document (attachment A).

Proposed Fabrication Techniques

Sculptures should be made the actual materials with which they were historically constructed, and then coated for longevity and durability. These objects made be made with materials that provide a very close likeness to the original materials but provide more durability. In cases where original materials are used and then coated, replacement sets of materials should be provided to be swapped out when the originals become worn.

Attachments

Each reproduction should built with the ability to be securely attached to a surface. A visible attachment may be used in cases where the material must be swapped out after it degrades.

Tactile Elements: Reproduction Objects

Scene # Item # Size Description 02 CE-02.03-175 14” x 10” x 4 Adobe brick 03 CE-03.01-300 See drawing set Trade goods (in east) 03 CE-03.01-400 See drawing set Trade goods (in west) 04 CE-04.01-400 See drawing set Cooking props 04 CE-04.02-300 See drawing set Trading post supplies and child’s toy 05 CE-05.02-300 See drawing set New Mexico Volunteer props 05 CE-05.03-300 See drawing set Field hospital 06 CE-06.03-450 See drawing set Ice Chest and Dr. Pepper

The purpose of this model is to give visitors an opportunity to touch an adobe brick.

Accessibility

This tactile element shall meet accessibility requirements specified in Section 8, Accessibility, of the Harpers Ferry Center’s Exhibit Planning and Design Specifications document (attachment A).

Proposed Fabrication Technique

The brick should be fabricated in the same method as traditional adobe bricks. It should be created so that it can be securely attached to a pan on a reading rail. As visitors touch the brick, the pan beneath it can catch crumbling materials.

The bricks will be provided by the park.

Dimensions: 14’ x 10” x 4”.

CE-02.03-175 Owner-supplied Adobe Brick

Fabrics available from http://www.reproductionfabrics.com/ shelf.php?ID=39.

Description

A selection of reproduction trade goods, including bolts of calico fabric, medicine, and a barrel with nails.

CE-03.01-300 Trade goods (in east, heading west)

Barrels from Hansen Wheel and Wagon Shop

CE-03.01-300 Trade goods (in east, heading west)

A selection of reproduction trade goods, including wool blankets from Mexico, beaver pelts and a wood chest with silver. Chest should be closed and padlocked so it’s apparent it is holding something valuable.

CE-03.01-400 Trade goods (in west, heading east)

Reference images for crate labeling and construction. Crate should not look antique. Fabricator should work with park to find ways to signify that box is from Mexico, either by labeling box in Spanish or through other methods.

CE-03.01-400 Trade goods (in west, heading east)

A small table with single place setting. The table setting should include plate, cup with coffee, saucer, knife, fork, and spoon. The setting should be in front of a loose chair so that visitors could sit at the table.

Foods on table should include blue corn tortillas and coffee.

Background props should include detailed shaped cake pans and ristras. Props on mantle should be secured to a clear acrylic plate that rests on the mantle. Ristras should be suspended from ceiling. Ristras should only features red peppers and should be varied in length.

CE-04.01-400 Cooking props

A selection of reproduction trade goods including sacks of corn, bundles of pinon wood, wagon parts, tools, nails, and a child’s toy. Props should be secured to floor plate.

CE-04.02-300 Trading post supplies and child’s toy

Options for child’s toy

CE-04.02-300 Trading post supplies and child’s toy

Crate with open knapsack created out of resin over sculpted foam and reproduction rifle.

CE-05.02-300 New Mexico Volunteer Props

Hospital bed and side table with medical supplies for Civil War field hospital. Wounded soldier’s cap and boots are resting on floor. Bed is a door panel on two sawhorses with cast resin bedding.

CE-05.03-300 Field Hospital

Reproduction ice chest from the 1950s with Dr. Pepper bottles from the same time. Ice chest should appear full of bottles. Ice chest should not appear to be vintage. Visitors should not be able to remove bottles from the ice chest.

CE-06.03-450 Ice Chest and Dr. Pepper

CE-06.03-450 Ice Chest and Dr. Pepper

Relief M aps

Tactile maps are intended to provide some tactility and interest for all visitors within the exhibits. They are intended to be touched by visitors and should be durable enough to withstand heavy use over a period of twenty years.

Accessibility

This tactile element shall meet accessibility requirements specified in Section 8, Accessibility, of the Harpers Ferry Center’s Exhibit Planning and Design Specifications document (attachment A).

Proposed Fabrication Techniques

Model should be made with raised-line printing.

Attachments

Each reproduction should built with the ability to be securely attached to a surface. A visible attachment may be used in cases where the material must be swapped out after it degrades.

Tactile Elements: Relief Maps

Scene # Item # Size Description 02 CE-02.03-150 27.5” x 15” Building evolution relief map

Model Purpose and Intent

Tactile models are intended to provide some tactility and interest for all visitors within the exhibits. They are intended to be touched by visitors and should be durable enough to withstand heavy use over a period of twenty years. This tactile model shows how the trading post was added on to in different phases.

Different colors of raised lines will indicate different additions to the building throughout the years. The map should include a key with the relevant dates.

CE-02.03-150 Building Evolution Relief Map

N

Building in Stages

Locally made adobe bricks form the walls of this building.

Feel the sun-dried mud and embedded straw.

These rooms have taken shape over the last 150 years.

They’ve been a family home, a place of hospitality, a hospital, and ranch headquarters.

At first the building was very small.

The Kozlowski family of eight lived in 550 square feet.

The size of the building more than doubled during this time.

Dude ranch owner Tex Austin greatly expanded the building to use it as the headquarters for his Forked Lightning Ranch.

Ranch owners Buddy Fogelson and Greer Garson added a gate and porches.

1858–1899

1925–1934

1900–1924

1941–1991 You are here Added 1858-1899

Added 1900-1924 Added 1941-1991

Exhibit Areas

Trading Post Floor Plan & Key

Added 1925-1934 scale TBD

Adobe Brick (10x14) and tray

Reference Image of GL-02.03-100 with placement of relief map

Custom Illustrations

Custom Illustrations

Purpose and Intent

The portrait illustrations are meant to create a sense of specific characters for the different people reference throughout the exhibits. The illustrations of flora and fauna are intended to act as background elements for panels with related content.

Proposed Fabrication Technique

Illustrations should be digital reproductions of custom artwork. The art should appear to be realistic pencil sketches.

See illustration samples on following page. The images may be done at a reduced scale of the final size. See graphics package for details on image sizes.

Scene # Item # Size Description 02 IM-02.01-311+ TBD Spinning cube illustrations 03 IM-03.01-151+ TBD Blue Grama Grass 03 IM-03.01-176 TBD Marion Sloan Russell 04 IM-04.01-101 TBD Rio Grande Cutthroat Trout 04 IM-04.01-201 TBD Elena Kozlowski 04 IM-04.02-201 TBD Martin Kozlowski 05 IM-05.01-201+ TBD Ponderosa Pine 05 IM-05.02-201 TBD Col. Abreu 06 IM-06.01-201 TBD Tex Austin 06 IM-06.01-401+ TBD New Mexico Pasture 06 IM-06.03-201 TBD Greer Garson 06 IM-06.03-301 TBD Buddy Fogelson

Suggested style for portraits

Stylistically, the images should be realistic, sophisticated in style, and historically accurate. The style should complement the other graphics in the exhibit. Note that specifics of body position for each portrait are not provided here and will need to be determined by the illustrator.

Characteristics that are required:

• Subject matter rendered in realistic ways

• Position of subject matter looks natural and rendering is sophisticated—not appropriate are illustrations that appear cartoonish

• In attempt to streamline costs, it is NOT appropriate to replace the illustration style for this project with a one that is not comparable with what is shown on this page.

Custom Illustrations: Style Overview

Suggested style for flora and fauna

Black and white drawing in a realistic pen and ink style that features a simple yet detailed linework. Style should be clean yet look hand drawn. A modern, computer-based vector style is not desirable. For illustrations that appear on multiple panels, the artwork should be complex enough that it can repeat.

Illustrations should be treated in photoshop so they are colored the light pantone color of the scene and set against the darker Pantone color of the panels. For example, in Scene 04, the dominant panel color is a bold green (Pantone 377).

The illustration color should be the lighter green (Pantone

374) used in the scene. After the illustration has been complete, this coloring can be accomplished in photoshop through a variety of methods. See sample graphics on following pages.

Sample artwork by Jonathan Machen.

Sample artwork by Jonathan Machen.

A series of illustrations of four children from different periods of time. The illustrations should be done as full-body portraits that are then divided into thirds to be applied on different graphics for the spinning cube interactive (CE-02.01-300).

These images will be for the following graphics:

• Girl, age 7: GL-02.01-310 (head and shoulders), GL-02.01- 315 (torso), GL-02.01-320 (legs)

• Girl, age 8 (ca. 1852) : GL-02.01-325 (head and shoulders), GL-02.01-330 (torso), GL-02.01-335 (legs)

• Boy, age 6 (ca. 1870): GL-02.01-340 (head and shoulders), GL-02.01-345 (torso), GL-02.01-350 (legs)

• Boy, age 9 (ca.1970): GL-02.01-355 (head and shoulders), GL-02.01-360 (torso), GL-02.01-365 (legs)

IM-02.01-311+ Spinning cube illustrations

Reference Image for Interactive

Girl, age 7 (ca. 1852): Marion Sloan Russel

IM-02.01-311 for GL-02.01-310 (head and shoulders)

IM-02.01-316 for GL-02.01-315 (torso)

IM-02.01-321 for GL-02.01-320 (legs)

Reference Images

Illustrations by James Watling from Along the Santa Fe Trail: Marion Russell’s Own Story

Reference Images

Illustrations by James Watling from Along the Santa Fe Trail: Marion Russell’s Own Story

IM-02.01-326+ Spinning cube illustrations

Girl, age 8 (ca. 1866): Juana Kozlowski. She is of Irish and Polish descent.

IM-02.01-326 for GL-02.01-325 (head and shoulders)

IM-02.01-331 for GL-02.01-330 (torso)

IM-02.01-336 for GL-02.01-335 (legs)

Reference image for hair and clothing style.

IM-02.01-341+ Spinning cube illustrations

Boy, age 6 (ca. 1932): George Jones

IM-02.01-341 for GL-02.01-340 (head and shoulders)

IM-02.01-346 for GL-02.01-345 (torso)

IM-02.01-351 for GL-02.01-350 (legs)

IM-02.01-356+ Spinning cube illustrations

Boy, age 14 (ca.1970): Victor Ortiz

IM-02.01-356 for GL-02.01-355 (head and shoulders)

IM-02.01-361 for GL-02.01-360 (torso)

IM-02.01-366 for GL-02.01-365 (legs)

Illustration should show two clumps of Blue Grama Grass (Bouteloua gracilis), one taller than the other. The artwork should include both the grass base and mature seedheads.

Roots do not need to be shown. Illustration should be complex enough to repeat on all panels as shown below.

This image will be for the following graphics:

• GL-03.01-150 (IM-03.01-151)

• GL-03.01-165 (IM-03.01-167)

• GL-03.01-175 (IM-03.01-177)

IM-03.01-151+ Blue Grama Grass illustrations

The Santa Fe Trail

The Santa Fe Trail was a 900-mile, two-way highway of trade linking Missouri and Santa Fe.

The route followed long-established indigenous pathways. Mexican and American freighters first used the trail to haul wagons loaded with goods in the 1820s. When the United States acquired the southwest territories from Mexico in 1848, trade along the trail boomed.

By the 1850s, New Mexico depended on the trail for supplies and business. Towns, military forts, and stage stops like this one became essential points on the long journey where travelers could find supplies, support, and shelter.

Great Prairie Highway

1821 to 1880s

Blue grama grass provides food for cattle and other grazing animals. It grows in mixed-grass prairie habitats from Canada to central Mexico.

Custom Illustration by Fabricator

Trading in Santa Fe Carlos Armijo

Running a business on the Santa Fe Trail often involved the whole family. Carlos Armijo helped his parents run their store, Chick, Armijo, and Co. They sold supplies and trade goods for travelers to take east on the trail to Missouri and beyond.

Custom Illustration by Fabricator

Traveling the Trail Marian Sloan Russell

As part of a trading family, Marian crossed the country many times on the Santa Fe Trail with her mother and brother. She may have stopped here on one of her five trips on the trail.

I was seven on this trip in 1852 across the prairies…when I got tired of sitting on the hard spring seat by mother, I would crawl back among the blankets where I would play with my doll or fall asleep.

—Marian Sloan Russell

Custom Illustration by Fabricator

Custom Illustration by Fabricator

IM-03.01-151+ Blue Grama Grass illustrations

3/4/2021 The grasses and grass-like plants of New Mexico - Illustration, Text about:blank 1/1

IM-03.01-151+ Blue Grama Grass illustrations

IM-03.01-151+ Blue Grama Grass illustrations

IM-03.01-176 Marion Sloan Russell illustration

Full body portrait of a 7 year old girl, ca. 1852.

Reference Images

Illustrations by James Watling from Along the Santa Fe Trail: Marion Russell’s Own Story

Rio Grande Cutthroat trout (Oncorhynchus clarki virginalis) should be shown swimming with hints of its natural environment (see FPO illustration below) rather than free-floating.

This image will appear on GL-04.01-100.

IM-04.01-101 Rio Grande Cutthroat Trout

Kozlowski Stage Stop

Hospitality on the Santa Fe Trail

Near a year-round spring and Glorieta Creek, the Kozlowski family established a stage stop here on the Santa Fe Trail.

Between 1858 and 1880, Elena, Martin, and their children sold supplies, served hearty meals, ran an inn, and provided a safe place to camp and pasture animals.

To further provide for their growing family, they also fished, farmed, ranged cattle, and gathered piñon nuts.

Rio Grande cutthroat trout These fish are native to nearby Glorieta Creek and the Pecos River.

Custom Illustration

IM-04.01-101 Rio Grande Cutthroat Trout

IM-04.01-101 Rio Grande Cutthroat Trout

IM-04.01-201 Elena Kozlowski illustration

Full body portrait of a woman in 1860s dress. She should be wearing a dress and apron, with her hair pulled back.

Reference image for dress (under apron).

IM-04.02-201 Martin Kozlowski illustration

Full body portrait of a man in 1860s dress.

Image as reference for clothing.

Illustration features a ponderosa pine (Pinus ponderosa) bough. Should show several cones and needle bunches, and branch, but the branch does not need to be prominent.

Illustration should be complex enough to repeat on all panels as shown below.

This image will be for the following graphics:

• GL-05.01-200 (IM-05.01-201)

• GL-05.02-200 (IM-05.02-101)

• GL-05.03-200 (IM-05.03-202)

IM-05.01-201+ Ponderosa Pine illustrations

Turning Point in the Southwest

When the Civil War erupted, the newly formed

Confederacy looked to the west. Access to the

Pacific Ocean and the gold fields of Colorado and California would help fund their war effort.

Glorieta Pass, the long-time route through the mountains, became the stage for a pivotal battle that halted the Confederacy’s westward aspirations.

Civil War Comes to Glorieta Pass

March 26–28, 1862

Ponderosa pines grow abundantly at the battlefield.

Their bark has a distinctive vanilla or butterscotch scent.

Custom Illustration by Fabricator

Drawn Into Battle, Reluctantly

Union and Confederate forces fought the Civil War in most of the United States over the enslavement of Black Americans. In the New Mexico Territory, there were few enslaved people; motivations to fight were local. More than 3,500 New Mexicans fought in the Civil War. Most volunteered for the Union.

For local Hispanos, there was a long antagonistic history with Texans. When Texas sided with the Confederacy, New Mexican Hispanos joined the Union to defend against what they saw as Texan aggression— defending their land and economic status.

What is the position of New Mexico?

The answer is a short one.

She desires to be let alone.

—Santa Fe Gazette, May 11, 1861

Sam Adams, a free Black New Mexican, was a private and cook for the 1st Colorado

Calvary Regiment and was likely at the Battle of Glorieta Pass. He remained in the region with his local

Hispano wife Timothea Chavez. This photo was taken in 1915 at the ruins of the Spanish mission in Pecos.

Custom Illustration by Fabricator

Custom Illustration by Fabricator

Wounded in Battle— Union Captain Samuel H. Cook

Cook was wounded at Apache Canyon in the Battle of Glorieta Pass when

“some nearby Texan emptied a ‘buck and ball’ charge into the officer’s thigh.” He survived his wounds and was probably treated in this building.

IM-05.01-201+ Ponderosa Pine illustrations

IM-05.02-201 Col. Abreu illustration

Full body portrait of man in Civil War uniform of the New Mexico Volunteers.

IM-06.01-201 Tex Austin illustration

Full body portrait illustration of Tex Austin. He should be dressed in a button down shirt, long pants, and cowboy boots. He should be wearing a large white cowboy hat on his head. The clothing should appear from the 1920s-1930s. Tex is in his mid 30s or early 40s.

IM-06.01-201 Tex Austin illustration

Illustration shows landscape around Pecos National Historical Park, specifically near the trading post. Importantly, the illustration should show the patchwork of land use in this area: cleared pastureland interspersed among a pinon-juniper natural landscape. Cows should appear in pasture (either silhouettes or line drawings) to signify that the open space is grazing land. Local mountains and foothills can be shown in the background. The same Illustration can be used on all panels, as shown below.

This image will be for the following graphics:

• GL-06.01-400 (IM-06.01-401)

• GL-06.03-500 (IM-06.03-501)

IM-06.01-401+ New Mexico Pasture illustrations

Tex Austin understood how to get attention.

This sign shows off the ranch name and and its distinctive logo.

Forked Lightning Ranch

In 1925, entrepreneur Tex Austin capitalized on a romanticized notion of the Old West—cowboys, cattle rides, camping under the stars—by establishing the Forked Lightning dude ranch.

The ease of train travel enticed adventure seekers with big dreams and deep pockets. A week at the ranch cost $125 (about $2,000 in today’s dollars).

Austin’s ranch, seemingly as big as all outdoors, with only the far distant skyline as its boundaries is only two miles from… a station on the Santa Fe Trail Railroad thirty-four hours from Chicago.

—NEED CITE

The Real West?

1925–1934

Grasses and grazing cattle can seem like a natural combination in the northern New Mexico landscape. But prior to ranching, there were more woodlands here. People cleared the trees to encourage grasses to grow.

Custom Illustration by Fabricator

Serious Hobby Ranchers

1941–1980s

Cattle and Philanthropy

They came for the beauty, the climate, the proximity to Santa Fe, and the sense of space.

This couple from far away—Buddy Fogelson from Nebraska and Texas, Greer Garson from London and Hollywood—ran a busy ranch on this land for more than 40 years.

With their sizable fortunes, they had the luxury to run the ranch for pleasure over profits. They cared deeply for their animals and loved the land.

Greer and Buddy made their home in the Forked Lightning ranch house.

The ranch hands lived in this building.

Custom Illustration

IM-06.01-401+ New Mexico Pasture illustrations

IM-06.03-201 Greer Garson illustration

Full body portrait illustration of Greer Garson. She should be wearing ranching clothing and a hairstyle from the 1950s. She is in her mid 40s.

IM-06.03-301 Buddy Fogelson illustration

Full body portrait illustration of Buddy Fogelson. He should be wearing ranching clothing.. He is in his mid 50s.

IM-06.03-301 Buddy Fogelson illustration

M aps

Custom Maps

Scene # Item # Size Description 01 IM-01.01-104 TBD Regional Map 02 IM-02.01-101 TBD Glorieta Creek Map 05 IM-05.02-101 TBD Civil War map

Purpose and Intent

The maps are meant to convey specific geographic information for the exhibits. Fabricator should work with park staff to ensure that each map shows the proper details for the exhibits. Stylistically, the maps should complement other graphics in the exhibits.

Proposed Fabrication Technique

Maps should be digital reproductions of custom artwork. The maps may be done at a reduced scale of the final size. See graphics package for details on image sizes.

Map of the area of the park that includes the trading post and visitor center and some of the surrounding area. The map should highlight:

• Trading Post with You are Here indicator

• Visitor Center

• Roads (Hwy 63), main unit road, Ranger Lane

• Forked Lightning Ranch House- (indicate seasonal access)

• What there is to do at each of the different visitor centers (with icons)

◊ EE Fogelson Visitor Center: general park information, talk to rangers, bookstore

◊ Trading Post: self-guided exhibits about Civil War, Santa Fe Trail

• North Arrow

• Scale

IM-01.01-104 Regional Map

Reference Image for Content

Custom Map by Fabricator

N

Forked Lightning Ranch House (seasonal access)

Trading Post

Visitor Center

Ancestral Sites Trail scale

Ranger Lane

G lo rieta G reek

You are here

Pecos National Historical Park National Park Service U.S. Department of the Interior

Trading Post This brightly colored building has had many functions: stage stop on the Santa Fe Trail, Civil War hospital, dude ranch headquarters, and now a place to experience history.

Natural springs flow from sandstone rock nearby. This made the area an attractive place for immigrants Elena and Martin Kozlowski to set up their Santa Fe Trail stage stop.

Picnic at spring, ca. 1920

Kozlowski ranch and stage stop, ca. 1899

In the midst of the Civil War, this building transformed from stage stop to Union Army field hospital after the Battle of Glorieta Pass.

Rodeo promoter Tex Austin expanded the original building, using it as the headquarters for his dude ranch, the Forked Lightning Ranch.

1850s

Forked Lightning Ranch, ca. 1930

IM-01.01-104 Regional Map Style

Description

The map should have the look and feel of a traditional National Park Service map. Text should be in NPS Rawlinson OT and Adobe Fruitger Std only. Fabricator should work with park staff and Harpers Ferry to ensure that the visual identity of the map fits into the existing guidelines.

This map should highlight the proximity of the trading post to Glorieta Creek. Labels should include:

• You are here

• Visitor Center

• Ruins Trail

• Glorieta Creek

• Santa Fe Trail

• North Arrow

• Scale

Reference Images for Content

IM-02.01-101 Glorieta Creek Map

Reference Images for Content

IM-02.01-101 Glorieta Creek Map

Custom Map by Fabricator

Forked Lightning Ranch House (seasonal access)

Trading Post

Ranger Lane

G lo rieta G reek

San ta Fe Trail scale

S

N

EW

Visitor Center

You are here

American history unfolded in and around this building in surprising ways.

People have been stopping by the Trading Post for nearly 200 years. Today, the National Park Service hopes that you also find respite here— a break from your travels, a vista to enjoy, and a story that might even change you.

Welcome to the Trading Post at Pecos National Historical Park

IM-02.01-101 Glorieta Creek Map Style

Missour i River

Miss iss ippi River

P la t t e

R i v e r

Kan sa s R iv e r

Cimarron Rive r

P ecos R iverRio Grande

Arkansas Rive r

Canadi an Riv er

G u lf o f M ex i c o

Oregon Trai l

IN

DEPENDENCE,

M

IS

SO

URI

YOU A

RE H

ERE

Fort

Unio n N

M

Bent’s

Old Fort

NHS

C im ar ro n Ro ut e

M o u n ta in

R o u te

Pecos N

HP

S a n ta

Fe T ra il

SANTA FE

SANTA FE TRAIL

1821–1880

1 fo ot =

75 m ile s

3 to 5 day s o f t rav el by h orse an d w ag on

S

N E

W

Description

Map should mimic style of floor map graphic in scene 03 (GL-03.01-200). It should be a flat, political style map. Fonts should match those used throughout exhibit and specifically in GL-03.01-200.

Map showing the location of the Battle of Glorieta Pass.

Labels should include:

• Johnson’s Ranch

• Apache Canyon

• Pigeon’s Ranch

• Kozlowski’s Ranch

• Santa Fe Trail

• Chivingon’s Route

• Galisto Road

• North Arrow

• Scale

Reference Image for Content

IM-05.02-101 Civil War Map

Note to park:

Please confirm this list of labels.

IM-05.02-101 Civil War Map Style

Description

The map should feel stylistically appropriate for the Civil War Era. It should be monochromatic and include drawn references to the terrain.

Map should fill entirety of panel, including section of graphic that will appear to left of GL-05.01-200.

IM-05.02-101 Civil War Map Style

Interactives

Custom Interactives

Purpose and Intent

The interactives are meant to create opportunities for discovery and tactile experiences throughout the exhibits.

Accessibility

Tactile interactives shall meet accessibility requirements specified in Section 8, Accessibility, of the Harpers Ferry Center’s Exhibit Planning and Design Specifications document (attachment A).

Scene # Item # Size Description 02 CE-02.01-300 See drawing set Spinning cube illustrations 05 CE-05.03-500 See drawing set Diagnostic interactive 06 CE-06.01.300 See drawing set Flipbook: Ranch brochure 06 CE-06.02-200 See drawing set Dress up interactive 06 CE-06.02-400 See drawing set Saddled sawhorse 06 CE-06.02-500 See drawing set Santa Gertrudis interactive

Three spinning cubes that rotate independently on the same spindle. Each face of the cubes shows one section of an illustration of a child. Visitors can spin the cubes separately to line up the different illustrations and mix and match as they wish.

CE-02.01-300 Spinning Cubes interactive

Three spinning cubes that rotate around the same spindle.

Visitors can move each cube individually to line up the different panels and mix and match as they wish. Individual graphics will have indicators on them for visitors to be able to match them up visually. See drawing set for details.

CE-05.03-500 Diagnostic Interactive

Double sided pages with tabs for accessibility. See graphics package for details on flipbook pages.

GL-06.01-300 Flipbook: Ranch Brochure

CE-06.02-200 Dress up Interactive

Purpose and Intent

The dress up corner allows visitors to try on clothes.

Proposed Fabrication Technique

The clothing should be durable and look period-appropriate for the 1920s.

Clothing should be provided in various sizes:

• kids size 5-7

• kids size 8-10

• adult sizes

Where possible, adult-sized clothing should feature drawstrings and open backs so that people of varying size and stature can try the clothing on. Dresses should be completely open in the back. Pants should be drawstring-waist. Pants should be drop-front style, but non-functional. Suspenders should be provided on mens’ pants.

3 sets of clothing should be purchased in order to include replacements. A limited number of dress-up clothes should be hung on exhibit, but additional props should be purchased and stored so that they can be brought out for larger groups to use.

Dress up items to include:

• 10-gallon hat

• Leather chaps

• Shorter Ike-style jacket (breast pockets, buttons, rustic)

• Longer duster jacket

• Colorful cowboy cravats/neck kerchiefs

• Colorful flannel/button-up shirts

• Vest

• Leather belt

• Leather or heavy duty cloth skirt

CE-06.02-200 Dress up Interactive

Sawhorse with contemporary saddle, saddle blanket, and reins so that visitors can climb upon it as if it were a horse. The saddle, blanket, and reins should all be secured to the sawhorse. Visitors should not be able to unsaddle the sawhorse.

CE-06.02-400 Saddled Sawhorse

CE-06.02-400 Saddled Sawhorse

Large puzzle with six removable pieces. The pieces should each have a large knob on them for visitors to be able to grasp and lift. Fabricator should provide multiples of each loose piece. See drawing set for details.

CE-06.02-500 Santa Gertrudis Interactive

CE-06.02-500 Santa Gertrudis Interactive

Why are Santa Gertrudis cattle a good fit for New Mexico?

Pecos can be a challenging place to live for cattle because of its high elevation, little rain, and extreme temperatures.

Buddy Fogelson and Greer Garson brought these cattle from Arkansas in hopes that they could thrive here.

Reference Image of GL-06.02-550 with placement of interactive

Exhibit Furniture

Exhibit Furniture

Introduction

Fabricate or source vintage furniture as follows for desk (with chair) and a bench. Also includes brochure holder.

Scene # Item # Size Description 02 CE-02.02-100 See drawing set Desk (with Chair) 02 CE-02.02-150 See drawing set Bench 02 CE-02.02-300 24” x 10” x 4” Brochure Rack

Fabricated, or sourced vintage desk, with two drawers, locking 3” casters on legs & SAR acrylic top to cover park map.

Should include matching sourced vintage chair with seat cushion.

See drawing set for additional detail.

CE-02.02-100 Desk (with Chair)

Reference images

CE-02.02-100 Desk

Caster options for desk Home > All Products > Cushioning, Peanuts and Foam > Cutters and Dispensers > Paper Cutters

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Set of 4 casters for use with vertical or multideck paper cutters.

Casters for Paper Cutter

MODEL

NO.

DESCRIPTION PRICE

PER SET

IN STOCK

SHIPS TODAY

H-249 Set of Casters for Vertical and Multi Deck Paper Cutters $78 1 ADD

SAME DAY SHIPPING | HUGE SELECTION IN STOCK | SHIPS FROM 12 LOCATIONS

ULINE .ca 1-800-295-5510

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DIMENSIONS:

Diameter: 3" Width: 1 1/4" Stem: 1 1/2" long, 1/2" diameter Thread Size: 13 Adds 3 1/2" to height of dispenser.

MATERIAL:

Wheel & Hub: Polyolefin Frame: Zinc plated steel (Resists rust & corrosion)

FEATURES:

Stem Type: Threaded Bearing Type: Plain Wheel Hardness: 70 D

CAPACITY:

840 lbs per kit (210 lbs per caster)

INCLUDES:

(2) Swivel

(2) Swivel with brake

Availability: In Stock Unit Weight: 3.59 lbs.\1.63 kg

Catalog Page 726

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Additional Info

Home > All Products > Shelving, Bins and Storage > Carton Stands > Steel Carton Stands

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Set of 4 casters.

Use with Single Tier and Two Tier Steel Carton Stands for added portability.

Casters for Steel Carton Stands - Set of 4

MODEL

NO.

DESCRIPTION

PRICE PER SET IN STOCK

SHIPS TODAY1 2+

H-1074 Optional Set of 4 Casters $72 $69 1 ADD

SAME DAY SHIPPING | HUGE SELECTION IN STOCK | SHIPS FROM 12 LOCATIONS

ULINE .ca 1-800-295-5510

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DIMENSIONS:

Diameter: 3" Width: 1 1/8" Mount Height: 4" Stem: 1 1/2" long, 7/16" diameter

MATERIAL:

Wheel & Hub: Rubber Frame: Zinc plated steel (Resists rust & corrosion)

FEATURES:

Stem Type: Friction Ring Bearing Type: Plain Wheel Hardness: 95 A

CAPACITY:

440 lbs per kit (110 lbs per caster)

INCLUDES:

(4) Swivel casters with brake.

Availability: In Stock Unit Weight: 4.80 lbs.\2.18 kg

Instructions

Catalog Page 30

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Additional Info

Wood bench should be built to match existing exterior benches.

See drawing set for additional detail.

CE-02.02-150 Bench

Reference images

Brochure holder for NPS brochures.

Approximate dimensions: 24” x 10” x 4”

CE-02.02-300 Brochure Rack

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4 POCKET WALL MOUNT HOLDER

Item Number: HW-434

• Wall Mount Brochure Holder with FOUR Pockets

See also: Acrylic Literature Holders

Clear WALL MOUNT display with 4 tri-fold literature pockets are very popular and affordable. Display mounts easily and securely to a wall using either your own screws and anchors. This display has been carefully constructed using our clear premium acrylic material and two... Read more >

PRICING PER PIECE:

ome Products Brochure & Literature Holders Wall Mounted Holders Multi-Pocket Holders 4 Pocket Wall Mount Holder

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Product Description Specification Video

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Add Quantity to Shopping Cart

(4) 4"wide x 5"high x 1½"deep

ADD A BIZ POCKET

Fits business cards 3½"w x 2"h x ¾"d

I will pass on Pockets

SCREWS & ANCHORS

1" long drywall screws

I will pass on Screws & Anchors

IMPRINT YOUR LOGO?

Minimum 50 pieces to Imprint

No Imprint One Color - Minimum 50 pieces to Imprint Two Colors - Minimum 50 pieces to Imprint Three Colors - Minimum 50 pieces to Imprint

1- 4

$20.23

5-9

$17.94

10-24

$15.65

25-49

$13.98

Buy 50+

$13.70

Zoom

$0.00

Reference image

Exhibit M ounts

Exhibit Mounts

Introduction

To minimize damage to historic building structure, exhibits will be mounted primarily to the floor and ceiling (avoiding vigas). The following pages document the type of mounting system that should be used.

See drawing set for specific mounting locations.

Cable Display Systems

Display with Elegance

SYSTEMS

– 4 –

FLOOR TO CEILING FIXING KIT (4 METRES)

C15-K1

• (18.5mm) 3/4" diameter top fixing

• (4m) 13' length stainless steel cable

• Floor anchor with adjusting sleeve

* Allen key and fixing screws supplied

Each stainless steel cable can suspend (200kg) 440lbs. Our products are used to vertically suspend and display artwork, products, posters, tempered glass shelving and many other items.

NOTE: Kits do not include panel or shelf supports.

CABLE DISPLAY SYSTEMS

1.5MM CABLE COMPONENTS

Installation video on Mustang TV www.mustangvisual.com

– 5 –

Each stainless steel cable can suspend (200kg) 440lbs. Our products are used to vertically suspend and display posters, tempered glass panels and many other items.

NOTE: Kits do not include panel or shelf supports.

CABLE DISPLAY SYSTEMS

1.5MM CABLE COMPONENTS

SUSPENSION PANEL KIT

C15-K6

• (18.5mm) 3/4" diameter top fixing

• (2m) 6'-6" length stainless steel cable

• Suspension panel support for up to (6mm) 1/4"

* Allen key and fixing screws supplied

C15-K10

• (18.5mm) 3/4" diameter top fixing

• (2m) 6'-6" length stainless steel cable

• Suspension panel support for up to (10mm) 3/8"

* Allen key and fixing screws supplied

C15-K6-4

• (18.5mm) 3/4" diameter top fixing

• (4m) 13' length stainless steel cable

• Suspension panel support for up to (6mm) 1/4"

* Allen key and fixing screws supplied

C15-K10-4

• (18.5mm) 3/4" diameter top fixing

• (4m) 13' length stainless steel cable

• Suspension panel support for up to (10mm) 3/8"

* Allen key and fixing screws supplied

– 12 –

CABLE DISPLAY SYSTEMS

1.5MM CABLE COMPONENTS

ADDITIONAL COMPONENTS

C15-ACC15

TOP FIXING WITH

CABLE GRIP

C15-ACC10

CEILING SHIELD

C15-SC

FRAME SUPPORT

(Frame not provided)

C15-SPP

SINGLE PIERCED SUPPORT FOR PANEL

UP TO (6mm) 1/4"

DRILLED HOLES MUST BE

(4.76mm) 3/16"diameter

C15-ACC1

RAIL SUPPORT

RAIL20

FLOOR TO CEILING RAIL

• (2m) 6’-6” length

• Anodized aluminum finish

3/8” 10,5mm

3/8” 10mm

3/4” 19mm

3/4” 18,5mm

1/4” 5,5mm

1/4” 6mm

3/4” 18,5mm

11/16” 18 mm

3/16” 5mm

5/16” 8,4mm

15/16” 25mm

5/16” 8,5mm

3/8” 10mm

3/4” 19mm

1/4” 6mm

3/4” 18,5 mm

5/16” 7mm

1/4” 6mm

3/4” 18,5mm

11/16” 18 mm michael Highlight michael Text Box