Attachment21_HAVO_PDII_Graphic_Layouts_Package.pdf

GRAPHICS

Submission Date: March 10, 2017 REVISED April 7, 2017

PRODUCTION DOCUMENTS II

SDII DDI Draft / DDI comprehenSIve pD1 pDIISDI DDII PDII

Hawai�i Volcanoes National Park 1932 Administration Building

Attachment 21 HAVO PDII Graphic Layouts Package

Active volcanoes Kīlauea and Mauna Loa erupt and lava flows. New lava covers old lava as a cycle of constant change begins anew. This recurring cycle, the origins of life, and the interconnectedness of all living things are described in a sacred

Hawaiian creation chant called Kumulipo. Grounded in a unique world view and inspired by this dynamic landscape, descendants of the first Polynesians have remained for generations. Subsequent generations of non-Hawaiian settlers, adventurers, scientists, and entrepreneurs followed in their footsteps. As you explore, discover your own connection to this place and to the evolving story of

Hawai�i Volcanoes National Park.

NPS Photo

“Hālau O Kekuhi” Hālau O Kekuhi / Keali`i Reichel / Ledward Kaapana, 9/9/2006 Courtesy of Face of America™, Wolf Trap Foundation for the Performing Arts Photo by Scott Suchman

U.S. Geological Survey

NPS Photo

NPS Photo

GL-01.01-000 | SCALE: 15% | Production Size: 70” x 62”

1.5" ALUMINUM FAUX

PAINTED TUBING ON

BOTH SIDES: M1

.5" ALUMINUM FAUX

PAINTED TUBING

CREATES GRID: M1

.5" ALUMINUM FAUX

PAINTED TUBING WILL

COVER EDGES OF PHOTOS

DIMENSIONAL

LETTERS FAUX

PTD M2

SEE THE FOLLOWING PAGE FOR CLOSE-UPS

MOCK-UP FOR REFERENCE ONLY

GL-01.01-010 | SCALE: 22% | Production Size: 5” cut lettersActive volcanoes Kīlauea and Mauna Loa erupt and lava flows. New lava covers old lava as a cycle of constant change begins anew. This recurring cycle, the origins of life, and the interconnectedness of all living things are described in a sacred

Hawaiian creation chant called Kumulipo. Grounded in a unique world view and inspired by this dynamic landscape, descendants of the first Polynesians have remained for generations. Subsequent generations of non-Hawaiian settlers, adventurers, scientists, and entrepreneurs followed in their footsteps. As you explore, discover your own connection to this place and to the evolving story of

Hawai�i Volcanoes National Park.

NPS Photo

“Hālau O Kekuhi” Hālau O Kekuhi / Keali`i Reichel / Ledward Kaapana, 9/9/2006 Courtesy of Face of America™, Wolf Trap Foundation for the Performing Arts Photo by Scott Suchman

U.S. Geological Survey

NPS Photo

NPS Photo

Active volcanoes Kīlauea and Mauna Loa erupt and lava flows. New lava covers old lava as a cycle of constant change begins anew. This recurring cycle, the origins of life, and the interconnectedness of all living things are described in a sacred

Hawaiian creation chant called Kumulipo. Grounded in a unique world view and inspired by this dynamic landscape, descendants of the first Polynesians have remained for generations. Subsequent generations of non-Hawaiian settlers, adventurers, scientists, and entrepreneurs followed in their footsteps. As you explore, discover your own connection to this place and to the evolving story of

Hawai�i Volcanoes National Park.

NPS Photo

“Hālau O Kekuhi” Hālau O Kekuhi / Keali`i Reichel / Ledward Kaapana, 9/9/2006 Courtesy of Face of America™, Wolf Trap Foundation for the Performing Arts Photo by Scott Suchman

U.S. Geological Survey

NPS Photo

NPS Photo

Active volcanoes Kīlauea and Mauna Loa erupt and lava flows. New lava covers old lava as a cycle of constant change begins anew. This recurring cycle, the origins of life, and the interconnectedness of all living things are described in a sacred

Hawaiian creation chant called Kumulipo. Grounded in a unique world view and inspired by this dynamic landscape, descendants of the first Polynesians have remained for generations. Subsequent generations of non-Hawaiian settlers, adventurers, scientists, and entrepreneurs followed in their footsteps. As you explore, discover your own connection to this place and to the evolving story of

Hawai�i Volcanoes National Park.

NPS Photo

“Hālau O Kekuhi” Hālau O Kekuhi / Keali`i Reichel / Ledward Kaapana, 9/9/2006 Courtesy of Face of America™, Wolf Trap Foundation for the Performing Arts Photo by Scott Suchman

U.S. Geological Survey

NPS Photo

NPS Photo

Active volcanoes Kīlauea and Mauna Loa erupt and lava flows. New lava covers old lava as a cycle of constant change begins anew. This recurring cycle, the origins of life, and the interconnectedness of all living things are described in a sacred

Hawaiian creation chant called Kumulipo. Grounded in a unique world view and inspired by this dynamic landscape, descendants of the first Polynesians have remained for generations. Subsequent generations of non-Hawaiian settlers, adventurers, scientists, and entrepreneurs followed in their footsteps. As you explore, discover your own connection to this place and to the evolving story of

Hawai�i Volcanoes National Park.

NPS Photo

“Hālau O Kekuhi” Hālau O Kekuhi / Keali`i Reichel / Ledward Kaapana, 9/9/2006 Courtesy of Face of America™, Wolf Trap Foundation for the Performing Arts Photo by Scott Suchman

U.S. Geological Survey

NPS Photo

NPS Photo

CLOSE-UPS OF GL-01.01-000

GL-01.01.100 | SCALE: 55% | Production Size: 10” x 14”

Audio description and assistive listening devices can be borrowed at the Kīlauea Visitor Center.

Audio Description

GL-01.01.200 | SCALE: 100% | Production Size: 8” x 5”

The audio playing in this area comes from KUMULIPO—a Hawaiian creation chant. The following transcription and translation may help you understand the cultural importance of this chant.

Park to consider which part of the Kumulipo should be transcribed and translated on this graphic panel remporia am, si ipsusae veni accus ex es magnistrumet inullorem volore nonseque nima nimet ut optatia dolo to blab

Park to provide chant translation Asime volo dolenec erchicium remporia am, si ipsusae veni accus ex es magnistrumet inullorem volore nonseque nima nimet ut optatia dolo to blab

Park to provide chant translation Asime volo dolenec erchicium remporia am, si ipsusae veni accus ex es magnistrumet inullorem

Living on a remote lava landscape requires ingenuity and resourcefulness. Arriving about 1,000 years ago, the earliest Polynesians settlers adapted to their new home by using readily abundant materials. Hawaiians used �ōhi�a and other hard woods to frame structures covered with thatching of pili grass or the endemic loulu palm leaves. They planted sweet potatoes and they harvested food from the sea. Plants, animals, and the landscape inspired a distinctive artistic style.

The innovations and traditions of this island's first settlers are evident in modern Hawaiian culture.

GL-02.01.000 | SCALE: 100% | Production Size: 45” x 94”

GL-02.01.050 | SCALE: 100% | Production Size: approx. 8" + 11" letters

GL-02.01.100 | SCALE: 100% | Production Size: 32” x 41”

NPS Photo (Ti leaf background image)

GL-02.01.000 | SCALE: 5% | Production Size: 45” x 94” GL-02.01.050 | SCALE: 15% | Production Size: approx. 8" + 11" letters

GL-02.01.150 | SCALE: 15% | Production Size: 2.5” x 96”

MOCK-UP FOR REFERENCE ONLY

SIZES AND SPACING OF LETTERS IN

FILE MAY NEED TO BE REWORKED

BY DESIGNER BASED ON FINAL SHOP

DRAWINGS FROM FABRICATOR

GL-02.01.100 | SCALE: 25% | Production Size: 32” x 41”

Living on a remote lava landscape requires ingenuity and resourcefulness. Arriving about 1,000 years ago, the earliest Polynesians settlers adapted to their new home by using readily abundant materials. Hawaiians used �ōhi�a and other hard woods to frame structures covered with thatching of pili grass or the endemic loulu palm leaves. They planted sweet potatoes and they harvested food from the sea. Plants, animals, and the landscape inspired a distinctive artistic style.

The innovations and traditions of this island's first settlers are evident in modern Hawaiian culture.

GL-02.01.000 | SCALE: 100% | Production Size: 45” x 94”

GL-02.01.050 | SCALE: 100% | Production Size: approx. 8" + 11" letters

GL-02.01.100 | SCALE: 100% | Production Size: 32” x 41”

NPS Photo (Ti leaf background image)

MOCK-UP FOR REFERENCE ONLY

Living on a remote lava landscape requires ingenuity and resourcefulness. Arriving about 1,000 years ago, the earliest Polynesian settlers adapted to their new home by using readily abundant materials. Hawaiians used �ōhi�a and other hard woods to frame structures covered with thatching of pili grass or the endemic loulu palm leaves. They planted sweet potatoes and harvested food from the sea. Plants, animals, and the landscape inspired a distinctive artistic style.

The innovations and traditions of this island's first settlers are evident in modern Hawaiian culture.

CUTLINE IN FILE MAY NEED TO BE

REWORKED BY DESIGNER BASED

ON FINAL SHOP DRAWINGS FROM

FABRICATOR

DIRECT PRINT

G ro un d w at er s ee pe d in to a n ac tiv e ve nt

, t he n he at ed , a nd e xp lo de d in v io le nt e ru pt io ns

. I n tw o su ch e ve nt s, cl ou ds o f w et a sh r ai ne d ac ro ss t he

K a� ū

D es er t, co at in g th e la nd

. F oo tp ri nt s w er e pr es er ve d as t he w et a sh d rie d to fo rm a c ru st

, w hi le t he ba re fo ot ed H aw ai ia ns w al ke d th ro ug h th e de se rt.

Th es e fo ot pr in ts p ro vi de a n in tim at e lin k be tw ee n th e pa st a nd p re se nt

FO

O

TP

R

IN

TS

I N

A S

H ca.

CE

1 5 0 0 A mas siv e e rup tio n c all ed th e �

Ail ā� au Fl ow sp rea d l av a o ve r a n a rea th e s ize of

,30 foo tba ll fi eld s!

Th e v olc an o’s pe ak co lla ps ed for ming a ca lde ra tha t e vo lve d i nto th e c rat er yo u s ee to da y.

KĪLA

UEA

C

ALD

ER

A F

ORMS

Warring chiefs Kamehameha and Keōua battled for control of the island for years. As the armies of Keōua traversed the summit, a terrible eruption blasted a thick column of ash skyward. The dense cloud collapsed and surged outwards, enveloping warriors and their families in suffocating hurricane-force winds and scalding steam. Keōua survived, but a portion of his army was killed by the eruption. He died the following year by the hands of Kamehameha’s men.

KĪLAUEA’S DEADLIEST ERUPTION

1 27 5 The Tahitian priest Pa�ao built

Waha�ula and introduced elements of culture that we identify today as Hawaiian. He changed existing religious, social, and political systems that were in place at the time of his arrival. The temple located within the park has been “embraced” by

Pelehounuamea and her shield of lava.

WAHA�ULA HEIAU

–RED MOUTH TEMPLE

ca. CE ca

C E

CE

G L-

.0

2.

S C

A

LE

: 1

P ro du ct io n

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: 4 3.

5” x

5.

5”

G L-

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: 1

P ro du ct io n

Si ze

: 3 8.

5” x

8.

5”

G L-

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2.

S C

A

LE

: 1

P ro du ct io n

Si ze

: 4 3.

5” x

5.

5”

G ro un d w at er s ee pe d in to a n ac tiv e ve nt

, t he n he at ed , a nd e xp lo de d in v io le nt e ru pt io ns

. I n tw o su ch e ve nt s, cl ou ds o f w et a sh r ai ne d ac ro ss t he

K a� ū

D es er t, co at in g th e la nd

. F oo tp ri nt s w er e pr es er ve d as t he w et a sh d rie d to fo rm a c ru st in t he a sh w hi le ba re fo ot ed H aw ai ia ns w al ke d th ro ug h th e de e fo ot pr in ts p ro vi de a n in tim at e lin k be tw pa st a nd p re se nt

FO

O

TP

R

IN

TS

I N

A S

H ca.

CE

1 5 0 0 A mas siv e e rup tio n c all ed th e �

Ail ā� au d l av a o ve r a n a rea th e s ize of

,30 foo tba ll fi eld s!

Th e v olc an o’s pe ak co lla ps ed for ming a ca lde ra tha t e vo lve d i nto th e c rat er yo u s ee to da y.

KĪLA

UEA

C

ALD

ER

A F

ORMS

ca.

MAKING THEIR MARKS

1 2 0 0 The coastal lava landscape is home to Pu�u Loa Petroglyph Field, one of the largest petroglyph fields in Hawai�i. It includes thousands of images pecked into the lava surface between 500 to 750 years ago. Though individual petroglyphs are found in many places in the park, interpretations of their meanings vary. TOUCH THE REPLICA and imagine how people created these carvings.

Warring chiefs Kamehameha and Keōua battled for control of the island for years. As the armies of Keōua traversed the summit, a terrible eruption blasted a thick column of ash skyward. The dense cloud collapsed and surged outwards, enveloping hundreds of warriors and their families in suffocating hurricane-force winds and scalding steam. Keōua survived, but a portion of his army was killed by the eruption. He died the following year by the hands of Kamehameha’s men.

KĪLAUEA’S DEADLIEST ERUPTION

1 27 5 The Tahitian priest Pa�ao built

Waha�ula and introduced elements of culture that we identify today as Hawaiian. He changed existing religious, social, and political systems that were in place at the time of his arrival. The temple located within the park has been “embraced” by

Pelehounuamea and her shield of lava.

WAHA�ULA HEIAU

–RED MOUTH TEMPLE

ca. CE

CE

ca

C E

CE

CASE 02.02A

TACTILE PETROGLYPH

CE- 02.02-101

CUTLINE IN FILE

SEE THE FOLLOWING PAGE FOR CLOSE-UPS

CASE 02.02B

GL-02.02.100 | SCALE: 20% | Production Size: 38.5” x 18.5” GL-02.02.110 | SCALE: 20% | Production Size: 43.5” x 35.5”

SCREWHEAD LOCATIONS (SEE GRAPHIC

FILE LAYER TITLED “SCREWHEAD

LOCATIONS” FOR PLACEMENT)

ca.

MAKING THEIR MARKS

1 2 0 0 The coastal lava landscape is home to Pu�u Loa Petroglyph Field, one of the largest petroglyph fields in Hawai�i. It includes thousands of images pecked into the lava surface between 500 to 750 years ago. Though individual petroglyphs are found in many places in the park, interpretations of their meanings vary. TOUCH THE REPLICA and imagine how people created these carvings.

CE

G

L-

.0 2.

S

C A

LE

: 1

P ro du ct io n Si ze : 3

8.

5” x

8.

5” ca.

MAKING THEIR MARKS

1 2 0 0 The coastal lava landscape is home to Pu�u Loa Petroglyph Field, one of the largest petroglyph fields in Hawai�i. It includes thousands of images pecked into the lava surface between 500 to 750 years ago. Though individual petroglyphs are found in many places in the park, interpretations of their meanings vary. TOUCH THE REPLICA and imagine how people created these carvings.

CE

G L-

.0

2.

S C

A

LE

: 1

P ro du ct io n

Si ze

: 3 8.

5” x

8.

5”

G ro un d w at er s ee pe d in to a n ac tiv e ve nt

, t he n he at ed , a nd e xp lo de d in v io le nt e ru pt io ns

. I n tw o su ch e ve nt s, cl ou ds o f w et a sh r ai ne d ac ro ss t he

K a� ū

D es er t, co at in g th e la nd

. F oo tp ri nt s w er e pr es er ve d as t he w et a sh d rie d to fo rm a c ru st

, w hi le t ba re fo ot ed H aw ai ia ns w al ke d th ro ug h th e de e fo ot pr in ts p ro vi de a n in tim at e lin k be tw pa st a nd p re se nt

FO

O

TP

R

IN

TS

I N

A S

H ca.

CE

1 5 0 0 A mas siv e e rup tio n c all ed th e �

Ail ā� au d l av a o ve r a n a rea th e s ize of

,30 foo tba ll fi eld s!

Th e v olc an o’s pe ak co lla ps ed for ming a ca lde ra tha t e vo lve d i nto th e c rat er yo u s ee to da y.

KĪLA

UEA

C

ALD

ER

A F

ORMS

Warring chiefs Kamehameha and Keōua battled for control of the island for years. As the armies of Keōua traversed the summit, a terrible eruption blasted a thick column of ash skyward. The dense cloud collapsed and surged outwards, enveloping warriors and their families in suffocating hurricane-force winds and scalding steam. Keōua survived, but a portion of his army was killed by the eruption. He died the following year by the hands of Kamehameha’s men.

KĪLAUEA’S DEADLIEST ERUPTION

1 27 5 The Tahitian priest Pa�ao built

Waha�ula and introduced elements of culture that we identify today as Hawaiian. He changed existing religious, social, and political systems that were in place at the time of his arrival. The temple located within the park has been “embraced” by

Pelehounuamea and her shield of lava.

WAHA�ULA HEIAU

–RED MOUTH TEMPLE

ca. CE ca

C E

CE

G L-

.0

2.

S C

A

LE

: 1

P ro du ct io n

Si ze

: 4 3.

5” x

5.

5”

1 7 0 0 Ground water seeped into an active vent, then heated, and exploded in violent eruptions. In two such events, clouds of wet ash rained across the Ka�ū

Desert, coating the land. Footprints were preserved as the wet ash dried to form a crust, while the barefooted Hawaiians walked through the desert.

These footprints provide an intimate link between the past and present.

FOOTPRINTS IN ASH

ca.

CE

1 5 0 0 A m assive eruption called the �Ailā�au Flow spread lava over an area the size of 80,303 football fields! The volcano’s peak collapsed, form ing a caldera that evolved into the crater you see today.

KĪLAUEA CALDERA FO

RM

S

1790W ar rin g ch ie fs K am eh am eh a an d Ke ōu a ba ttl ed fo r c on tro l of th e is la nd fo r y ea rs . A s th e ar m ie s of

K eō ua tr av er se d th e su m m it, a te rri bl e er up tio n bl as te d a th ic k co lu m n of a sh sk yw ar d.

T he d en se c lo ud c ol la ps ed a nd s ur ge d ou tw ar ds en ve lo pi ng w ar rio rs a nd th ei r f am ili es in s uf fo ca tin g hu rri ca ne fo rc e w in ds a nd s ca ld in g st ea m . K eō ua s ur vi ve d, b ut a p or tio of h is a rm y w as k ill ed b y th e er up tio n.

H e di ed th e fo llo w in g ye ar b y th e ha nd s of

K am eh am eh a’ s m en

K

ĪL

A U

EA

’S

D

EA

D

LI

ES

T

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PT

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The Tahitian priest Pa�ao built

W aha�ula and introduced elem ents of culture that w e identify today as H aw aiian. H e changed existing religious, social, and political system s that w ere in place at the tim e of his arrival. The tem ple located w ithin the park has been “em braced” by

Pelehounuam ea and her shield of lava.

W A

H A �U

LA

H

EIA

U

–R

ED

M O

U

TH

TEM

PLE

ca.

C

E

ca. CE

CE

GL-02.02.110 | SCALE: 100% | Production Size: 43.5” x 35.5”

G round w ater seeped into an active vent, then heated, and exploded in violent eruptions. In tw o such events, clouds of w et ash rained across the Ka�ū

D esert, coating the land. Footprints w ere preserved as the w et ash dried to form a crust, w hile the barefooted H aw aiians w alked through the desert.

These footprints provide an intim ate link betw een the past and present.

FO

O

TPR

IN

TS IN

A

SH

ca.

CE

A massive eruption called the �Ailā�au Flow spread lava over an area the size of 80,303 football fields! The volcano’s peak collapsed, forming a caldera that evolved into the crater you see today.

KĪLAUEA CALDERA FORMS

1 7 9 0 Warring chiefs Kamehameha and Keōua battled for control of the island for years. As the armies of Keōua traversed the summit, a terrible eruption blasted a thick column of ash skyward. The dense cloud collapsed and surged outwards, enveloping warriors and their families in suffocating hurricane-force winds and scalding steam. Keōua survived, but a portion of his army was killed by the eruption. He died the following year by the hands of Kamehameha’s men.

KĪLAUEA’S DEADLIEST ERUPTION

The Tahitian priest Pa�ao built Waha�ula and introduced elements of culture that we identify today as Hawaiian. He changed existing religious, social, and political systems that were in place at the time of his arrival. The temple located within the park has been “embraced” by Pelehounuamea and her shield of lava.

WAHA�ULA HEIAU –RED MOUTH TEMPLE

ca.CE ca.

C

E

CE

G

L-02.02.110 | SC

A

LE: 100%

| Production Size: 43.5” x 35.5”

1 700 G ro un d w at er s ee pe d in to a n ac tiv e ve nt , t he n he at ed , a nd e xp lo de d in v io le nt e ru pt io ns

. I n tw o su ch e ve nt s, cl ou ds o f w et a sh ra in ed a cr os s th e Ka

�ū

De rt, c oa tin g th e la nd . F oo tp rin ts w er e pr es er ve d as th e w et a sh d rie d to fo rm a c ru st, w hi le th e ba re fo ot ed H aw ai ia ns w al ke d th ro ug h th e de e fo ot pr in ts p ro vi de a n in tim at e lin k be tw pa st a nd p re se nt

FO

O

TP

RI

N

TS

I N

A

SH

ca. CE1 5 0 0 A massive eruption called the �Ailā�au Flow spread lava over an area the size of 80,303 football fields! The volcano’s peak collapsed, forming a caldera that evolved into the crater you see today.

KĪLAUEA CALDERA FORMS

Warring chiefs Kamehameha and Keōua battled for control of the island for years. As the armies of Keōua traversed the summit, a terrible eruption blasted a thick column of ash skyward. The dense cloud collapsed and surged outwards, enveloping warriors and their families in suffocating hurricane-force winds and scalding steam. Keōua survived, but a portion of his army was killed by the eruption. He died the following year by the hands of Kamehameha’s men.

KĪLAUEA’S DEADLIEST ERUPTION

1 27 5 The Tahitian priest Pa�ao built

Waha�ula and introduced elements of culture that we identify today as Hawaiian. He changed existing religious, social, and political systems that were in place at the time of his arrival. The temple located within the park has been “embraced” by

Pelehounuamea and her shield of lava.

WAHA�ULA HEIAU

–RED MOUTH TEMPLE

ca.

CE

ca

CE

CE

GL-

.0 2.

SC

AL

E:

P ro du ct io n

Si ze

: 4 3.

5” x

5.

5”

9GL-02.03.610 | SCALE: 20% | Production Size: 26” x 18”

GL-02.03.600 | SCALE: 20% | Production Size: 32” x 21”

GL-02.03.000 | SCALE: n/a | Production Size: 81.5” x 86”

CASE 02.03

SACRED OFFERINGS

A hālau hula {hula school} performs hula at the summit. Today’s Hawaiians pay tribute to Pele in the form of hula, oli, or ho�okupu {offerings} at the rim of Kīlauea. The park also features a pā hula {dance platform} to celebrate hula and share with others.

Many Hawaiians worshipped deities including Pelehonuamea {Pele}, the goddess of volcanic activity. Her story and that of her family explain how the Hawaiian Islands came to be. This and many such stories are told through chants and dance. Pele’s sister, Laka, is the goddess of hula.

Hula movements represent the elements of the natural world. The haumana {student} respects the kūpuna {elders} for sharing their knowledge.

Oli {chant}, hula {dance}, and mo�olelo {oral history} teach and preserve traditions that evolved from Hawaiians’ earliest voyaging ancestors. Hawaiian creative expressions take inspiration from plants, animals, and the landscape.

N

PS

P ho to

Mo�omeheu culture

GL-02.03.100 | SCALE: 20% | Production Size: 24” x 86”

File titled: 02 Main Panels

MOCK-UP FOR REFERENCE ONLY

SACRED OFFERINGS

A hālau hula {hula school} performs hula at the summit. Today’s Hawaiians pay tribute to Pele in the form of hula, oli, or ho�okupu {offerings} at the rim of Kīlauea. The park also features a pā hula {dance platform} to celebrate hula and share with others.

Many Hawaiians worshipped deities including Pelehonuamea {Pele}, the goddess of volcanic activity. Her story and that of her family explain how the Hawaiian Islands came to be. This and many such stories are told through chants and dance. Pele’s sister, Laka, is the goddess of hula.

Hula movements represent the elements of the natural world.

Oli {chant}, hula {dance}, and mo�olelo {oral history} teach and preserve traditions that evolved from Hawaiians’ earliest voyaging ancestors. Hawaiian creative expressions take inspiration from plants, animals, and the landscape.

N

PS

P ho to

SACRED OFFERINGS

A hālau hula {hula school} performs hula at the summit. Today’s Hawaiians pay tribute to Pele in the form of hula, oli, or ho�okupu {offerings} at the rim of Kīlauea. The park also features a pā hula {dance platform} to celebrate hula and share with others.

Many Hawaiians worshipped deities including Pelehonuamea {Pele}, the goddess of volcanic activity. Her story and that of her family explain how the Hawaiian Islands came to be. This and many such stories are told through chants and dance. Pele’s sister, Laka, is the goddess of hula.

Hula movements represent the elements of the natural world.

Oli {chant}, hula {dance}, and mo�olelo {oral history} teach and preserve traditions that evolved from Hawaiians’ earliest voyaging ancestors. Hawaiian creative expressions take inspiration from plants, animals, and the landscape.

N

PS

P ho to

GL-02.03.050 | SCALE: 20% | Production Size: 28” x 20”

SACRED OFFERINGS

A hālau hula {hula school} performs hula at the summit. Today’s Hawaiians pay tribute to Pele in the form of hula, oli, or ho�okupu {offerings} at the rim of Kīlauea. The park also features a pā hula {dance platform} to celebrate hula and share with others.

Many Hawaiians worshipped deities including Pelehonuamea {Pele}, the goddess of volcanic activity. Her story and that of her family explain how the Hawaiian Islands came to be. This and many such stories are told through chants and dance. Pele’s sister, Laka, is the goddess of hula.

Hula movements represent the elements of the natural world. The haumana {student} respects the kūpuna {elders} for sharing their knowledge.

Oli {chant}, hula {dance}, and mo�olelo {oral history} teach and preserve traditions that evolved from Hawaiians’ earliest voyaging ancestors. Hawaiian creative expressions take inspiration from plants, animals, and the landscape.

N

PS

P ho to

Mo�omeheu culture

MOCK-UP FOR REFERENCE ONLY

CUTLINES IN FILE

DIRECT PRINT

PATTERN

File titled: 02 Main Panels

M O �O M E H E U : C U LT U R E

Traditional Hawaiian culture included religious ceremonies that honored significant life events.

Families and chiefs worshipped local gods, but only ali�i {chiefs} and kahuna {priests} could worship in larger temples called heiau.

Hawaiians sang, danced hula, and presented ho�okupu {offerings} to connect with a variety of deities.

spiritual practices

M O �O M E H E U : C U LT U R E

expressions of iDENtity

Hawaiian clothing reflected the island’s highly stratified social structure. Traditional ceremonies required adornments of high status such as �aha�ula {capes} and mahiole {helmets}. Hawaiians wore lei in an expression of status and familial ties. These and other symbols of authority were often adorned with the feathers of native birds.

GL-02.03.300 | SCALE: 48% | Production Size: 14.75” x 15”GL-02.03.200 | SCALE: 48% | Production Size: 14.75” x 15”

FAUX-PTD POLES (SEE DESIGN DETAILS)

File titled: 02 Sub Panels

MOCK-UP FOR REFERENCE ONLY

M O �O M E H E U : C U LT U R E

expressions of iDENtity

Hawaiian clothing reflected the island’s highly stratified social structure. Traditional ceremonies required adornments of high status such as �aha�ula {capes} and mahiole {helmets}. Hawaiians wore lei in an expression of status and familial ties. These and other symbols of authority were often adorned with the feathers of native birds.

Artifact has been

REMOVED FOR CONSERVATION

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THROUGH

GL-01.00-090

File titled: 01 Artifact Labels

TATTOO NEEDLE

Tattooing commemorates life events, demonstrates loyalty, or establishes spiritual connections. Hawaiians once carved MŌLĪ {tattoo needles} from the bones of the Laysan Albatross bird and other animals. They created ink from a mixture of burned kukui {the candlenut kernel} and other ingredients to permanently mark the skin.

GL-02.03.xxx | SCALE: 100% | Production Size: 10” x 5”GL-02.03.210 | SCALE: 100% | Production Size: 10” x 5”

These PETROGLYPHS were used as stepping stones on a trail within the Kalapana area of the park. The trail stones were placed over an 18th century �a�ā lava flow in Kamoamoa Mauka to guide the residents across the landscape.

These stones were retrieved before the Pu�u �Ō�ō flow covered the historic trail.

WORKED BASALT

GL-02.03.230 | SCALE: 100% | Production Size: 10” x 4.5”

BIRD FEATHERS

When native birds were plentiful, Hawaiians used their hulu manu {bird feathers} in red, yellow, black, and green to make various design motifs. These creations signified the power and sovereignty of ali�i {chiefs} and played a role in diplomacy. The modern YELLOW LEI displayed here is a replica of a traditional one but made from domestic fowl.

GL-02.03.220.2 | SCALE: 100% | Production Size: 10” x 5”

TATTOO NEEDLE

When native birds were plentiful, Hawaiians used their hulu manu {bird feathers} in red, yellow, black, and green to make various design motifs. These creations signified the power and sovereignty of ali�i {chiefs} and played a role in diplomacy.

LEI makers incorporated feathers from the now-extinct �Ō�Ō until the mid-1930s.

BIRD FEATHERS

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70%

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File titled: 02 Artifact Labels

GL-02.03.210 | SCALE: 100% | Production Size: 10” x 5” 70%

This painting depicts the 1817 rededication of Waha�ula Heiau, a luakini heiau {sacrificial temple}. King Kamehameha I rededicated this site to secure newly acquired lands in the districts of Hilo, Puna, and Ka�ū. Hawaiian artist and illustrator Herb Kane completed this artwork in 1977. Just two decades later, lava covered what remained of this ancient site.

HERB KANE, 1928-2011

Wahaula Heiau, 1977 Oil on canvas

GL-02.03.310 | SCALE: 100% | Production Size: 10” x 5.75”

Piko Tradition Pu�u Loa {Hill of Long Life} is where the piko {umbilical cord} of a child was placed. The many cup-like depressions made in the past by Native Hawaiians held the piko. The belief is that this practice rooted children to their ancestral lands.

Cultural Advocate Featherwork artist Rick Makanaaloha Kia�imeaokekanaka San Nicolas poses with an �ahu�ula {cape} that he created.

San Nicolas mastered his craft after years of research, studying photos, and listening to stories about Hawaiian culture. D an a E dm un ds H aw ai ia n

Le ga cy R ef or es ta tio n

In iti at iv e Le ga cy

Tr ee s.o rg

Ar t b y J oh n D

. D aw so n

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File titled: 02 Artifact Labels File titled: 02 Case Image Captions

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OLI {chant} • • KI�I PŌHAKU {petroglyph}

�UHANE {spirit} • KIA MANU {bird catcher} • LEI {wreath}

Files titled: 02 Overhead Ribbons

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MOCK-UP FOR REFERENCE ONLY

CUTLINES IN FILE

BLANK AREA IS BLOCKED BY

ANOTHER RIBBON

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CASE 02.04a

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CASE 02.04b

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File titled: 02 Main Panels

Hawaiians shared resources by creating social and political boundaries and dividing the island, or mokupuni, into smaller parts. The ali�i nui {highest chief} chose the konohiki {land manager}, while the maka�āinana {commoners} paid taxes and worked the land. Many of these historical practices influence modern Hawaiians and their relationship to the land.

Determination and innovation meant survival for the earliest Polynesian settlers. Their social structures and ways of life evolved into a unique Hawaiian culture that flourished for centuries and remains remains a vital part of the Park story.

One traditional Hawaiian cooking technique includes roasting and steaming food inside an imu {earthen oven}. Cooks spread heated stones inside a pit and cover them with a layer of grass or leaves to prevent the food from burning. Pua�a {pig}, �uala {sweet potatoes}, and other foods are placed over the stones and covered with more leaves to cook. Imu continue to be popular today.

HAWAI IAN COOKING

Ulu Pono thrive

MOCK-UP FOR REFERENCE ONLY

Hawaiians shared resources by creating social and political boundaries and dividing the island, or mokupuni, into smaller parts. The ali�i nui {highest chief} chose the konohiki {land manager}, while the maka�āinana {commoners} paid taxes and worked the land. Many of these historical practices influence modern Hawaiians and their relationship to the land.

Determination and innovation meant survival for the earliest Polynesian settlers. Their social structures and ways of life evolved into a culture unique to Hawai�i that flourished for centuries, and remains a vital part of this park's story.

One traditional Hawaiian cooking technique includes roasting and steaming food inside an imu {earthen oven}. Cooks spread heated stones inside a pit and cover them with a layer of grass or leaves to prevent the food from burning. Pua�a {pig}, �uala {sweet potatoes}, and other foods are placed over the stones and covered with more leaves to cook. Imu continue to be popular today.

HAWAI IAN COOKING

Hawaiians shared resources by creating social and political boundaries and dividing the island, or mokupuni, into smaller parts. The ali�i nui {highest chief} chose the konohiki {land manager}, while the maka�āinana {commoners} paid taxes and worked the land. Many of these historical practices influence modern Hawaiians and their relationship to the land.

Determination and innovation meant survival for the earliest Polynesian settlers. Their social structures and ways of life evolved into a culture unique to Hawai�i that flourished for centuries, and remains a vital part of this park's story.

One traditional Hawaiian cooking technique includes roasting and steaming food inside an imu {earthen oven}. Cooks spread heated stones inside a pit and cover them with a layer of grass or leaves to prevent the food from burning. Pua�a {pig}, �uala {sweet potatoes}, and other foods are placed over the stones and covered with more leaves to cook. Imu continue to be popular today.

HAWAI IAN COOKING

Hawaiians shared resources by creating social and political boundaries and dividing the island, or mokupuni, into smaller parts. The ali�i nui {highest chief} chose the konohiki {land manager}, while the maka�āinana {commoners} paid taxes and worked the land. Many of these historical practices influence modern Hawaiians and their relationship to the land.

Determination and innovation meant survival for the earliest Polynesian settlers. Their social structures and ways of life evolved into a unique Hawaiian culture that flourished for centuries and remains remains a vital part of the Park story.

One traditional Hawaiian cooking technique includes roasting and steaming food inside an imu {earthen oven}. Cooks spread heated stones inside a pit and cover them with a layer of grass or leaves to prevent the food from burning. Pua�a {pig}, �uala {sweet potatoes}, and other foods are placed over the stones and covered with more leaves to cook. Imu continue to be popular today.

HAWAI IAN COOKING

Ulu Pono thrive

GL-02.04.050 | SCALE: 20% | Production Size: 28” x 20”

MOCK-UP FOR REFERENCE ONLY

CUTLINES IN FILE

DIRECT PRINT

U L U P O N O : T H R I V E living on the lava

Challenged by the landscape, the maka�āinana {commoners} utilized various methods to grow �uala {sweet potatoes}. Excavated lava pits created micro-environments for the cultivation of plants. Volcanic ash and mulch were combined to grow plants. Large cracks in the lava at the coast allowed residents to access pools of fresh water, some of which were found in caves.

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FAUX-PTD POLES (SEE DESIGN DETAILS)

MOCK-UP FOR REFERENCE ONLY

U L U P O N O : T H R I V E living on the lava

Challenged by the landscape, the maka�āinana {commoners} utilized various methods to grow �uala {sweet potatoes}. Excavated lava pits created micro-environments for the cultivation of plants. Volcanic ash and mulch were combined to grow plants. Large cracks in the lava at the coast allowed residents to access pools of fresh water, some of which were found in caves.

U L U P O N O : T H R I V E

Hawaiians created land divisions known as ahupua�a that extended from the mountain summits to the sea. A konohiki {land manager} managed each ahupua�a. The konohiki supervised labor, regulated the use of land and available resources (including water), and placed restrictions on fishing, salt collection, and plant gathering.

Hawaiians created sustainable units that connected their spirituality with their natural world.

lan d management

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Maka�āinana {commoners} lived in �ohana, or extended family units. Families who lived inland focused on farming. Those living on the coast harvested marine resources. Families shared resources and helped each other construct new hale {homes} and wa�a {canoes}. Essential materials like basalt, volcanic glass, trees, and plant fibers were not evenly distributed across communities. Villages had to trade to exist.

trading for survival

Can you believe that this used to be a house?

S L I DE THE DOOR to see what it looked like.

Can you see the pattern in the rocks? S L I DE THE DOOR to reveal how Hawaiians dried salt along the coast.

TOUCH THIS

REPLICA ADZE.

Can you picture a world without metal or plastic tools?

FPO custom illustration for acrylic

FPO custom illustration for acrylic

PANEL SLIDES OPEN TO

REVEAL AN OVERLAY IMAGE

PRINTED TO CLEAR ACRYLIC

PANEL SLIDES OPEN TO

REVEAL AN OVERLAY IMAGE

PRINTED TO CLEAR ACRYLIC

PINK LINE REPRESENTS IMAGE

ACTUALLY SHOWN THROUGH

THE WINDOW OPENING

IN READER RAIL (REST IS

COVERED BY PANEL)

NOTE THE SCREWHEAD

LOCATIONS IN GRAPHIC FILE

FPO

CE-02.04-403

MOCK-UP FOR REFERENCE ONLY

WAITING ON CUSTOM ILLUSTRATION

TO BE DONE IN FABRICATION

WAITING ON CUSTOM ILLUSTRATION

TO BE DONE IN FABRICATION

Maka�āinana {commoners} lived in �ohana, or extended family units. Families who lived inland focused on farming. Those living on the coast harvested marine resources. Families shared resources and helped each other construct new hale {homes} and wa�a {canoes}. Essential materials like basalt, volcanic glass, trees, and plant fibers were not evenly distributed across communities. Villages had to trade to exist.

trading for survival

Can you believe that this used to be a house?

S L I DE THE DOOR to see what it looked like.

Can you see the pattern in the rocks? S L I DE THE DOOR to reveal how Hawaiians dried salt along the coast.

TOUCH THIS

REPLICA ADZE.

Can you picture a world without metal or plastic tools?

Can you imagine how dark nights in Hawai�i were before electricity? The only light sources were the night sky, the glow of the lava, or fire.

For light, Hawaiians burned a wick placed in oil from kukui nuts inside STONE LAMPS like these. They also threaded meat from the nuts onto WOODEN SKEWERS to create candles.

SOURCES OF LIGHT

GL-02.04.210 | SCALE: 100% | Production Size: 10” x 4.5” 70% File titled: 02 Artifact Labels

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Maka�āinana {commoners} lived in �ohana, or extended family units. Families who lived inland focused on farming. Those living on the coast harvested marine resources. Families shared resources and helped each other construct new hale {homes} and wa�a {canoes}. Essential materials like basalt, volcanic glass, trees, and plant fibers were not evenly distributed across communities. Villages had to trade to exist.

trading for survival

Can you believe that this used to be a house?

S L I DE THE DOOR to see what it looked like.

Can you see the pattern in the rocks? S L I DE THE DOOR to reveal how Hawaiians dried salt along the coast.

TOUCH THIS

REPLICA ADZE.

Can you picture a world without metal or plastic tools?

FPO custom illustration for acrylic

FPO custom illustration for acrylic

PANEL SLIDES OPEN TO

REVEAL AN OVERLAY IMAGE

PRINTED TO CLEAR ACRYLIC

PANEL SLIDES OPEN TO

REVEAL AN OVERLAY IMAGE

PRINTED TO CLEAR ACRYLIC

WINDOW CUTLINES IN FILENOTE THE SCREWHEAD

LOCATIONS IN GRAPHIC FILE

FPO

CE-02.04-403

The sling was one of many deadly weapons in Hawaiian warfare. This cache of STONES had been hidden below the 1790 ash that fell at the summit of Kilauea. A warrior may have used similar stones with slings made from hau or other plant fibers.

STONE WEAPONS

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Skilled bird catchers used various methods to catch specific birds, depending on the type of feathers needed. Each method had a name, and the feathers were used in ornate clothing, for paying taxes, and for trade. Birds for food were caught using the Kao manu method, in which a baited stick was tied to PŌHAKU OLŌLO {stones}. The KŌLEA {Pacific golden plover} would eat the bait and be grounded by the weight of the attached stone.

CATCHING BIRDS

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With few fresh water sources, Hawaiians collected water found in caves with gourds and CUPS made of coconut or marine shells. They used BOTTLE GOURDS to transport water and wooden CALABASHES for sharing and storing food. Hawaiians heated this STONE and placed it inside a sea bird’s body to cook the meat. They also used STONE PESTLES in mortars to crush leaves, seaweeds, or nuts.

MAXIMIZING RESOURCES

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Skilled bird catchers used various methods to catch specific birds, depending on the type of feathers needed. Each method had a name, and the feathers were used in ornate clothing, for paying taxes, and for trade. Birds for food were caught using the Kao manu method, in which a baited stick was tied to PŌHAKU OLŌLO {stones}. The kōlea {Pacific golden plover} would eat the bait and be grounded by the weight of the attached stone.

CATCHING BIRDS

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Hawaiians used a stone ko�i {adze} for many purposes. These sharpened rocks were fastened to a wooden handle, allowing the user to swing the blade. Hawaiians relied on ADZES when building their homes, constructing canoes, and making vessels to carry food and water.

LIKE AN AXE

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MAKING POI

Have you tried poi? It is a nutritious and highly valued staple in the Hawaiian diet. A PŌHAKU KU� I POI {poi pounder} is a stone tool with a cylindrical neck topped by a knob. Hawaiians use these implements to mash kalo {taro} root on a WOODEN BOARD , creating a pasty substance called poi.

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This PAINTING illustrates Polynesian settlers voyaging to Hawai�i in wa�a kaulua {double-hulled canoes}. Over the decades, Hawaiians continued to build wa�a for fishing, traveling, and other purposes. Kālai wa�a {canoe builders} used this CORD and CANOE SANDER during construction.

PAUL ROCKWOOD, 1895-1972

untitled, c. 1959 Oil on wood

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Kāko�i {making adzes} involved the use of heavy stones to strike basalt and shape the rock.

As adze makers created their blades, STONE FLAKES fell off the basalt. Unfinished adzes called PREFORMS have been found within the park at quarry sites.

MAKING AN ADZE

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Hawaiians used stone tools and large sea urchin spines as files to create FISHHOOKS of different sizes from bone, shell, whale ivory, or wood. The UHI KAHI {olonā scraper} was a modified turtle bone. This scraper was used to remove the olonā plant fibers that were transformed into one of the world’s strongest cordage. Hawaiians fashioned the natural fibers into various thicknesses depending on its use as fishing line, fishnets, or the netting found in feather capes.

FISHING

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He�e {octopuses} eat the mollusk (snail) that lives in the cowrie shells. Fishermen hunting for an octopus lure it by attaching these EMPTY COWRIE SHELLS to wooden shafts. The shafts have hooks that “catch” the octopus. As found in stories and chants, some families passed their lures down through the generations, thus perpetuating the mana {spiritual power} of their kūpuna {ancestors} in the tools they used.

LURING AN OCTOPUS

NPS Illustration

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HAMMER STONES are heavy and dense basalt stone implements. Hawaiians skillfully knocked flakes off a larger basalt block, and then shaped it into the form of an axe or adze head. Further work included grinding and polishing the sides of the adze to create the final tool.

SHAPING TOOLS

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This stone SALT PAN held ocean water that evaporated, leaving behind salt. Hawaiians used pa�akai {sea salt} to season and preserve food, in religious ceremonies, as medicine, and for trade. Existing depressions in basalt rocks make a natural salt pan and can be found along many coastal areas in Hawai�i.

COLLECTING SALT

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Like today’s fishermen, early Hawaiians needed SINKERS to keep their fishing lines and lures under the water. Unlike modern metal weights, these sinkers have been fashioned out of stone or coral.

SINKERS

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Kalapana resident and park employee John Pa i Hauanio Sr. made this FISHING NET , also called a nae puni {net with small mesh}. If you look at this enlarged image, you can see how the fine fibers form this mesh. The net is designed to capture small fish from canoes, or by laying it in shallow water. The net was on display at the Waha�ula Visitor Center in the late 1960s and removed before the building was destroyed by fire on June 22, 1989.

FISHING NET

NPS Photo

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The Importance of Trade Natural materials like basalt or large trees were not evenly spread across communities.

They had to trade these and other resources to thrive. This illustration depicts Hawaiian villagers trading woven mats, drinking vessels, and adzes.

Net Fishing Traditional �upena {fishing nets} made from olonā plant fibers allowed Hawaiian fishermen along the coast, or in canoes, to catch many fish at once. Contemporary fishermen continue to use similar methods.

Ar t b y J oh n D

. D aw so n

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Ahupua�a This map depicts the traditional ahupua�a, or land divisions, found within the districts of Ka�ū and Puna. The purple line indicates the boundaries of Hawai�i Volcanoes National Park.

Hawaiian Farmers Within the ahupua�a, many generations of farmers sustained communities through unique and successful agricultural methods without the use of metal tools, wheeled carts, or any type of mechanization. Ar t b y J oh n

D . D aw so n

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File titled: 02 Case Image Captions

You are currently in wao akua.

KUAH IWI is the highest point, considered most sacred, and is the home of the gods.

KUALONO is a section of land near the mountain tops where little vegetation is found.

WAO KANAKA is where humans gathered materials to construct houses, canoes, and tools.

KU LA lands vary from island to island, and within land districts. Within the park area, the lands feature grass and were suitable for farming.

KAHAKA I sits at the edge of the ocean, where many plants that were useful for daily life can still be found.

WAO MA �UKELE is a soggy and wet area on the windward side of the island. Within the park, this area is not as wet, but features vegetation such as koa and ōhi�a trees.

WAO AKUA has the most diverse vegetation, which provides food for forest birds. This area is said to be where the forest spirits reside.

Hawaiian land divisions help to connect people and activities with available resources. The higher elevations were considered sacred. Only kahuna {priests} and specialists could enter these areas.

Hawaiians fished, farmed, and lived at the lower elevations. All horizontal levels within the land have distinct names and descriptions.

a sense of place

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OPEN THESE DOORS to learn more about each region

KUALONOKUAH IWI WAO

MA �UKELE

WAO

AKUA

WAO

KANAKA

KULA KAHAKAI

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FEEL THE

�OPIHI

SHELLS.

TOUCH

THE PILI

GRASS.

HEAR

THE RAIN

FALLING

IN THE

DISTANCE.

DO YOU

HEAR THE

�UA�U?

CAN YOU

SMELL THE

SILVERSWORD

PLANT?

LISTEN TO

THE NĒNĒ.

SMELL

THE

�APAPANE

NEST.

Janice Wei

David Boyle

C. Forbes Perry/PCSU

OPEN THESE DOORS to learn more about each region

KUALONOKUAH IWI WAO

MA �UKELE

WAO

AKUA

WAO

KANAKA

KULA KAHAKAI

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1/2” GASKET APPLIED

TO READER RAIL

1/2” GASKET APPLIED

TO READER RAIL

SMELL

PERFORATIONS

SPEAKER

PERFORATIONS

SPEAKER

PERFORATIONS

SPEAKER

PERFORATIONS

FPO: TACTILE PILI

GRASS ENCASED IN

RESIN OR MOUNTED

SECURELY

FPO: TACTILE ‘OPIHI

SHELLS ENCASED IN

RESIN OR MOUNTED

SECURELY

HANDLES (SEE

DRAWING DETAILS)

HINGES (SEE

DRAWING DETAILS)

SMELL

PERFORATIONS

MOCK-UP FOR REFERENCE ONLY(shown closed) (shown open)

OPEN THESE DOORS to learn more about each region

NPS Photo

NPS Photo

PCSU

NPS Photo

OPEN THESE DOORS to learn more about each region

NPS Photo

NPS Photo

PCSU

NPS Photo

OPEN THESE DOORS to learn more about each region

NPS Photo

NPS Photo

PCSU

NPS Photo

OPEN THESE DOORS to learn more about each region

NPS Photo

NPS Photo

PCSU

NPS Photo

OPEN THESE DOORS to learn more about each region

NPS Photo

NPS Photo

PCSU

NPS Photo

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