Attachment11_Part_2_Pages_21-40_CAWO_Production_Design_Documents.pdf

21CAWO Carter G. Woodson Home National Historic Site | Phase II | PDII: Book 1 Design | Januar y 29, 2021

Graphic package notes

Missing image permission: IM-07.02-007

One source has proved to be unreachable via phone, email, and social media. Woodson’s portrait IM-07.02-007 is believed to be copyrighted to The Washington Sun newspaper due to a copyright mark visible on the image.

However, ASALH also shows a copyright notice on the same image. This image is a prominent, signature image on the exterior site signage.

The Sun is now an online publication whose only web presence is Facebook, and repeated attempts to reach the Sun have not been successful. H+R has a usable resolution file in hand, but cannot make contact to secure permission.

H+R requests guidance on which of the following options to pursue:

• Use the image and provide credit to ASALH

• Use the image, provide credit to both ASALH and the Sun, and continue good faith attempts to reach the Sun

• Eliminate this piece of art and instead use an image (vector linework version) of the forthcoming custom woodblock portrait CE-02.01-001 that will be commissioned for this project. Using the portrait created for the NHS will help amplify the iconography created for this site and establish the art as a signature Woodson portrait. This option will require that the exterior sign GL wait until the artwork is finished, and will require that the artist provide a sketch or otherwise printable representation of the woodblock art.

• Other suggestions by NPS or ASALH. Please note H+R does not recommend substitution with a photograph.

Missing image permission: IM-02.06-006 (also slated for use in EP-03.10)

Finally, inquiries to obtain an important image have revealed a copyright impasse. IM-02.06-006, an image of Mary McLeod Bethune clasping hands with Woodson while Lucy Harth Smith looks on, comes from a scrapbook of news clippings collected by Bethune. The scrapbook is in the collection of the Mary McLeod Bethune National Historic Landmark.

While the NHL has provided the image for NPS use in the past, it cannot verify the copyright holder of the news item and declines to provide permission for exhibit use. H+R has a usable resolution file, but does not have permission.

H+R conducted news archive research to locate the original source of the news item based on the caption information visible in the image. Archives searched include ProQuest, LOC’s Chronicling America, Google News Archive, and Newspapers.com. The search revealed no sources. We also searched for collections related to Lucy Harth Smith, and found no leads.

We believe the image is from mid-September 1940 (the 25th anniversary conference was in Chicago in early September that year), and by the way it’s phrased, the caption seems to indicate the paper is not located in Chicago itself. The image is likely not from the Journal or Bulletin, by the way it obliquely refers to Woodson.

There is no known similar image of Bethune with Woodson.

H+R requests guidance on which of the following options to pursue:

• Use the image, provide credit to the NHL, and provide documentation of a good faith effort to locate the copyright holder

• Eliminate the image and replace with a different image of Bethune.

Template graphics and content-yet-to-come

This submittal includes two files that are provided as graphic templates, in which final content will be finalized by NPS and ASALH at a future date. They include:

• GL-04.03-800 Case Graphic Label: This Year’s Black History Month Theme.

When the exhibit is installed, ASALH is requested to please provide that year’s BHM poster and 1-2 related teaching documents for display in CA-

04.03. After the materials are selected, a caption can be written and the GL produced.

• GL-04.08-302 Background mural: elevator lobby Thank You or acknowledgment panel. This graphic includes space for acknowledgment of partners, donors, supporters, etc. to be identified by NPS and ASALH.

The GL is provided as a template for NPS and ASALH to finalize.

Please note, several images were provided free of charge to the project. They are noted with a “Courtesy” in their credit line in graphics, but additional acknowledgment on this thank you panel might be appropriate. Please see the RLP tab of the IM Schedule, cost column, for those sources who did not charge the project for their contribution.

This submittal also includes three files that have braille components. Braille copy has been incorporated into the design, but review by a certified braille transcriber should also be done (a task that will be subcontracted and completed by H+R).

We would like to get final NPS approval - including accessibility reviewers - before subcontracting the braille transcription review, so these files are submitted as not-for-production PDF only.

• GL-01.07-100: Tactile NHS orientation map. Submitted for final review and approval.

• GL-03.02-100, GL-03.02-101, GL-03.02-102: Office Home tactile maps. New additions since PDI, which NPS has not yet seen. Submitted for review and approval.

• GL-04.0X-500s etc: Prompt graphics atop Legacy interactive audio pylons.

Braille as been added here, and updated to match hardware changes made since PDI. Submitted for review and approval.

CARTER G. WOODSON HOME NATIONAL HISTORIC SITE

National Park Service | Harpers Ferry Center | NPS Sign Program 1.0

Carter G. Woodson Home National Historical Site

Description | Notes

Identity Signs

Project Number

CAWO_2020_1311_ID

Drawing Date

10/02/2020

Location Number(s)

Scale

Not to scale

Pa g e

CONCEPT DRAWING ONLY. NOT TO SCALE.

Carter G. Woodson Home National Historic Site Carter G. Woodson Home National Historic Site

Carter G. Woodson Home National Historic Site

National Park Service U.S. Department of the Interior

Tickets and Information

Friday, Saturday, Sunday 9am to 5pm

Carter G. Woodson Home National Historic Site

National Park Service U.S. Department of the Interior

Tickets and Information

Friday, Saturday, Sunday 9am to 5pm

Carter G. Woodson Home National Historic Site

National Park Service U.S. Department of the Interior

Carter G. Woodson Home National Historic Site

Full park name, NPS Rawlinson Heavy, +50 tracking, pin-mount metal letters, optional matching metal arrowhead.

Full Park Name, NPS Rawlinson Heavy, +50 tracking

NPS Arrowhead

NPS/DOI Identifier, Frutiger Bold, +50 tracking

Description (could be lobby, book store, etc - whatever describes this space best to actual and potential visitors)

Additional Information (hours, website, phone number, reservation info, whatever is most helpful)

Tickets and Information

Friday, Saturday, Sunday 9am to 5pm

National Park Service | Harpers Ferry Center | NPS Sign Program 1.0

Carter G. Woodson Home National Historical Site

Description | Notes

Identity Signs

Project Number

CAWO_2020_1311_ID

Drawing Date

10/02/2020

Location Number(s)

Scale

Not to scale

Pa g e

CONCEPT DRAWING ONLY. NOT TO SCALE.

Carter G. Woodson Home National Historic Site Carter G. Woodson Home National Historic Site

Carter G. Woodson Home National Historic Site

National Park Service U.S. Department of the Interior

Tickets and Information

Friday, Saturday, Sunday 9am to 5pm

Carter G. Woodson Home National Historic Site

National Park Service U.S. Department of the Interior

Tickets and Information

Friday, Saturday, Sunday 9am to 5pm

Carter G. Woodson Home National Historic Site

National Park Service U.S. Department of the Interior

Carter G. Woodson Home National Historic Site

Full park name, NPS Rawlinson Heavy, +50 tracking, pin-mount metal letters, optional matching metal arrowhead.

Full Park Name, NPS Rawlinson Heavy, +50 tracking

NPS Arrowhead

NPS/DOI Identifier, Frutiger Bold, +50 tracking

Description (could be lobby, book store, etc - whatever describes this space best to actual and potential visitors)

Additional Information (hours, website, phone number, reservation info, whatever is most helpful)

Tickets and Information

Friday, Saturday, Sunday 9am to 5pm

HOURS AND

POLICIES

Food, drink, and pets (except service animals) are prohibited.

M O N

T U E S

W E D

T H U

F R I

SAT

S U N

10:00 am 6:00 pm CGWCGWCGWCGW-

10:00 am 6:00 pm

10:00 am 6:00 pm

10:00 am 6:00 pm

Closed

10:00 am 6:00 pm

Closed

SCENE 01.01 WINDOWS

Elevation Scale 1/2” = 1’

01.01-001 WINDOWS:

MONOGRAMS

01.01-002 WINDOWS:

HOURS AND POLICIES

FPO: GRAPHICS AT ENTRY DOORS BY OTHERS.

Note: These graphics should be coordinated with GL-01.01-300 and GL-01.01-301 standalone hours and policies signage to avoid duplication of information

FPO: SITE NAME AND ARROWHEAD BY OTHERS

IM-01.01-001

CAWO Carter G. Woodson Home National Historic Site | Phase II | PDII: Book 1 Design | Januar y 29, 2021

SCENE 01.01 WINDOWS

GL-01.01-100 WOODSON MONOGRAM AND LINES AT BAY WINDOW, LEFT

Scale: 10%

GL-01.01-101 WOODSON MONOGRAM AND LINES AT BAY WINDOW, RIGHT

Scale: 10%

CGWCGWCGWCGW

FILE NAME GL-01.01-101Prod

PANEL GL-01.01-101

SCALE Full Size

NOTES See graphic layout schedule for additi onal info.

Painter should be given leeway to adjust the design so it is suitable for the medium.

MODIFIED January 29, 2021 9:16 PM

CAWO Carter G. Woodson Home National Historic Site | Phase II | PDII: Book 1 Design | Januar y 29, 2021

SCENE 01.01 WINDOWS

GL-01.01-300 HOURS AND POLICIES STANCHION BASE GRAPHIC

Scale: 25%

GL-01.01-301 HOURS AND POLICIES STANCHION CHANGEABLE INSERTS

Scale: 25%

HOURS

A N D P O L I C I E S

Food, drink, and pets (except service animals) are prohibited.

T U E

W E D

T H U

F R I

SAT

S U N

M O N to 5:00 PM9:00 AM to 5:00 PM9:00 AM to 5:00 PM9:00 AM to 5:00 PM9:00 AM to 5:00 PM9:00 AM to 5:00 PM9:00 AM to 5:00 PM9:00 AM

BASE OVERLAP APPROX.

C LO S E D

4:00

4:30

5:00

5:30

6:00

6:30

7:00

7:30

8:00

8:30

S P E C I A L E V E N T

9:00

9:30

10:00

10:30

11:00

11:30

12:00

12:30

A S A L H E V E N T

1:00

1:30

2:00

2:30

3:00

3:30

CAWO Carter G. Woodson Home National Historic Site | Phase II | PDII: Book 1 Design | Januar y 29, 2021

LIFT

“LET TRUTH DESTROY THE DIVIDING PREJUDICES OF NATIONALITY AND TEACH

UNIVERSAL LOVE WITHOUT DISTINCTION OF RACE, MERIT, OR RANK." DR . CARTER G. WOODSON, 1926DR . CARTER G. WOODSON, 1926

W E L C O M E T O T H E H O M E O F

dr. CARTER G.

WOODSON

B I R T H P L A C E O F T H E B L A C K H I S T O R Y

M O V E M E N T

SCENE 01.02 WELCOME SIGNAGE

Elevation Scale 1/2” = 1’

01.02-001 WELCOME SIGNAGE

01.02-002 SIGNATURE QUOTE

(OVERHEAD)

CAWO Carter G. Woodson Home National Historic Site | Phase II | PDII: Book 1 Design | Januar y 29, 2021

SCENE 01.02 WELCOME SIGNAGE

GL-01.02-100 LETTERS: WELCOME SIGNAGE, SMALL LETTERS;

GL-01.02-101 LETTERS: WELCOME SIGNAGE, LARGE LETTERS

Scale: 25%

FILE NAME GL-01.02-100Prod

PANEL GL-01.02-100

SCALE Full Size

NOTES See graphic layout schedule for additi onal info. Magenta represents GL-01.02-101.

CAWO Carter G. Woodson Home National Historic Site | Phase II | PDII: Book 1 Design | Januar y 29, 2021

SCENE 01.02 WELCOME SIGNAGE

GL-01.02-200 LETTERS: SIGNATURE QUOTE “LET TRUTH DESTROY...”;

GL-01.02-201 QUOTE SIGNATURE “C.G. WOODSON, 1926”

Scale: 10%

FILE NAME GL-01.02-200Prod

PANEL GL-01.02-200

SCALE Full Size

NOTES See graphic layout schedule for additi onal info. Magenta represents GL-01.02-201.

CAWO Carter G. Woodson Home National Historic Site | Phase II | PDII: Book 1 Design | Januar y 29, 2021

LIFT

LIFT

GATE

LIFT GATE CLEARANCE ZONE

Woodson in his library, 1948

SMITHSONIAN INSTITUTION / © SCURLOCK STUDIOS

4th United States Colored Infantry, around 1863

COURTESY OF LIBRARY OF CONGRESS

Portrait of Frederick Douglass, 1862

COURTESY OF LIBRARY OF CONGRESS

Crispus Attucks shot during the Boston Massacre, 1770

MASSACHUSETTS HISTORICAL SOCIETY

Portrait of Toussaint Louverture, 1805

© JOHN CARTER BROWN LIBRARY

Portrait of Benjamin Banneker, 1795

MARYLAND CENTER FOR HISTORY AND CULTURE

Portrait of Phyllis Wheatley, 1773

COURTESY OF LIBRARY OF CONGRESS

F R O M T H E L I B R A R Y O F

WOODSON

READS

Simply put, Dr. Woodson loved to read.

As a scholar, reading was fundamental to his profession. But he also knew reading was a path to self-knowledge and empowerment. In his Office Home, he collected and preserved a library of thousands of materials covering history of all kinds. Some he admired, others he debated. By reading widely and critically, Woodson equipped himself to add his own voice to history.

Dr. Carter G. Woodson started a movement to uplift people through knowledge.

To Dr. Woodson, history was vital to the African American struggle for freedom. He uncovered and shared black history to combat prejudice, celebrate African American contributions, and inspire new generations to new achievements. His work transformed how the world saw African American life, history, and culture.

Today, Dr. Woodson is known as the Father of Black History.

“It is not a question as to what the teacher or leader of a group may think about things but what the person taught will think about them when he has learned the facts for himself.

EVERY PERSON UNDER INSTRUCTION MUST BE

GIVEN CREDIT FOR HAVING SENSE ENOUGH TO

MAKE AN INFERENCE. FACTS SET PROPERLY

FORTH WILL TELL THEIR OWN STORY."

DR. WOODSON, 1938

9 ft

2’ 3”

7 ft

5’ 5”

9 ft

2’ 3”

7 ft

5’ 5”

SCENE 01.04 LOBBY

Elevation Scale 1/2” = 1’

01.04-001 WOODSON READS INTRO,

SIGNIFICANCE STATEMENT AND BOOK SPINES

01.02-003 "FROM THE LIBRARY OF"

AND WOODSON'S SIGNATURE

CLUSTER 1 2

3 4

5 7 86

COMPONENTS:

Background graphic with embedded mural images, significance statement and quote

Woodson Reads intro at “open book” panel

Woodson Reads bookspines, plus filler bookspines

Cameo portraits

Caption panel

CAWO Carter G. Woodson Home National Historic Site | Phase II | PDII: Book 1 Design | Januar y 29, 2021

SCENE 01.04 LOBBY SHELVES

GL-01.02-300 LETTERS: “FROM THE LIBRARY OF”

Scale: 10%

GL-01.02-301 WOODSON’S SIGNATURE (AS IMAGE OF

HANDWRITING) AT LIFT EXIT

Scale: 10%

BASELINE

60” AFF

METAL BORDER .5”

GL-01.02-301

FILE NAME GL-01.02-300Prod

PANEL GL-01.02-300

SCALE Full Size

NOTES See graphic layout schedule for additi onal info.

MODIFIED January 29, 2021 9:17 PM

CAWO Carter G. Woodson Home National Historic Site | Phase II | PDII: Book 1 Design | Januar y 29, 2021

LIFT

LIFT

GATE

LIFT GATE CLEARANCE ZONE

Woodson in his library, 1948

SMITHSONIAN INSTITUTION / © SCURLOCK STUDIOS

4th United States Colored Infantry, around 1863

COURTESY OF LIBRARY OF CONGRESS

Portrait of Frederick Douglass, 1862

COURTESY OF LIBRARY OF CONGRESS

Crispus Attucks shot during the Boston Massacre, 1770

MASSACHUSETTS HISTORICAL SOCIETY

Portrait of Toussaint Louverture, 1805

© JOHN CARTER BROWN LIBRARY

Portrait of Benjamin Banneker, 1795

MARYLAND CENTER FOR HISTORY AND CULTURE

Portrait of Phyllis Wheatley, 1773

COURTESY OF LIBRARY OF CONGRESS

F R O M T H E L I B R A R Y O F

WOODSON

READS

Simply put, Dr. Woodson loved to read.

As a scholar, reading was fundamental to his profession. But he also knew reading was a path to self-knowledge and empowerment. In his Office Home, he collected and preserved a library of thousands of materials covering history of all kinds. Some he admired, others he debated. By reading widely and critically, Woodson equipped himself to add his own voice to history.

Dr. Carter G. Woodson started a movement to uplift people through knowledge.

To Dr. Woodson, history was vital to the African American struggle for freedom. He uncovered and shared black history to combat prejudice, celebrate African American contributions, and inspire new generations to new achievements. His work transformed how the world saw African American life, history, and culture.

Today, Dr. Woodson is known as the Father of Black History.

“It is not a question as to what the teacher or leader of a group may think about things but what the person taught will think about them when he has learned the facts for himself.

EVERY PERSON UNDER INSTRUCTION MUST BE

GIVEN CREDIT FOR HAVING SENSE ENOUGH TO

MAKE AN INFERENCE. FACTS SET PROPERLY

FORTH WILL TELL THEIR OWN STORY."

DR. WOODSON, 1938

9 ft

2’ 3”

7 ft

5’ 5”

9 ft

2’ 3”

7 ft

5’ 5”

SCENE 01.04 LOBBY

Elevation Scale 1/2” = 1’

01.04-001 WOODSON READS INTRO,

SIGNIFICANCE STATEMENT AND BOOK SPINES

01.02-003 "FROM THE LIBRARY OF"

AND WOODSON'S SIGNATURE

CLUSTER 1 2

3 4

5 7 86

SCENE 01.04 LOBBY SHELVES

GL-01.04-102 SEG SHELF BACKGROUND, SOUTH WALL;

WITH SIGNIFICANCE STATEMENT

Not to scale

FPO: CE-01.04-004

FILLER BOOKSPINES

FPO: CE-01.04-600s

WOODSON READS

BOOKSPINES

FPO: CE-01.04-301

DOUGLASS CAMEO

FPO: CE-01.04-303

LOUVERTURE CAMEO

FPO: CE-01.04-302

BANNEKER CAMEO

FPO: CE-01.04-306

WHEATLEY CAMEO

FPO: CE-01.04-204

PROP BOOK

FPO: CE-01.04-200

PROP BOOK

FPO: CE-01.04-202

PROP BOOK

FPO: CE-01.04-203

PROP BOOK

FPO: CE-01.04-201

PROP BOOK

IM-01.04-002

IM-01.04-003

IM-01.04-001

GRAPHICS FOR REFERENCE ONLY

PLEASE SEE PRODUCTION GRAPHIC LAYOUTS

CAWO Carter G. Woodson Home National Historic Site | Phase II | PDII: Book 1 Design | Januar y 29, 2021

GL-01.04-102 SEG SHELF BACKGROUND, SOUTH WALL;

WITH SIGNIFICANCE STATEMENT

Scale: 5% Detail view not to scale

Dr. Carter G. Woodson started a movement to uplift people through knowledge.

To Dr. Woodson, history was vital to the African American struggle for freedom. He uncovered and shared black history to combat prejudice, celebrate African American contributions, and inspire new generations to new achievements. His work transformed how the world saw African American life, history, and culture.

Today, Dr. Woodson is known as the Father of Black History.

“It is not a question as to what the teacher or leader of a group may think about things but what the person taught will think about them when he has learned the facts for himself.

EVERY PERSON UNDER INSTRUCTION MUST

BE GIVEN CREDIT FOR HAVING SENSE ENOUGH TO

MAKE AN INFERENCE. FACTS SET PROPERLY FORTH

WILL TELL THEIR OWN STORY.”

DR. CARTER G. WOODSON, 1938

IM-01.04-003

IM-01.04-001

IM-01.04-002

Dr. Carter G. Woodson started a movement to uplift people through knowledge.

To Dr. Woodson, history was vital to the African American struggle for freedom. He uncovered and shared black history to combat prejudice, celebrate African American contributions, and inspire new generations to new achievements. His work transformed how the world saw African American life, history, and culture.

Today, Dr. Woodson is known as the Father of Black History.

“It is not a question as to what the teacher or leader of a group may think about things but what the person taught will think about them when he has learned the facts for himself.

EVERY PERSON UNDER INSTRUCTION MUST

BE GIVEN CREDIT FOR HAVING SENSE ENOUGH TO

MAKE AN INFERENCE. FACTS SET PROPERLY FORTH

WILL TELL THEIR OWN STORY.”

DR. CARTER G. WOODSON, 1938

IM-01.04-003

IM-01.04-001

IM-01.04-002

Dr. Carter G. Woodson started a movement to uplift people through knowledge.

To Dr. Woodson, history was vital to the African American struggle for freedom. He uncovered and shared black history to combat prejudice, celebrate African American contributions, and inspire new generations to new achievements. His work transformed how the world saw African American life, history, and culture.

Today, Dr. Woodson is known as the Father of Black History.

“It is not a question as to what the teacher or leader of a group may think about things but what the person taught will think about them when he has learned the facts for himself.

EVERY PERSON UNDER INSTRUCTION MUST

BE GIVEN CREDIT FOR HAVING SENSE ENOUGH TO

MAKE AN INFERENCE. FACTS SET PROPERLY FORTH

WILL TELL THEIR OWN STORY.”

DR. CARTER G. WOODSON, 1938

IM-01.04-003

IM-01.04-001

IM-01.04-002

CAWO Carter G. Woodson Home National Historic Site | Phase II | PDII: Book 1 Design | Januar y 29, 2021

GL-01.04-200 SECTION INTRO: WOODSON READS

Scale: 50%

As a scholar, reading was � ndamental to Woodson. But he also knew reading was a path to self-knowledge and empowerment. In his Office Home, he collected and preserved a library of thousands of materials covering history of all kinds. He agreed with some of these authors, others he debated. By reading widely and critically, Woodson equipped himself to add his own voice to history.

WOODSON

READS

CAWO Carter G. Woodson Home National Historic Site | Phase II | PDII: Book 1 Design | Januar y 29, 2021

GL-01.04-663

In Darkest Africa or the Quest, Rescue, and Retreat of Emin Governor of

Equatoria

Henry M. Stanley

GL-01.04-671

Black Phalanx

T. Wilson

GL-01.04-628

My Bondage and

My Freedom

Frederick Douglass

GL-01.04-619

A Voice from the South by a Black Woman of the South

Alice Julia Cooper

GL-01.04-666

White Supremacy and Negro

Subordination:

Or, Negroes, a

Subordinate Race, and (So-Called)

Slavery, Its Normal Condition

John H. Van Evrie

GL-01.04-602

Christianity, Islam and the Negro Race

Edward Blyden

GL-01.04-636

Gold Coast Native Institutions: With Thoughts upon a Healthy Imperial

Policy for the Gold Coast and Ashanti

Casely Hayford

GL-01.04-651

The Lower Niger and Its

Tribes

Arthur Glyn Leonard

GL-01.04-

A Voice from the

Congo

Herbert Ward

GL-01.04-658

Race Orthodoxy in the South and other Aspects of the Negro

Question

Thomas Pearce Bailey

SCENE 01.04-600 | GL-01.04-600

Lobby, Woodson Reads Spines Cluster 1 Scale: 100%

GL-

01.04-

Poems and

Letters, First

Collected Edition

Charles Heart-man;

Phillis

Wheat-ley

GL-01.04-642

The Black Man’s

Burden (Introduction by

Booker T.

Washington)

William H.

Holtzclaw

GL-

01.04-

A Biblio-graphical

Check-list of

American Negro Poetry

Arthur A.

Schom-burg

GL-01.04-659

The Mulatto in the United

States

Edward Byron Reuter

GL-01.04-

Education in Africa

Thomas Jesse Jones

GL-01.04-660

Daniel Alexander

Payne:

Christian Educator

Josephus Roosevelt

Coan

GL-01.04-639

A History of the South

William B.

Hesseltine

GL-01.04-635

Unsung Americans Sing

W. C. Handy

GL-01.04-657

Slave Songs of the

Georgia Sea Islands

Lydia Parrish

GL-01.04-603

A reply to Bishop

Hopkins’ View of Slavery and a Review of the Times

John Rogers Bolles

SCENE 01.04-600 | GL-01.04-600

Lobby, Woodson Reads Spines Cluster 2

GL-

01.04-

Twenty Years among African

Negroes

Carl Jacob

Bender

GL-01.04-

Negro Legis-lators in Texas and their Descendants:

A History of the Negro in Texas Politics From Recon-struction to

Disfranchise-ment

John Mason Brewer

GL-01.04-607

The Pastor’s Voice:

A Collection of Poems

Walter Henderson

Brooks

GL-01.04-618

The First Negro Medical

Society: A History of the Medico- Chirurgical Society of the District of Columbia

William Montague

Cobb

GL-01.04-621

Unwritten History

Levi Coppin

GL-01.04-629

Encyclopedia of the Negro:

Preparatory Volume with

Reference Lists and Reports

W.E.B.

DuBois and Guy Benton

Johnson

GL-01.04-632

The Free Negro in North

Carolina

John Hope Franklin

GL-

01.04-

A Mem-orial Dis-course

Henry Highland Garnett

GL-01.04-634

Philosophy and Opinions of

Marcus Garvey

Marcus Garvey;

Edited by Amy Jacques Garvey

GL-01.04-

The Evolution of the Negro

College

Dwight Oliver

Wendell Holmes

SCENE 01.04-600 | GL-01.04-600

Lobby, Woodson Reads Spines Cluster 3

GL-01.04-

Black Manhattan

James Weldon Johnson

GL-01.04-653

The Diplomatic Relations of the United States with Haiti 1776 –

Rayford Whittingham

Logan

GL-01.04-655

Race Adjustment:

Essays on the Negro in

America

Kelly Miller

GL-01.04-604

The Brotherhood of Sleeping Car Porters:

Its Origin and Development

Brailsford Reese Brazeal

GL-

01.04-

Racial Inte-grity:

A Plea for the

Establish-ment of a Chair of Negro History in Our

Schools and

Colleges

Arthur

GL-01.04-664

A Colored Woman in a White World

Mary Church Terrell

GL-01.04-606

The Aftermath of the Civil War: Based on

Investigation of War Claims

Wiley Britton

GL-01.04-670

The History of Alpha Phi

Alpha: A Development in Negro College Life

Charles Harris Wesley

GL-01.04-672

Negro Yearbook and Annual Encyclopedia of the Negro 1918 – 1919

Monroe Work

GL-01.04-

English Serfdom and American

Slavery: Or, Ourselves as Others

See Us

Lucien Bonaparte

Chase

SCENE 01.04-600 | GL-01.04-600

Lobby, Woodson Reads Spines Cluster 4

GL-01.04-614

A Student’s History of the United States

Edward Channing

GL-

01.04-

As It Is:

Or the Con-ditions Under Which the Race Problem

Chal-lenges the White Man’s

Solution

Mami Jordan Caver

GL-01.04-613

Two Quaker Sisters: From the Original

Diaries of Elizabeth

Buffam Chace and Lucy

Buffam Lovell

Elizabeth Buffam Chace and Lucy Buffam Lovell

GL-01.04-630

The Chinaberry Tree: A Novel of

American Life

Jessie Fauset

GL-01.04-

The Movable School Goes to the Negro Farmer

Thomas Monroe

Campbell

GL-01.04-611

The Natives of the Northern Territories of the Gold Coast:

Their Customs, Religion and Folklore

Allan Wolsey Cardinall

GL-01.04-631

Black and White: Land, Labor and Politics in the

South

T. Thomas Fortune

GL-01.04-

The Negro and

Defense:

A Test of

Democracy

Council for Democracy

GL-01.04-623

Talks for the Times

William Henry Crogman

GL-

01.04-

A Portrayal of Negro

Life

William Arthur Cooper

SCENE 01.04-600 | GL-01.04-600

Lobby, Woodson Reads Spines Cluster 5

GL-01.04-667

For My People

Margaret Walker

GL-01.04-605

The Story of the Negro: The Rise of the Race From Slavery

Booker T.

Washington

(Peter Smith?)

GL-01.04-624

Travels in the Interior of

Africa: From the Cape of Good Hope to Morocco:

In Caffraria, The Kingdoms of Mataman, Angola, Massi, Monoemagi, Muschako, Bahahara, Wangara, Haoussa ԍϲ… ԍϲ …between the Years 1781 to 1797

Christian Frederick

Damberger

SCENE 01.04-600 | GL-01.04-600

Lobby, Woodson Reads Spines Cluster 6

Growing Up in the

Black Belt:

Negro

Youth in the Rural

South

Charles Sturgeon Johnson

GL-01.04-644

Free Negro Labor and Property

Holding in Virginia, 1830 – 1860

Luther Porter Jackson

GL-01.04-673

Negro Office Holders in Virginia, 1865 – 1895

Luther Porter Jackson

GL-01.04-+646

The Negro in American

Civilization: A Study of Negro Life and Race

Relations in the Light of Social

Research

Charles Sturgeon Johnson

GL-01.04-625

Lifting as They Climb

Elizabeth Lindsey Davis

GL-01.04-627

The Negro Press in the

United States

Frederick German

Detweiler

GL-01.04-

The Negro Question

George Washington

Cable

GL-

01.04-

The Silent South:

To-gether with the Freed-man’s

Case in Equity and the Convict Lease

System

George

GL-01.04-616

The Colonel’s Dream

(1858 – 1932)

Charles W.

Chesnutt

1905?

GL-01.04-

An Appeal in Favor of That Class of

Americans Called

Africans

Lydia Maria Child

SCENE 01.04-600 | GL-01.04-600

Lobby, Woodson Reads Spines Cluster 7

Dahomey:

An Ancient

West African

Kingdom

Melville Herskovits

GL-01.04-665

The American Negro:

What He was, What

He Is, and What He May Become: A

Critical and Practical Discussion

William Hannibal Thomas

GL-01.04-654

A History of the American Nation

Andrew Cunningham McLaughlin

GL-01.04-652

Plays of Negro Life: A Source- Book of Native

American Drama

Alain LeRoy Locke and

Montgomery Gregory

GL-01.04-643

The Big Sea

Langston Mercer Hughes

GL-01.04-647

The Michigan Fur Trade

Ida Amanda Johnson

GL-01.04-649

The Religious Instruction of the

Negroes in the United States

Charles Colcock Jones

GL-

01.04-

Legends, Stories, and Folklore of Old Staten Island

Charles Gilbert

Hine and William Thomp-son

GL-

01.04-

A Study of Some Negro- White

Families in the United States

Caroline Stewart

Bond Day

GL-

01.04-

El Engano de las Razas

Fern-ando Ortiz

SCENE 01.04-600 | GL-01.04-600

Lobby, Woodson Reads Spines Cluster 8