ATTACHMENT 5_Artwork Medium and Dimension_Revised Locations.xlsx
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- Attached to
- National Museum of the United States Air Force (NMUSAF) Artwork Packaging, Transportation, and Delivery
- Solicitation number
- FA860126Q0119
About this file
This file is an artwork inventory spreadsheet listing over 400 pieces from the National Museum of the United States Air Force (NMUSAF) collection, organized by accession number, title, dimensions, medium, and current storage location. The artwork spans from 1950 to 1968 and includes paintings, drawings, sculptures, and mixed media works depicting military aviation history, personnel portraits, combat scenes, and base operations. Pieces are executed in various mediums including oil, watercolor, casein, acrylic, charcoal, pen and ink, gouache, egg tempera, and mixed media. Dimensions range from small sketches (5"x4") to large canvases (97"x26"), with framed dimensions also noted where applicable. Storage locations are designated by flat file numbers, hanging rack positions (indicated by coordinates such as "1:5B" or "3:14A"), or specific areas including "Front Wall," "Bolling - Storage Racks," "Short Cart," and "Damage - Cart 3."
The inventory directly supports the related RFQ solicitation FA860126Q0119 for professional artwork handling, packaging, transportation, and delivery services for NMUSAF. The spreadsheet was updated on August 18, 2026, to reflect location changes, with certain pieces moved to "Front Wall" storage since the original list was created. This detailed inventory serves as the basis for contractors to understand the scope and complexity of artwork requiring specialized handling, including fragile and historically significant pieces with varying dimensions, materials, and current condition assessments (noted by damage indicators and storage method recommendations).
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| Accession # | Title | Dim-English | Dims-Framed | Description | Location | Column7 | Medium-Support | Column2 | Column1 | Locations with number : number letter are all on hanging racks |
| 1959.057 | ARMING AN F-105 FOR A FIRE POWER DEMONSTRATION AT EGLIN AFB | 45"x57" | The Artist Did Not Identify The Individuals Inspecting This F-105 Thud But The Aircraft Itself Is Well Known. It's A Mach-2 Multipurpose, All-Weather Fighter-Bomber Capable Of Delivering Conventional And Nuclear Weapons. Its Cannon Fires 6,000 Rounds A Minute, And The D-Model Can Deliver Sixteen 750-Pound Bombs. Many Of The More Than One Billion Miles The F-105 Has Flown Were Logged On Operational Missions In Southeast Asia. The Air National Guard Also Has F-105s. | Damage - Cart 3 | Casein | |||||
| 1969.373 | Unknown Civilian Man | Unknown | Unknown painting, not in database | 3:11B | ||||||
| 1974.015 | YOU HAVE COME A LONG WAY, GENTLEMEN | 26"x32" | The Artist Wanted To Capture The Consummated Hopes Of Two Men And A Nation. At The End Of A Historical And Record Breaking Flight, The Sr-71 Proudly Waved Its Wings At An Isolated Crowd Of Reporters On The Field Below. Moments Later, The Elegant Blackbird Became Earthbound And The Two Men, Major William C. Machorek And Captain Harold B. Adams Emerged From The Cockpit To Assure The World That Californians Are Only There Hours And Forty-Seven Minutes Away From London. | 1:5B | Pen & Ink | |||||
| 1950.002 | CHINESE WOUNDED UNDER YELLOW PARACHUTE | 11" __15" | Twenty-three Chinese wounded under yellow parachute on Mytikyina Airfield awaiting operation by Colonel Seagrave and attending surgeons. | Flat File 1 | __AMO __Art Program | Gouache | ||||
| 1950.003 | JUNGLE THEATER | 12" __16" | Baby Piper Club plane takes aboard a wounded man at a small clearing in the Burma Jungle. These small planes can get into and out of jungle holes with the agility of a bird. They fly wounded men to surgical installations in an hour, spanning mountain and jungle trails that it would take native litter bearers two weeks to traverse. | Flat File 17 | __AMO __Art Program | Oil | ||||
| 1950.027 | TSGT RICHARD K FERRILL | 24" __18" | Technical Sergeant Richard Ferrill - Farmington, Mass. Gunner In General Doolittles Command. He Was Shot Down In The Mediterranean Sea And Has Been Awarded The Silver Star, And The Air Medal With Oakleaf Clusters For The Conduct In Other Action Against The Enemy. The Portrait Show Him In His Preferred Flying Garb. | 1:1A | __AMO __Art Program | Oil | ||||
| 1950.084 | BELLES OF SENEGAL | 18" __24" | Buzzing The Belles Of Senegal. | 1:18B | __AMO __Art Program | Oil | ||||
| 1950.085 | SHOOTING THE BREEZE | 28" __33" | Convalescents In The Aaf Hospital At Coral Gables, Florida, Dont Always Believe One Anothers Tall Talkes Of Combat. The Lieutenant On The Right Of The Painting, Harry Lambert, In The High Collared Cast, Recovered Fro His Two Fractures Of The Skull, A Broken Neck And Broken Arm, Received Flying The Hump In Bad Weather. When Last Seen By The Artist, He Was Swiming In The Pool Unhampered By Braces Or Cast. | 3:12A | __AMO __Art Program | Oil | ||||
| 1950.097 | RUSH JOB | 8" __13" | Flat File 17 | __AMO __Art Program | Pencil | |||||
| 1950.098 | WOUNDED BIRD | 8" __13" | Flat File 17 | __AMO __Art Program | Pencil | |||||
| 1950.105 | NIGHT STRAFING | 22"x15" | The large waterfilled craters stand witness to the heavy bombing and shelling this important bridge has taken from both Germans and Americans. The RR Bridge, in the background, is down. The Bailey Bridge, in the foreground, is now the object of German attention. It is 1300 and the air is thick with dust and the smell of gunpowders, and a thick purplish fog covers all. The air is explosive with the noise of the convoy, bombing and artillery, distant and near. Suddenly a German FW 190 sweeps out of the mist to spray the convoy crossing the bridge with bullets. | Flat File 22 | __AMO __Art Program | Water Color | ||||
| 1950.106 | AIRFIELD WRECKAGE | 30"x13" | This Wreckage Of A German Airfield Near Chateaudun Bombed To Bits By The Air Force Weeks Previously, Was Captured By The American Ground Forces In August. This Destroyed Hangar Was Under Constructor When The Field Was Bombed. The Concrete Paving Is Part Of The Contemplated Floor Space, Only About 1/2 Of Which Had Been Roffed. There Are Great Bunches Of Rusted Wire Everywhere. | Flat File 18 | __AMO __Art Program | Water Color | ||||
| 1950.107 | GERMAN AIRFILD NEAR CHATEAUDUN | 23"x11" | Painting Shows Damage To A German Airfield Near Chateaudun. | Flat File 4 | __AMO __Art Program | Water Color | ||||
| 1950.114 | LOCKHEED MOBILE REPAIR UNIT | 31" __38" | These Men Working On Fortress Motors At An 8th Air Force Field, Are Lockheed Employees, Members Of A Mobile Unit Which Travels From Airfield To Airfield On Special Repair Jobs, July 1943. | Flat File 21 | __AMO __Art Program | Water Color | ||||
| 1950.119 | AIR-NAVAL ACTION OFF GREEN ISLAND | 12" __17" | Eye Witness Sketch Showing 2 Dive Bombers Downed In Air-Naval Action Off Green Island (In Far Distance). The South Pacific '44. | Flat File 3 | __AMO __Art Program | Pastel | ||||
| 1950.121 | TAKING TEST IN PRESSURE CHAMBER | 22" __29" | Artist Shows Personnel In A Pressure Chamber. | Flat File 23 | __AMO __Art Program | Water Color | ||||
| 1950.124 | VIEW OF AMAPA EMERGENCY BASE - BRAZIL | 16" __22" | View Of Amapa Emergency Base, Brazil. | Flat File 4 | __AMO __Art Program | Water Color | ||||
| 1950.125 | LOADING A C-46 | 26" __36" | Soldiers Loading A C-46 Transport. | Flat File 4 | __AMO __Art Program | Water Color | ||||
| 1950.129 | THE LIGHTNINGS FORM UP | 20" __25" | P-38s Forming Up, Italy, 1944. | Front Wall | __AMO __Art Program | Water Color | ||||
| 1950.132 | LAYING STEEL PLANK | 28" __33" | View Corsica In 1944. After the liberation of Corsica from the forces of the Third Reich in 1943, in 1944 it became a massive allied air base; in particular, groups of the 57th Bomb Wing were stationed along the east coast from Bastia in the north to Solenzara in the south. It supported the Mediterranean Theater of Operations. Corsica was also the base from which Operation Dragoon, the invasion of southern France in 1944, was launched. | 1:7B | __AMO __Art Program | Water Color | ||||
| 1950.142 | ASCENSION LANDSCAPE | 25" __33" | Ascension landscape topographical and other features contained from left to right the western slopes of Green Mountain, Devil's Riding School and Mountain Red Hill are viewed from a ridge in the vicinity of Headquarters. The higher of the twin peaks of Green Mountain is almost obscured by the lower peak from this direction. Green Mountain is approximately 2800 feet above sea level; its peaks are covered by the only mass of vegetation on Ascension. Devil's Riding School Hill rises from an extinct volcano, and conceals from view the huge circular crater fro which this rocky formation is named. Below at left is the Headquarters and Service Company area, and moving towards the lower right is a configuration of black macadam roads cut through terrain of clinkers and volcanic dust. Prefabricated building, housing the QM property Warehouse, Signal Supply, and others have been indicated in this painting. | 3:14A | __AMO __Art Program | Gouache | ||||
| 1950.144 | NIGHT WATCH ON ASCENSION ISLAND | 35" __43" | Artist Shows Gi On Night Watch. | 3:3B | __AMO __Art Program | Oil | ||||
| 1950.146 | NORTH FIELD AT TINIAN | 11" __14" | North Field, Tinian--Saipan Island-Marianas, 2233 Engineer Construction Serivce Station. | Flat File 23 | __AMO __Art Program | Pastel | ||||
| 1950.147 | BOMBER BASE ON IWO JIMA | 11" __14" | Japanese Sulphur Mine Central Air Field, Iwo Jima Volcano Islands, 2233 Engineer Construction Service Section, 25 September 1945. | Flat File 7 | __AMO __Art Program | Pastel | ||||
| 1950.148 | CENTRAL AIR FIELD, IWO JIMA | 11" __14" | Central Air Field, Iwo Jima Volcano Islands, 2233 Engineer Construction Service Section, 27 September 1945. | Flat File 23 | __AMO __Art Program | Pastel | ||||
| 1950.149 | NORTH AIR FIELD, GUAM | 11" __14" | North Air Field, Guam Marianas, 2233 Engineer Construction Service Section. | Flat File 7 | __AMO __Art Program | Pastel | ||||
| 1950.154 | NATIVE ERITREANS CLEANING PISTON HEADS | 12" __16" | Native Eritreans Cleaning Piston Heads Gura. | Flat File 23 | __AMO __Art Program | Water Color | ||||
| 1950.162 | THE SHANGRI-LA AT SAN DIEGO, CALIFORNIA | 15" __18" | Mother Hellcats And Drones Being Loaded Aboard The Flight Deck Of The Shangri-La At San Diego For The Rehearsal (Crossroad) For The Test On May 9, 1946. The Drones Are Five Engine Red With A Tail The Same Color As The Nose Of The Mother Plane. These Planes Are Yellow. The Ships Crane Is Loading Potatoes. | Flat File 19 | __AMO __Art Program | Water Color | ||||
| 1950.163 | COMMUNICATIONS SHIP - KWAJALEIN HARBOR | 15" __21" | Communiation Ship. | Flat File 22 | __AMO __Art Program | Water Color | ||||
| 1950.176 | REHEARSAL FOR THE BIKINI ATOMIC BOMB TEST | 15" __19" | Looking across the flight deck of the Shangri-La in May 9, 1946, in San Diego when mother and drone planes were catapulted from same in rehearsal for the Atom Bomb test in Bikini. This picture was painted from the catwalk by Maj. Milton R. Marx, A.C. formerly with the 9th Air Force in the ETO under command of Lt. General Lewis H. Bereton and Lt. Gen. Hoyt S. Vandenberg, Deputy Commander, Joint Task Force area. Further down - flags say - For Your Information Speed is 10 Knots. | Flat File 18 | __AMO __Art Program | Water Color | ||||
| 1950.181 | MAJ GEN W E KEPNER | 12" __10" | Portrait of Major General W. E. Kepner. Famed pioneer balloonist and later aircraft test pilot: born Miami, Ind., in 1893. William Kepner's leadership of the 8th Fighter Command was a key factor in the World War II destruction of the German Air Force. Among his commands, in September 1943, he took over the 8th Fighter Command in the European Theater. As escorts for the strategic bombers, the fighter planes under him provided protection and also bombed and strafed the enemy, equipment and communications. During and following the Normandy Invasion, the 8th Fighters established a circular protective screen around the beachhead to prevent German counterattack. He demanded increased flying range and fuel capacity for aircraft and was successful in convincing aero companies and leadership to design aircraft that could hold fuel in the wings. He personally flew 24 combat missions in fighter and bomber planes and earned the Distinguished Service Cross, Purple Heart, Distinguished Flying Cross, three Legions of Merit, the Distinguished Service Medal, Bronze Star Medal, Air Medal and decorations from Great Britain, Belgium, France, Poland and China. | |||||||
| Flat File 16 | __AMO __Art Program | Water Color | ||||||||
| 1950.185 | OMURA AIR STRIP | 9" __11" | Air Strip At Omura, 18 October 1945. Artist Depicts Japanese Struck And Typical Revetment At Omura Air Strip. | Flat File 16 | __AMO __Art Program | Pen & Ink | ||||
| 1950.186 | AT CYCLOPS FIELD, HOLLANDIA | 9" __11" | Artist Shows An Airplane On The Ramp. | Flat File 17 | __AMO __Art Program | Pen & Ink | ||||
| 1950.188 | BARRACKS AT MITCHELL FIELD | 25" __36" | Artist Depicts A View Of The Barracks At Mitchell Field. | Flat File 5 | __AMO __Art Program | Water Color | ||||
| 1950.197 | ENGINES AT SOOKERATING | 17" __21" | The Use Of Available Narro-Guage Trackage And Carriages Formerly Used By Tea Planters Engines Is Portrayed In This Drawing Of The Engine Build-Up Section At Skooerating. This Is Called The Sookerville Trolley By The Local Maintenance Men. | Flat File 7 | __AMO __Art Program | Pen & Ink | ||||
| 1950.198 | THE OPERATIONS BUILDING AT SOOKERATING | 8" __11" | A Tea Planters Bungalow Was Utilized And Added To Provide Adequate Space For The Operations Building At Sookerating. | Flat File 2 | __AMO __Art Program | Pen & Ink | ||||
| 1950.200 | INTERIOR OF OPERATIONS TENT - MYITKYINA | 8" __11" | The Interior Of The Operations Tent Which Was Until Recently Located At The Base Of The Operations Tower, Myitkyina Both Tent And Tower Were Replaced By A More Complete Setup. | Flat File 23 | __AMO __Art Program | Pen & Ink | ||||
| 1950.201 | COMPARING PIN-UP GIRLS | 10" __14" | Pin-Up Time Aboard Ship. Passengers Relax Completely By Comparing Their Most Recent Pin-Up Girls. | Flat File 1 | __AMO __Art Program | Pencil | ||||
| 1950.204 | ENGINE ASSEMBLY AT JORHAT | 8" __11" | Engine Build-Up Procedure At Jorhat - Phase II. | Flat File 17 | __AMO __Art Program | Pen & Ink | ||||
| 1950.206 | AIR FORCE ENGINES IN THE CBI | 8" __11" | Engine Build-Up Procedure At Jorhat - Phase IV. | Flat File 2 | __AMO __Art Program | Pen & Ink | ||||
| 1950.207 | SEARCH-RESCUE PLANE ON A SIGHTING MISSION | 12" __16" | Mohanbari, Upper Assam, India, May 1945. Wreck Sighted On Hilllside In Naga Hill Country. Plane Was Lost And Running Out Of Gas...Crew Bailed Out Short Time Before Plane Crashed Into Side Of Hill. Sighting Plane One Of Search-Rescue Planes On Regular Sighting Mission. | Flat File 23 | __AMO __Art Program | Water Color | ||||
| 1950.223 | CONSTRUCTING A HANGAR | 9" __11" | Artist Shows The Construction Of A Hangar. | Flat File 23 | __AMO __Art Program | Paper Mache | ||||
| 1950.228 | CLEARING PLANE WRECKAGE AT PANTELLERIA | 14" __20" | Artist shows Italian prisoners clearing plane wreckage at Pantelleria Airfield, July 1943. | Flat File 3 | __AMO __Art Program | Gouache | ||||
| 1950.238 | RECONDITIONING A C-47 AT ACCRA | 9" __12" | Airman Working A A C-47. | Flat File 1 | __AMO __Art Program | Water Color | ||||
| 1950.243 | MAINTENANCE AT ACCRA | 7" __10" | Artist Shows Airmen Working On Aircraft. | Flat File 1 | __AMO __Art Program | Gouache | ||||
| 1950.246 | ACTIVITY AT ACCRA | 9" __10" | Artist Shows Men Working On A Motor Vehicle. | Flat File 23 | __AMO __Art Program | Gouache | ||||
| 1950.250 | SPECTATORS IN LIBERIA | 7" __10" | Natives Watching A Plane Land In Africa. | Flat File 1 | __AMO __Art Program | Gouache | ||||
| 1950.252 | AERIAL VIEW OF YANGTONG AIR STRIP | 21" __32" | Kweilin Destruction At Yangtong Air Strip, This Was One Of Three Strips, This One Destroyed On September 14, 1944. | 7:5A | __AMO __Art Program | Water Color | ||||
| 1950.255 | A GRIM WAIT | 15" __21" | At A Bomber Station In England, Ambulances Await The Return Of Fortresses From A Missions Over Germany. The Medical Detail And A Chaplain Are To Be Found At The End Of The Runway Of An Airfield When Ever The Planes Which Have Been On A Mission Are Due To Return. Frequently The Personnel With The Ambulances Toss About A Football Or Baseball While Waiting. The Jeep Belongs To The Field Pro Who Has A Photographer And Clerk On Hand To Get Information About Unusual Events Of The Mission Which May Be Used For News Releases. Planes In Distress Or With Personnel Wounded, Signal With Flares Before Landing. No Time Is Lost In Giving First Aid And Getting The Wounded To The Hospital. | Flat File 20 | __AMO __Art Program | Water Color | ||||
| 1950.268 | AIRSTRIP LOOKOUT TOWER | 7" __10" | Artist Shows A Lookout Tower During World War II. | Flat File 23 | __AMO __Art Program | Pen & Ink | ||||
| 1950.270 | SLAUGHTERING SWINE | 11" __12" | Slaughtering And Skinning Swine At The Only Farm Operated By The Army Air Forces At The Convalescent Hospital, Pawling, New York. It Supplied Sausage And Bacon For The Mess Halls Besides Offering Occupational Therapy To Patients Who Like Farm Work. | Flat File 23 | __AMO __Art Program | Pastel | ||||
| 1950.276 | CAPE GLOUCESTER AIRDROME | 25" __30" | Artist View Of Cape Gloucester Air Drome. | 1:10A | __AMO __Art Program | Water Color | ||||
| 1950.277 | HOLLANDIA AIRDROME | 30"x40" | Hollandia Drome, Dutch N.G., 26 April 1944. | 2:1B | __AMO __Art Program | Oil | ||||
| 1950.281 | AMERICAN AIRFIELD ON CORSICA | 10" __20" | American Spitfire Field. | Flat File 16 | __AMO __Art Program | Pen & Ink | ||||
| 1950.289 | GRAVEYARD OF THE JAPANESE AIR FORCE AWC/BLDG 1450 | 41" __30" | Atsugi Air Field, one of the key strong points of the Japanese Air Force, lays in ruins. Japanese aircraft bearing the red circle representing 'The land of the rising sun' are piled up high as personnel walk by. The field was the first place to be occupied after the unconditional surrender of Japan on the deck of the U.S.S. Missouri during WW II. This artwork gives a mute, but eloquent evidence of the work of our Army Air Forces in the Pacific. | 7:6B | __AMO __Art Program | Oil | ||||
| 1950.292 | AIRSTRIP IN THE CBI THEATER | 23" __27" | 1:10A | __AMO __Art Program | Water Color | |||||
| 1950.293 | SALVAGED FUSELAGE | 12" __18" | A fuselage from a damaged aircraft has been repurposed as a relaxation area, with a bench for sitting and cots for troops to take a quick nap in. Notice the shoes below the closest cot on the right. | Flat File 23 | __AMO __Art Program | Pencil | ||||
| 1951.022 | AIR FORCE CHAPEL AT DULAG, LEYTE | 11" __13" | When Foxholes Chaplains Are No Longer Required To Be Mobile, Chapels Take Root In Foreign Soil. | Flat File 23 | __AMO __Art Program | Egg Tempera | ||||
| 1951.027 | PILOT | 22" __16" | Portriat Of A Pilot. | 7:9B | __AMO __Art Program | Oil | ||||
| 1951.028 | FIGHTER PLANE WRECKAGE | 5" __8" | Artist Shows A German Plane That Was Shot Down Over France. | Flat File 23 | __AMO __Art Program | Water Color | ||||
| 1951.029 | WRECKAGE OF A GERMAN PLANE | 5" __8" | Artist Shows A German Plane That Was Shot Down Over France. | Flat File 23 | __AMO __Art Program | Water Color | ||||
| 1951.032 | US ENGRS CONSTRUCT NISSEN HUT | 11" __15" | Artist depicts engineers working on constructing a Nissen Hut. | Flat File 7 | __AMO __Art Program | Pen & Ink | ||||
| 1951.033 | US ENGRS LAYING AIRSTRIP | 11" __15" | May 26, 1945, Artist Shows Engineers Laying An Airstrip. | Flat File 24 | __AMO __Art Program | Pen & Ink | ||||
| 1951.034 | JAPAN BOMBING ATTACK, SO PACIFIC | 12" __19" | Artist Shows A Bombing Attack In The South Pacific. | Flat File 23 | __AMO __Art Program | Pen & Ink | ||||
| 1951.035 | AIRPLANE ASSEMBLY LINE | 15" __20" | Time Is Febraruy 26, 1944, Artist Depicts An Airplane Assemly Line. | Flat File 23 | __AMO __Art Program | Pen & Ink | ||||
| 1951.041 | MAJOR GENERAL R F WEAVER | 53" __29" | Portrait Of General Weaver. | 1:8A | __AMO __Art Program | Oil | ||||
| 1951.042 | GENERAL E W RAWLINGS | 40" __35" | Gen. Edwin W. Rawlings, USAF (Ret), (1904-1997) for whom an AFA chapter of more than 1,000 members is named, died at a nursing home in December in Auburn, Washington at age 93. A native of Milroy, Minn., Rawlings graduated with an economics degree from Hamline University, St. Paul, Minn., and became a flying cadet in February 1929. Almost 25 years to the day later, he became one of USAF's youngest generals, confirmed for a fourth star at 49. He had also, by then earned an MBA from Harvard. Eugene M. Zuckert, Secretary of the Air Force from 1961 to 1965, credits Rawlings with building a mature, business-like" image for the newly established Air Force. Zuckert said Air Force Secretary Stuart Symington asked him back in 1945 why he had to "send out a search party" whenever he needed Army Air Forces statistics. Zuckert remembered a memo suggesting the creation of a comptroller position and passed the idea on to Symington. In November 1946, Symington named Rawlings as air comptroller, helping to organize the office. The position was so successful and struck such a note--Rawlings did such a magnificent job--they adopted the idea of a comptroller for all three services. Zuckert said, "This was a very important step in the development of a postwar Air Force." In 1951, Rawlings became commander of Air Materiel Command at Wright-Patterson AFB, Ohio, leading USAF's procurement and logistics efforts for seven years. Air Force Chief of Staff Thomas D. White credited him with spectacular increases in the effectiveness of the Air Force logistics, ... accomplished through new management methods, concepts, and philosophy, and thus the Air Force has been able to match the tempo of the jet, missile, and space era. Rawlings was a command pilot and combat and aircraft observer, whoe decorations included the Distinguished Service Medal and Distinguished Flying Cross, which he received in 1930 for his role in the rescue of an aircrew downed in the Pacific. He also received the Soldier's Medal in 1954 for rescuing his pilot who was lying underneath a B-17 that caught fire after landing at Wright-Patterson. After retiring from USAF in 1959, he went on to a career with General Mills, rising to become president and board chairman. Based in St. Pul, AFA's Gen.. E. W. Rawlings Chapter was chartered in August 1982. Also in his name, AFA and AEF in 1981 established the Gen.. Edwin W. Rawlings Award initally to recognize energy conservation achievements within USAF. Now the award recognizes and outstanding technician or manager in environmental matters. | 5:2A | __AMO __Art Program | Oil | ||||
| 1951.044 | PORTRAIT | 13" __10" | Flat File 23 | __AMO __Art Program | Charcoal | |||||
| 1951.045 | SPITFIRES STRAFING A TRAIN | 10" __14" | Desert Spitfire | Flat File 23 | __AMO __Art Program | Water Color | ||||
| 1951.046 | NIGHT ATTACK ON ENEMY BOMBERS | 10" __13" | Flat File 7 | __AMO __Art Program | Charcoal | |||||
| 1951.047 | PORTRAIT OF A FELLOW PRISONER | 15" __10" | Artist's portrait of a fellow prisoner during World War II. Greening was a bombardier and was held prisoner in Italy for a year and a half after his plane was shot down during a mission. He created and taught art to alleviate boredom and gain him and his fellow captives better treatment from the enemy. He was also invented a bomb sight that improved accuracy. | Flat File 23 | __AMO __Art Program | Oil | ||||
| 1951.050 | PILOTS DISCUSSING A MISSION | 6" __8" | Artist Shows Pilots Discussing A Mission. | Flat File 7 | __AMO __Art Program | Pencil | ||||
| 1951.051 | PRISON CAMP SCENE | 12" __15" | Artist Depicts A Prison Camp Scene. | Flat File 23 | __AMO __Art Program | Paper Mache | ||||
| 1951.052 | PRISON GUARD WITH A DOG | 18" __10" | Artist Shows A Guard With His Dog. | Flat File 23 | __AMO __Art Program | Oil | ||||
| 1951.053 | A TENT IN THE PRISON COMPOUND | 10" __14" | Artist Depicts Living Quarters In A Prison Compound. | Flat File 23 | __AMO __Art Program | Water Color | ||||
| 1951.055 | A POW BASKETBALL GAME | 10" __14" | Artist Shows Prisoners Of War Playing Basketball. | Flat File 16 | __AMO __Art Program | Water Color | ||||
| 1951.056 | PRISON BARRACKS INTERIOR | 10" __13" | Artist Depicts The Interior Of A Prison Barracks At Stalagluft-2, August 4, 1944. | Flat File 14 | __AMO __Art Program | Water Color | ||||
| 1951.057 | POW FIELD KITCHEN | 10" __14" | Artist Shows A Prison Of War Field Kitchen At Barth, Germany In 1944. | Flat File 7 | __AMO __Art Program | Water Color | ||||
| 1951.058 | SCENE IN A POW CAMP | 7" __8" | Artist Shows A Cabbage-Juice Landscape. | Flat File 11 | __AMO __Art Program | Water Color | ||||
| 1951.059 | PRISON BARRICADE AND GUARD TOWER | 10" __13" | Artist Shows A Barricade And Guard Tower. | Flat File 23 | __AMO __Art Program | Water Color | ||||
| 1951.060 | POW GUARD TOWER | 14" __10" | A Sketch Of A Pow Guard Tower During World War II. | Flat File 14 | __AMO __Art Program | Water Color | ||||
| 1951.061 | STREET SCENE - GERMANY | 7" __10" | Artist Street Scene In Germany. | Flat File 7 | __AMO __Art Program | Pencil | ||||
| 1951.064 | POW GUARD TOWER | 5" __7" | These prints were made in Luft Stalag III by Lt. J. E. Welles of Attleboro, Mass. The cuts were carved from wooden bed boards and shoe polish was substituted for printer's ink. | Flat File 20 | __AMO __Art Program | Mixed | ||||
| 1951.065 | PRISON-MADE ARMCHAIR | 5" __4" | These Prints Were Made In Stalag Luft Iii By Lt. J. E. Welles Of Attleboro, Mass. The Cuts Were Carved From Wooden Bed Boards And Shoe Polish Was Substituted for printer's Ink. | Flat File 20 | __AMO __Art Program | Mixed | ||||
| 1951.066 | COFFEE POT | 5" __4" | These Prints Were Made In Stalag Luft Iii By Lt. J. E. Welles Of Attleboro, Mass. The Cuts Were Carved From Wooden Bed Boards And Shoe Polish Was Substituted Printers Ink. | Flat File 20 | __AMO __Art Program | Mixed | ||||
| 1951.067 | PRISON CAMP BUNKS | 5" __7" | These Prints Were Made In Stalag Luft Iii By Lt. J. E. Welles Of Attleboro, Mass. The Cuts Were Carved From Wooden Bed Boards And Shoe Polish Was Substituted Printers Ink. | Flat File 20 | __AMO __Art Program | Mixed | ||||
| 1951.071 | A GERMAN PILOTS GRAVE NEAR METZ | 18" __25" | Grave site near Metz, Germany. | 1:9A | __AMO __Art Program | Water Color | ||||
| 1951.072 | FUEL DUMP NEAR METZ - 1951 | 22" __30" | Painting shows a fuel dump near Metz, Germany. | Flat File 21 | __AMO __Art Program | Water Color | ||||
| 1951.073 | BIVOUAC AREA - 1951 MANEUVERS IN GERMANY | 31" __26" | Painting shows a Bivouac area at Metz, Germany. | 1:2A | __AMO __Art Program | Water Color | ||||
| 1951.084 | 37MM ANTI-AIRCRAFT UNIT | 22" __30" | Anti-Aircraft Unit In England During 1951. | Flat File 21 | __AMO __Art Program | Water Color | ||||
| 1951.085 | MULTIPLE 50 CAL ANTI-AIRCRAFT UNIT | 22" __30" | Anti Aircraft Unit. | Flat File 21 | __AMO __Art Program | Water Color | ||||
| 1951.086 | MANEUVERS IN GERMANY - 1951 | 22" __30" | Mess Hall During Maneuver In Germay During 1951. | Flat File 21 | __AMO __Art Program | Water Color | ||||
| 1952.178 | ROUGH MISSION | 14" __19" | This Superfort Took Several Flak And Gunfire Hits Which Damaged It Considerably And Badly Wounded Some Of Its Crew Members. | Flat File 3 | __AMO __Art Program | Water Color | ||||
| 1952.191 | THE NEW AND THE OLD | 13" __20" | A Contrast Between The New And The Old Is Dramatically Portrayed In This Painting As Japanese Laborers Use Oxen And Strong Backs For Transport While A B-29 Superfort Takes Off In The Background With Little Effort While Carrying Thousands Of Pounds Of General Purpose Bombs, 1951. | Flat File 1 | __AMO __Art Program | Water Color | ||||
| 1952.193 | PREFLIGHT CHECK | 17" __22" | A B-29 Is Given A Lost Minute Check Before Another Combat Mission Over Korea. The Aircraft Commander Is Arriving In A Jeep To The Left. | Flat File 3 | __AMO __Art Program | Water Color | ||||
| 1952.194 | AERIAL BATTLE | 20" __24" | Sergeant Arthur W. Rodriquezs Painting Shows That The Doughty B-29 Superforts Of The Far East Air Forces Bomber Command Can Take It As Well As Dish It Out. The Bomber In The Background Has Received A Hit Which Has Set Its Left Outboard Engine On Fire. The Combined Fire Of The Crippled Plane And Its Sister Ship Have, In Turn, Scored Telling Blows Against The Enemy Mig-15 Jet Fighter As It Dives To Escape The Deadly Accuracy Of The B-29 Gunners. | 7:8B | __AMO __Art Program | Oil | ||||
| 1952.197 | ATTACK ON A TROOP POSITION | 18" __21" | Napalm And Strafing Attacks On Communist Road Blocks And Troop Positions Were Often Responsible For Relieving Un Ground Forces Pinned Down By Enemy Fire In The Korean War. Close Support Stakes Such As These Were Extremely Effective In Aiding Ground Troops To Win Their Objective. In This Painting An F-51 Fighter Of The Far East Air Forces Has Just Strafed A Troop Position Which Has Held Up A Un Advance. The Target Is Marked By A White Phosphorus Bomb Released By A Spotter Aircraft.Painted By Artist In May 1951. | Damage - Cart 3 | __AMO __Art Program | Oil | ||||
| 1952.199 | HOMELESS | 24" __29" | A Painting By Sergeant Arthur W. Rodriquez Illustrates One Of The Necessary But Regrettable Results Of War. A Group Of Korean Refugees Watch U.N. Bombers Blast Their Village To Rubble As They Prepare To Head Southward Toward Comparative Safety. The Necessity For Bombing Towns And Villages Was Often Occasioned By The Fact That The Communists Made A Habit Of Storing Their Supplies An Billeting Their Troops In Such Places. | Damage - Cart 3 | __AMO __Art Program | Oil | ||||
| 1952.203 | PEACE AND WAR | 15" __18" | Natives Labor Under The Broiling Sun At An Air Base On Okinawa As A Nearby B-29 Superfort Of The Far East Air Forces Bomber Command Awaits Its Lethal Load Of 500 Pound General Purpose Bombs For Another Mission Over North Korea. | 3:8A | __AMO __Art Program | Oil | ||||
| 1952.204 | A STUDY IN CONTRASTS | 20" __24" | Using Old Fashioned Methods, An Okinawan Casts His Net For Fish In A Cove Off The End Of A Runway While A B-29 Superfort Takes Off For Another Combat Mission Over Korea. | 1:10A | __AMO __Art Program | Oil | ||||
| 1952.205 | THOMAS K FINLETTER | 63" __47" | Official Portrait Of Secretary Of The Air Force Thomas K. Finletter, 1950-1953. | 5:3A | __AMO __Art Program | Oil | ||||
| 1952.206 | GENERAL WOLFE | 35" __30" | Portrait Of General Kenneth B. Wolfe, Which Painted At The Corcoran Gallery Studio, Washington, D.C. In February 1952. | 5:1B | __AMO __Art Program | Oil | ||||
| 1952.236 | LT GEN BARNEY M GILES | 66" __32" | Painted Aug 5 To Sep 6, 1952 In San Antonio, Texas. | 4:4A | __AMO __Art Program | Oil | ||||
| 1952.341 | GENERAL DELOS C EMMONS | 45" __38" | Portrait Of Lt. Gen. Delos C. Emmons. | 4:1A | __AMO __Art Program | Oil | ||||
| 1952.343 | LT GEN RICHARD E NUGENT | 44" __36" | Portrait Of Lt. Gen. Richard E. Nugent. | 4:1A | __AMO __Art Program | Oil | ||||
| 1952.344 | LT GEN GEORGE H BRETT | 50" __32" | Painted In Nov - Dec 52 At Orlando, Fl. | 4:4A | __AMO __Art Program | Oil | ||||
| 1953.011 | GREENLAND - BLUIE WEST 1 - 1944 | 22" __30" | Painted 16 Jan 53, Pentagon From Sketches Made In Greenland In 1944 | Flat File 19 | __AMO __Art Program | Water Color | ||||
| 1953.017 | LT GEN WILLIAM E KEPNER | 38" __30" | Painted March 53, Cocoran Gallery, Washington D.C. | 4:4B | __AMO __Art Program | Oil | ||||
| 1953.018 | LT GEN ENNIS C WHITEHEAD | 40" __30" | Portrait Of Lt. General Ennis C. Whitehead. | 4:2B | __AMO __Art Program | Oil | ||||
| 1953.022 | GATES OF SUWON | 20" __30" | Artist Composed This Painting From Snapshots Taken On Korean Trip In 1952. | Flat File 19 | __AMO __Art Program | Paper Mache | ||||
| 1953.326 | NEAR 5TH AIR FORCE HEADQUARTERS, SEOUL | 18" __23" | Artist Shows People At The 5th Air Force Headquarters In Seoul, Korea. | 1:9B | __AMO __Art Program | Gouache | ||||
| 1953.332 | MAJOR GENERAL MASON M PATRICK | 30" __36" | Portrait Of Major General Mason W. Patrick. | 4:2A | __AMO __Art Program | Oil | ||||
| 1953.360 | GENERAL IDWAL H EDWARDS | 36" __30" | Painted At Cocoran Gallery, Washington, D.C. In October 53. | 5:3B | __AMO __Art Program | Oil | ||||
| 1953.368 | CAPTAIN COLIN KELLY | 46" __35" | Artist Jose David From San Franando, Pampanga, Philippines, Contributed A Painting Of Captain Colin Kelly. He Indicated Interest In The History And Traditions Of Air Force, Whick Has Been So Closely Associated With The Philippines During The Past 42 Years, And As A Token Of His Esteem For American Airmen Who So Gallantly Have Defended His Homeland Against Aggression.Captain Kelly Was One Of The First Air Force Casualties Of World War II. The Account Of His Sacrifice On 10 December 1941 Near Clark Air Force Base In The Philippines Electrified The Nation. After A Bombing Attack On A Japanese Invasion Fleet, His B-17 Was Severely Damaged By Japanese Fighters Then Caught Fire And Exploded. Captain Kelly Stayed At The Controls Of His Flying Fortress Until His Crew Bailed Out. For This Extraditing Act Of Heroism He Was Awarded Posthumously The Distinguished Service Cross. | 5:2A | __AMO __Art Program | Oil | ||||
| 1954.013 | GRAVES COLLECTING STATION | 18" __24" | Artist Painted While On Duty In Korea - 1950-51. | 1:7B | __AMO __Art Program | Oil | ||||
| 1954.052 | BRIGADIER GENERAL ATKINSON | 14" __20" | Portrait Of Brigadier General Atkinson, Co, 5th Wing. | Flat File 1 | __AMO __Art Program | Pen & Ink | ||||
| 1954.053 | REMAINS OF THE JAPANESE AIR FORCE | 24" __30" | The Artist Show The Empires Tombstones. | 1:15A | __AMO __Art Program | Oil | ||||
| 1954.064 | Major General Oscar Westover | 36"x41.5" | Major General Oscar Westover, Chief Of The Army Air Corps, Dec 24, 1935 - Sept 21, 1938. | 3:4B | __AMO __Art Program | Oil | ||||
| 1954.081 | MODERN ARAB HOUSES IN FRENCH NORTH AFRICA | 11" __14" | Painting Shows Derova Village, Nouasseur, North Africa In June 1954. It Is A Modern Arab Houses--French Architect Paid By French And U.S.. Funds For Arab Base Employees. | Flat File 1 | __AMO __Art Program | Egg Tempera | ||||
| 1954.083 | CAFe IN FRENCH MOROCCO | 11" __14" | Painting shows Cafe de Negociants - Marrakech in June 1954. | Flat File 1 | __AMO __Art Program | Egg Tempera | ||||
| 1954.102 | GREEK COASTAL ISLANDS FROM THE AIR | 20" __26" | Islands from the air. Gulf of Patmos. | Flat File 21 | __AMO __Art Program | Water Color | ||||
| 1954.128 | A HANGAR ON A US AIR BASE IN ENGLAND | 9" __11" | Artist Shows A Hangar In England During 1943. | Flat File 1 | __AMO __Art Program | Charcoal | ||||
| 1954.130 | COFFEE AFTER INTERROGATION | 7" __10" | Sketch Was Done At A B-17 Field Near Norwich, England Around The Last Of July Or First Of August 1943.The Crew Had Just Completed Interrogation And Picked Up A Coffee And Doughnuts. General Spaatz Daughter Was One Of The Red Cross Girls Helping To Serve. | Flat File 1 | __AMO __Art Program | Charcoal | ||||
| 1954.131 | BRIEFING FOR A MISSION - ENGLAND - 1943 | 7" __10" | Pilots receiving a pre-mission briefing in England. | Flat File 1 | __AMO __Art Program | Charcoal | ||||
| 1954.132 | PRACTICE BOMBS FOR A B-17 | 7" __10" | Bombs Being Loaded For A Practice Mission. | Flat File 1 | __AMO __Art Program | Charcoal | ||||
| 1954.133 | A SQUADRON DANCE AT AN AIR BASE IN ENGLAND | 7" __10" | Airmen enjoy a dance somewhere in England during World War II. | Flat File 1 | __AMO __Art Program | Charcoal | ||||
| 1954.134 | FUELING A B-17 IN ENGLAND - 1943 | 7" __10" | Airmen gas up a B-17 for a mission during World War II. | Flat File 1 | __AMO __Art Program | Charcoal | ||||
| 1954.135 | COKES AND DOUGHNUTS AFTER A MISSION | 7" __10" | Artist depicts airmen enjoying coke sodas and doughnuts after a mission during World War II. Academy award winner and Hollywood actor Clark Gable is shown talking with General Spaatz's daughter who worked for the Red Cross. Mr. Gable was a trained aerial gunner during the war, earning an air medal and distinguished flying cross, among others, for flying combat missions while stationed in England. It is said that Hitler offered a reward to anyone who would capture Gable and deliver him unhurt. After almost getting killed during a mission when the plane he and his crew were flying in was attacked, Gable's studio petitioned for him to be assigned non-combat duty. He finished his contributions to the war effort by making recruiting and motivational films. He resigned his commissioned shortly after the end of the war and resumed his acting career. | Flat File 1 | __AMO __Art Program | Charcoal | ||||
| 1954.136 | A CREW CHIEF WATCHING A TAKE-OFF | 7" __10" | Artist depicts a B-17 Crew Chief watching the planes taking off for a mission during World War II. | Flat File 1 | __AMO __Art Program | Charcoal | ||||
| 1954.137 | LOADING BOMBS INTO A 17 | 7" __10" | Artist depicts an Airman loading bombs into the belly of a plane. | Flat File 1 | __AMO __Art Program | Charcoal | ||||
| 1954.138 | B-17S RETURNING FROM A MISSION | 7" __10" | Artist depicts bombers returning to a base in England after a mission during World War II. | Flat File 1 | __AMO __Art Program | Charcoal | ||||
| 1955.013 | LT GENERAL ENNIS C WHITEHEAD | 48" __30" | Artist Painted This From Life At Kansas City In November 1954. | 4:2A | __AMO __Art Program | Oil | ||||
| 1955.014 | MAJ GENERAL C T MENOHER | 54" __36" | A Posthumous Portrait Pained By The Artist In 1955 From Photos Of The 20s. Born at Johnstown, Pennsylvania, March 20, 1862, he graduated from West Point in 1886 and was commisioned in the Artillery. He was promoted to First Lieutenant, December 1862 and graduated from the Artillery School in 1894. |
During the Spanish-American War he served in Cuba and subsequently served three tours in the Philippines. He was promoted to Captain in February 1901.
During 1903-07, he was a member of the original General Staff of the Army, also graduating from the Army War College in the latter year and receiving promotion to Major in January, then returned to Cuba as Provost Marshal for the pacification forces stationed there. He was advanced to Lieutenant Colonel in May 1911. In June 1916 he was promoted to Colonel in command of the 5th Field Artillery.
He was promoted to Brigadier General in August 1917 and given command of the School of Instruction for Field Artillery of the American Expeditionary Force at Saumur, France, in September. In November he was promoted to Temporary Brigadier Generarl, and in December took command of the 42nd (Rainbow) Division, which participated in action in the Luneville and Baccarat Sectors, and in Champagne-Marne, St. Mihiel and Meuse-Argonne Operations.
Early in November 1918 he was promoted to the permanent rank of Brigadier General in recognition of his services in World War I. On November 10, the day before the Armistice, the 42nd reached the heights above Sedan, the most advanced position attained by U.S. troops, and on the same day, he was raised to command of the VI Corps. In December he was named Director of the Air Service, which in June 1920 was reorganized by the consolidation of the thehereto divided Supply and Operations functions of the fledgling air arm, separated from the Signal Corps, and made a part of the line of the army.
Largely because of friction with his assistant, Colonel William Mitchell, he was releived of the post at his own request in October 1921. He was promoted to Major General in March 1921 and in 1922-24 commanded the Hawaiian Division, and in 1925-26 the IX Corps Area at San Francisco.
He retired from the Army in March 1926 and died in Washington, D.C. on August 11, 1930. He was buried in Section 3 of Arlington National Cemetery.
| 4:1B | __AMO __Art Program | Oil | |||||
| 1955.015 | LT GENERAL LEON W JOHNSON | 50" __40" | Portrait Was Painted From Life In New York City. | 4:1B | __AMO __Art Program | Oil | |
| 1955.037 | GENERAL VANDENBERG - 1950 | 62" __42" | 4:3A | __AMO __Art Program | Oil | ||
| 1955.038 | LT GEN ROBERT W HARPER | 38" __58" | Portrait Was Painted From Life At Austin, Texas In May And June 1955. | General's wall | __AMO __Art Program | Oil | |
| 1955.041 | GENERAL BARTON K YOUNT | 40" __32" | Portrait Of General Barton K. Yount. | 5:1A | __AMO __Art Program | Oil | |
| 1955.069 | A PILOT AFTER A NIGHT MISSION | 48" __22" | Painting Shows A Jet Pilot Just Returned Fro A Night Mission At Hamilton Air Force Base, California. Treatment Of Sky And Expression On Pilots Face Gives Meaning To The Wonders Of Flying In The Heavens Above. | Damage - Cart 3 | __AMO __Art Program | Oil | |
| 1955.070 | GUIDED MISSILE | 48" __14" | This Painting Is A Guided Missile At Camp McQuaide, California, Symbolizes The Nike Travelling In Outer Space. | 1:9B | __AMO __Art Program | Oil | |
| 1955.095 | TWO JETS OVER THULE | 21" __22" | In Flying Over The Area We Saw Eskimos Down On The Ice. This Is As, I Thought It Might Look From His Vantage Point. Also, Attempted To Convey The Vastness And Looniness Of The Aortic. | Front Wall | __AMO __Art Program | Casein | |
| 1955.107 | GENERAL BENJAMIN W CHIDLAW | 57" __41" | Portriat Of Benjamin W. Chidlaw, Commander In Chief, Continental Air Defense Command, Colorado Springs, Colorado. | 4:2B | __AMO __Art Program | Oil | |
| 1955.112 | AIR SECRETARY TALBOTT INSPECTING HONOR GUARD AT THE AIR ACADEMY DEDICATION | 25" __17" | Harold E. Talbott, Secretary Of The Air Force Inspecting The Honor Guard Upon His Arrival At Lowry Air Force Base Before The Dedication Of The Air Force Academy. | Flat File 18 | __AMO __Art Program | Charcoal | |
| 1956.036 | AIR CORPS RECRUITS - 1942 | 71" __10" | Artist Shows Colored Troops of the 8th Air Force in training for Fort Dix, June 1942. | Flat File 1 | __AMO __Art Program | Water Color | |
| 1956.038 | BRITISH LANCASTER BOMBER | 10" __14" | An Royal Air Force Avro Lancaster joins our formation for a few minutes, over England in 1942. | Flat File 1 | __AMO __Art Program | Water Color | |
| 1956.039 | GERMAN FLARES DROPPED OVER ENGLAND - 1942 | 10" __14" | Chandelier Flares Droped By Enemy Raiders Over The Midlands, England, July 1942. | Flat File 1 | __AMO __Art Program | Pastel | |
| 1956.040 | WRECKAGE OF A GERMAN BOMBER IN ENGLAND - 1942 | 10" __14" | Digging Out A Darnier 217 (German Medium Bomber) Shot Down In Northamptonshire, August 1942. British Army Eraf Intelligence Officers Superintend The Evacuation Of This Bomber In Which 4 German Crewmen Died. | Flat File 1 | __AMO __Art Program | Pen & Ink | |
| 1956.041 | AERIAL GUNNER FROM TEXAS - ENGLAND - 1942 | 10" __14" | Corporal R. Moreno Of San Antonio, Texas, Aerial Gunner On The Peggy D Flying Fortress. Moreno Was Later Wounded In A Raid Over Occupied France, But Recovered Soon After. | Flat File 1 | __AMO __Art Program | Pen & Ink | |
| 1956.042 | AIR BASE ON ASCENSION ISLAND - 1944 | 10" __14" | Artist Depicts An Air Base On Ascension Island During 1944. Ascension island is about 960 miles off the coats of West Africa. | Flat File 1 | __AMO __Art Program | Water Color | |
| 1956.043 | RUNWAY CONSTRUCTION - ASCENSION ISLAND - 1944 | 17" __22" | Building Widewake Field, Ascension Island, 1944. | Flat File 3 | __AMO __Art Program | Water Color | |
| 1956.045 | AIR BASE SUPPLY DOCK - PUERTO RICO - 1944 | 20" __26" | El Centinela Pertouquen, Puerto Rico, 1944. | Flat File 19 | __AMO __Art Program | Water Color | |
| 1956.076 | SOUTH AMERICAN PILOTS | 21" __27" | Artist shows South American pilots discussing their fight. | 7:10A | __AMO __Art Program | Water Color | |
| 1956.091 | USAF HEADQUARTERS BUILDINGS - WEISBADEN, GERMANY | 18" __24" | Artist Drawing Of Headquarters Buildings, 12th Air Froce, Weisbaden, West Germany. | Flat File 21 | __AMO __Art Program | Pen & Ink | |
| 1956.099 | IN A REDWOOD FOREST | 18"x24" | Painting Shows A Red Wood In The California Forest. | Damage - Cart 3 | __AMO __Art Program | Oil | |
| 1956.111 | AIR-SEA RESCUE | 38" __26" | This Painting Covered A Story On Flying In World War II In The Central Burma-India Theater Showing The Air-Sea Rescue Of Castaways In A Rubber Life Raft In The Rough Sea Somewhere In The Formosa Straits. | Flat File 24 | __AMO __Art Program | Water Color | |
| 1956.124 | AMERICAN AMBASSADOR - ARMED FORCES DAY AT WHEELUS AFB | 19" __32" | Wheelus Air Base, Tripoli, Libia/American Ambassador John L. Tappin Addressing Guests On Armed Forces Day 1956. Seated Behind Him Is Base Commander, Col. William J. Cain, Jr. | Flat File 19 | __AMO __Art Program | Water Color | |
| 1956.127 | NEAR BENGUERIR AFB, NORTH AFRICA | 16" __18" | Artist Show A Man Sitting In Front Of A Building Near Benguerir AFB, North Africa. | 1:13A | __AMO __Art Program | Egg Tempera | |
| 1956.128 | GENERAL NORSTAD | 14" __18" | General Lauris Norstad, Supreme Allied Commander Of Nato, In His Office At Fontainebleau. | Flat File 1 | __AMO __Art Program | Egg Tempera | |
| 1956.148 | FATHER AND SON RESTING IN REFUGEE CAMP AT ANDAU | 28" __36" | Hungarian Resting After Escape. | Short Cart | __AMO __Art Program | Egg Tempera | |
| 1956.151 | BUBBLE GUM | 17" __22" | Before They Ever Reached The United States Bubble Gum Had Been Discovered. Commander Of The Plane, Major William M. Cassaboom And His Crew...Donated Christmas Gifts For All Of His Passengers. Perfume For The Women, Cigarettes For The Men, And German And American Made Toys, Gum And Candy For The Children. | Flat File 2 | __AMO __Art Program | Water Color | |
| 1956.152 | ANNA MARIA SCHMIDT | 20.5"x22" | Anne Marie Schmidt Was A Red Cross Cook At The Dance Hall On Andau. | Flat File 18 | __AMO __Art Program | Pen & Ink | |
| 1957.008 | AIR-SEA RESCUE | 30" __20" | This Painting Covered A Story On Flying In World War II In The Central Burma-India Theater Showing The Air-Sea Rescue Of Castaways In A Rubber Life Raft In The Rough Sea Somewhere In The Formosa Straits. | Flat File 3 | __AMO __Art Program | Water Color | |
| 1957.013 | MAJOR ARTHUR GORDON | 21" __15" | Portrait Of Major Arthur Gordon. | Flat File 3 | __AMO __Art Program | Charcoal | |
| 1957.014 | AN 8TH AIR FORCE MAJOR | 22" __15" | An Artist Portrait Of An Unnamed Major. | Flat File 3 | __AMO __Art Program | Charcoal | |
| 1957.015 | MAJOR M L MCNICKLE | 22" __15" | Portrait Of Major M. L. Mcnickel, Usaaf. | Flat File 3 | __AMO __Art Program | Charcoal | |
| 1957.016 | MAJOR HARRISON R THYNG | 22" __15" | Portriat. | Flat File 3 | __AMO __Art Program | Charcoal | |
| 1957.017 | COLONEL F M DEAN | 22" __15" | Portrait. | Flat File 3 | __AMO __Art Program | Charcoal | |
| 1957.018 | LT COL W E SAULT | 22" __15" | Portrait Of Lt. Colonel W. E. Sault, Air Executive Heavy Bomber Group (Fortress). | Flat File 3 | __AMO __Art Program | Charcoal | |
| 1957.019 | LT COL RUSSELL A BERG | 23" __18" | Portrait Of Lt. Colonel Russell A. Berg With A 9th Air Force Shoulder Patch. | Flat File 3 | __AMO __Art Program | Charcoal | |
| 1957.020 | USAAF COLONEL - ENGLAND 1944 | 20" __16" | Later Promoted To Brig. Gen. Hawkins And Killed In 1950 In South America. | Flat File 3 | __AMO __Art Program | Oil | |
| 1957.064 | GUYNEMER | 20"x24" | Portrati Of Captain Guynemer Of The Escadrille Des Cigognes (The Stork), Killed On The Field Of Honor. | Top of Flat Files | __AMO __Art Program | Oil | |
| 1957.089 | GENERAL THOMAS D WHITE | 64" __42" | Portrait Of General Thomas D. White, Chief Of Staff Of The Air Force, From 1957 - 1961. | 4:3A | __AMO __Art Program | Oil | |
| 1957.091 | SAFE HAVEN FLIGHT NO 1708 | 25" __20" | Safe Haven, Flight 1708 In December 1956, The Atlantic Division Of The Military Air Transport. Service Started An Airlift To Transport Hungarian Escapees To The United States. The Project Was Called Operation Safe Haven And Was Commanded By Brig. Gen. | Flat File 12 | __AMO __Art Program | Charcoal | |
| 1957.092 | REFUGEES WAITING FOR THEIR FLIGHT | 22" __24" | At Luitpold Kaserne, A Camp On The Outskirts Of Munich, The Escapees Waited For Their Flights. While They Waited, They Read. | 1:12B | __AMO __Art Program | Charcoal | |
| 1957.093 | PLAYING | 25" __16" | Artist Shows Children Playing. | Damage - Cart 3 | __AMO __Art Program | Charcoal | |
| 1957.094 | PATIENCE | 23" __16" | Artist Shows Children Waiting. | Flat File 27 | __AMO __Art Program | Charcoal | |
| 1957.095 | BEWILDERED | 21" __23" | Artist Shows Child Sitting On Bed. | Flat File 27 | __AMO __Art Program | Charcoal | |
| 1957.096 | REVIEWING MEDICAL HISTORIES | 22" __18" | Lt. Shealey Carefully Reviewed The Medical Histories Of All Her Prospective Patients. | Flat File 29 | __AMO __Art Program | Charcoal | |
| 1957.097 | REASSURING THE TRAVELERS | 19" __20" | And With Our Interpreters Help, Reassuring Each One. | Flat File 29 | __AMO __Art Program | Charcoal | |
| 1957.098 | MATS OPERATIONS OFFICE | 20" __23" | A Few Hours Before The Flight At The Hastily Put Together Mats Nerve Center. | 2:3A | __AMO __Art Program | Charcoal | |
| 1957.099 | BRIEFING CHARTS | 22" __21" | Artist Shows Briefing Charts Being Brought Up To Date. | Flat File 14 | __AMO __Art Program | Charcoal | |
| 1957.100 | CHECKING LAST - MINUTE DISPATCHES | 19" __22" | Genral Cancy Checks Last Minute Teletype Dispatches. | Flat File 28 | __AMO __Art Program | Charcoal | |
| 1957.101 | EVERYONE WAS VERY VERY READY | 20" __14" | Artist Shows Child Preparing For Departure To The U.S. | Flat File 3 | __AMO __Art Program | Charcoal | |
| 1957.102 | ON THEIR WAY | 20" __22" | And Were Happy Finally To Be On Their Way. | Flat File 29 | __AMO __Art Program | Charcoal | |
| 1957.103 | LOADING LUGGAGE | 14" __16" | The Luggage Was Loaded. It Was All The Worldly Goods Of 28 People. | 1:3A | __AMO __Art Program | Charcoal | |
| 1957.105 | LOADING PASSENGERS | 20" __18" | And Some Were Carried. | Flat File 27 | __AMO __Art Program | Charcoal | |
| 1957.106 | LOADING STRETCHER CASES | 19" __26" | Some Soon To Give Birth. | Flat File 29 | __AMO __Art Program | Charcoal | |
| 1957.107 | YOUNG PASSENGER BOARDING PLANE | 18" __25" | And Some Not Born Too Long Ago Themselves. | Flat File 29 | __AMO __Art Program | Charcoal | |
| 1957.108 | INTERPRETER CHECKING PROCEDURES | 14" __16" | One Aboard, Col. Williams Went Over Procedures With The Interpreter. | 1:13A | __AMO __Art Program | Charcoal | |
| 1957.109 | FLIGHT NURSE AND HER PASSENGERS | 26" __20" | Lt. Shealey Quietly Looked After Her Passengers. This One Had Been Born Just Three Weeks Before In The Snow In The Woods Inside The Hungarian Border, Delivered By His Father. | Flat File 30 | __AMO __Art Program | Charcoal | |
| 1957.111 | A TIME FOR WONDER | 19" __13" | This Was Probably The First Plane Trip For Any Of The Refugees. It Was A Time For Wonderment. | Flat File 18 | __AMO __Art Program | Charcoal | |
| 1957.112 | NONCHALANCE | 19" __21" | And For Nonchalance. | Flat File 28 | __AMO __Art Program | Charcoal | |
| 1957.113 | MAKING FRIENDS | 15" __27" | For Making New Friends. | Flat File 19 | __AMO __Art Program | Charcoal | |
| 1957.114 | SLEEPING AND EATING | 23" __18" | For Sleeping And For Eating. | Flat File 27 | __AMO __Art Program | Charcoal | |
| 1957.115 | COMFORTING MOTHER | 18" __22" | And For Comforting Ones Mother. | Flat File 28 | __AMO __Art Program | Charcoal | |
| 1957.116 | REFUELING STOP IN NEWFOUNDLAND | 27"x29" | There Was A Refueling Stop At Harmon Air Force Base, Newfoundland. Layovers Always Seem Long There Is Nothing To Do But Drink Coffee And The Lights Are Always Too Bright For The Middle Of The Night. | Flat File 28 | __AMO __Art Program | Charcoal | |
| 1957.117 | LAST LAP OF A LONG TRIP | 28" __22" | Again On Our Way, We Settled Down For The Last Lap Of The Trip. | Flat File 29 | __AMO __Art Program | Charcoal | |
| 1957.118 | EARLY MORNING OVER NEW ENGLAND | 18" __22" | And Watched Dawn Come Up Over New England. | Flat File 27 | __AMO __Art Program | Charcoal | |
| 1957.119 | LANDING AT MCGUIRE AFB | 19" __23" | Excitement Built Up Rapidly, We Were Over Nantuckett, Then New York, Then Mcguire. Then We Gently Touched Down. | Flat File 28 | __AMO __Art Program | Charcoal | |
| 1957.126 | GIRL WITH A TEDDY BEAR - OPERATION SAFE-HAVEN | 21" __18" | Artist Show A Young Girl Holding Her Teddy Bear. | Flat File 18 | __AMO __Art Program | Water Color | |
| 1957.134 | CONTROL TOWER AT MATSUSHIMA AIRBASE, JAPAN | 13" __17" | Painting Shows Cooperation On Tower Control Matashima Air Base. | Flat File 20 | __AMO __Art Program | Pen & Ink | |
| 1957.135 | CLASS ON WEATHER - MATSUSHIMA AIRBASE, JAPAN | 13" __17" | Class On Weather For Japanese Veteran Pilots At Matashima Air Base. | Flat File 20 | __AMO __Art Program | Pen & Ink | |
| 1957.136 | BRIEFING ROOM - MATSUSHIMA AIRBASE, JAPAN | 13" __17" | Matashima Air Base Briefing Room Mfor American And Japanese Pilots. | Flat File 20 | __AMO __Art Program | Pen & Ink | |
| 1957.137 | REFRESHER COURSE FOR JAPANESE PILOTS - MATSUSHIMA AIRBASE, JAPAN | 13" __17" | Flat File 20 | __AMO __Art Program | Pen & Ink | ||
| 1957.144 | AIR FORCE PERSONNEL IN TOKYO, JAPAN | 21" __29" | Artist Shows Two Air Force Personnel In Kyoto, Japan With Gesha Girls. | Flat File 19 | __AMO __Art Program | Water Color | |
| 1958.012 | ROK ANTIAIRCRAFT GUN EMPLACEMENT, KOREA, 1957 | 28" __37" | First Rok Army Quad 50 Gun Emplacement, Osan, Korea. | 1:5A | __AMO __Art Program | Water Color | |
| 1958.017 | MASSAGE AND BATH HOUSE - TOKYO | 22" __18" | Artist Show Air Force Personnel Receiving A Message And Getting A Bath At Tokyos Orson. | 1:5A | __AMO __Art Program | Water Color | |
| 1958.018 | BERLIN KINDERLIFT - 1957 | 29" __36" | Several Symbols Were The Nucleous For This Concept Of Berlin Kinderlift. The Arrow Formed By The Three Air Corridors, The Bear Of The City Of West Berlin, And The Haunting Face Of The Young Boy Who Is The Individual Who Looks To Freedom. Painted On An Official Usafe Map. The Flag Is Carried By Children Embarking From Templehof. | 1:18A | __AMO __Art Program | Egg Tempera | |
| 1958.025 | MATS BRIEFING | 34" __60" | Colonel Herman Rumsey, Commander 1503rd Atw And His Staff Being Briefed At Clark AFB, Manila, Before Inspection Tour To Saigon, Bangkok, Calcutta, New Delhi, And Karach, 10 August 57. | Short Cart | __AMO __Art Program | Egg Tempera | |
| 1958.026 | AIR RESCUE OPERATION - AZORES | 48" __59" | Master Sergeant Elliott Holder, 57th Air Rescue Squadron. Lajes Air Station, Azores: Dean Of Mats Para-Rescue Service. | Front Wall | __AMO __Art Program | Egg Tempera | |
| 1958.028 | TRACKING A WEATHER BALLOON - NORTH AFRICA | 36" __48" | Observer Tracking Weather Balloon. Mats Weather Station, Nouasseur Air Base, Morocco. | 2:2B | __AMO __Art Program | Egg Tempera | |
| 1958.041 | FLYING MODEL AIRPLANES AT KIMPO, KOREA | 35" __48" | Artist Shows Airme Flying A Model Airplanes At Kimpo, Korea. | Bolling - Storage Racks __BOLLING, BLDG 1301 __ __Restore/reframe; Cart 1 damaged | __AMO __Art Program | Egg Tempera | |
| 1958.043 | MODEL PLANES AT KIMPO, KOREA | 18" __24" | Off-Duty Model Plane Flying At K-14. | 3:1B | __AMO __Art Program | Oil | |
| 1958.052 | SAND STORM IN NORTH AFRICA | 41.5"x49" | A Painting Based On Material Gathered From Our Wheelus Air Force Base. This Was Painted Later In The Calm Of The Studio--Sans Sands. | 3:5B | __AMO __Art Program | Egg Tempera |
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File details come from the government source that posted it. Updated .