Attachment 2 - NMMC Style Guide.pdf
PDF 20 MB Posted
- Attached to
- RFQ: Mounts, Graphics, and Labels Fabrication Services Federal contract opportunity
- Solicitation number
- M00264-23-Q-0145
- Issued by
- United States Marine Corps
About this file
This file is an attachment to a Request for Quotation (RFQ) from the United States Marine Corps seeking fabrication services for mounts, graphics, and labels. The solicitation number is M00264-23-Q-0145 and requests quotations for the fabrication of various mounting hardware, labels, and graphics using specifications outlined in the attached 20MB style guide. Responses are due by the date listed on the RFQ and the Marine Corps intends to award a contract for a one year base period with four one-year options by the date listed. Pricing should be quoted for the base year and each option year. This represents an opportunity for contractors to provide mounting, labeling, and graphics fabrication services to the Marine Corps in accordance with the specifications in the attached style guide.
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Other files for this federal contract opportunity
| File | Type | Posted |
|---|---|---|
| Attachment 1 - Pricing Table - Rev. 8.7.23.xlsx | XLSX spreadsheet | |
| Attachment 3 - Photographs.pdf | ||
| E1. Amendment 0001 - Q&A.docx | DOCX document | |
| D1. RFQ M00264-23-Q-0145.docx | DOCX document | |
| D1. Attachment 1 - Pricing Table.xlsx | XLSX spreadsheet |
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STYLE GUIDE
Museum Production Methods 3
Museum Color Palettes 5
Museum Logo Standards 7
Typography Standards 8
Gallery Graphics Hierachy 9
Miscellaneous Sign Standards
Index
Glossary
NMMC STYLE GUIDE PRODUCTION METHODS 3
PRODUCTION METHODS
Type B Digital photo quality prints w/wrapped edges
Digital continuous tone prints (Lambda or approved equal) print-ed directly onto photographic material, then laminated with 3 mil UV resistant lustre laminate with wrapped edges . Print and Laminate to be adhered to .040 aluminum sign blank.
Type C Digital photo quality prints adhered to acrylic.
Digital continuous tone prints (Lambda or approved equal) printed directly onto photographic material. Print is adhered to 2nd surface of 1/8th inch acrylic.
...although graphic production methods are constantly being improved and revised, the current production methods used to fabricate National Museum of the
Marine Corps graphics are...
Type A Digital murals
Digital prints (VUTEk, Durst Rho or approved equal) printed direct-ly onto high quality wall covering, (Rexam or equivalent) then clear coated for wear resistance.
Substrate
AcrylicImage
Type C Production Method
NMMC STYLE GUIDE PRODUCTION METHODS 4
PRODUCTION METHODS
Type H Dimensional Lettering
Dimensional lettering is custom cut from acrylic on either a laser engraver, plasma cutter, CNC router or other approved method.
Type I Other
Specialized production method as specified by graphic designer.
Type D Backlit murals
Frosted film (3M or equal) and/ or semi transparent film (Dura- Trans or equal), adhered to non-glare acrylic for backlit applica-tions.
Type E dHPL prints for flip books.
Digital High Pressure Laminate (dHPL)prints (Folia, iZone or equivalent)are printed images pressed into a laminate surface.
Type F Screen Print
Silk-screened images, text and/ or graphics on glass, MDF, or wall covering.
Type G Vinyl lettering
Die-cut vinyl lettering cut from a vinyl cutter, plotter, or trimmer.
NMMC STYLE GUIDE COLOR PALETTES 5
COLOR PALETTES
“ RGB
87,100,35
CMYK
25,0,81,67
RGB
196,18,48
CMYK
0,100,79,20
RGB
94,110,102
CMYK
20,0,20,65
RGB
11,18,0
CMYK
0,90,100,66
RGB
30,65,100
CMYK
100,83,46,13
RGB
30,65,100
CMYK
100,83,46,13
RGB
74,74,48
CMYK
80,73,100,20
RGB
129,129,84
CMYK
40,30,70,25
RGB
196,18,48
CMYK
0,100,79,20
RGB
196,18,48
CMYK
0,100,79,20
PMS 187C
SIX
NINE
THIRTEEN FOURTEEN
TEN ELEVEN
EIGHTSEVEN
PMS 187C
PMS 533C
RGB
75,114,29
CMYK
48,0,100,53
TWELVE
PMS 575C
FIVE
PMS 533C
FOUR
PMS 187C PMS 7497C
PMS 439C PMS 5753C
PMS 445C PMS 1817C
...each Gallery has a color palette with primary and secondary colors.
The primary colors identify the entrance of a gallery (Gallery Summary Panel ) and start of a new area (Area Panel).
NMMC STYLE GUIDE COLOR PALETTES 6
Gallery 5 Legacy Walk Graphics Typical Palette
Gallery 2 The High Ground Graphics Typical Palette
Secondary Color
1805C
1805C
4485C
(30% TINT)
2758C
2758C
130C
(5% TINT)
130C
130C
BLK 7C/WHITE
BLK 7C/WHITE
NMMC STYLE GUIDE COLOR PALETTES 7
125C (30% tint) 430C (80% tint) 130C
Black 6C (70% tint)
723C (35% tint) 7755C 130C
Blk 7C White
Blk 7C White
Gallery 13 Graphics Typical Color Palette
Gallery 14 Graphics Typical Color Palette
Secondary Colors
Secondary Colors
2758C
1805C
1805C 2758C
NMMC STYLE GUIDE LOGO STANDARDS 8
LOGO STANDARDS
“NATIONAL MUSEUM..
MARINE CORPS”
Font: Adobe Jenson Pro Semi-bold
Size: Initial Caps: 23pt, all else 19.5pt
Tracking: 111
Leading: 33 pt
“OF THE”
Font: Adobe Jenson Pro Bold
Size: 9 pt
Tracking: 234
Note: Kerned letter-spacing between the initial caps and the following character.
APPROVED
LOGO COLOR PALETTE
Full Color Reproduction
Black and White
APPROVED MUSEUM LOGO
NMMC STYLE GUIDE TYPOGRAPHY STANDARDS 9
TYPOGRAPHY STANDARDS
...each Gallery has a unique font . The use of this font is most prominently seen in the title of the
Gallery Summary Panel and the title of the Area Panel.
STENCIL
LUBALIN BOLD
CONDENSED
ITC Souvenir
SANS CULOTTES
NMMC STYLE GUIDE GALLERY TYPICALS 10
GALLERY GRAPHICS HIERARCHY
..information within galleries, scenes and exhibits are presented in a hierarchical manner.
Gallery entrances are marked by a GALLERY TITLE PANEL above the entrance and a GALLERY SUMMARY PANEL at the entrance.
GALLERIES are divided into SCENES and EXHIBITS. A scene is made up of one or more exhibits, and are indicated by an AREA
PANEL.
Each SCENE is further divided into EXHIBITS. Information within galleries, scenes and consequently, exhibits, are presented in a tiered manner.
The start of an exhibit is usually indicated by a brief summary on what is called a PRIMARY PANEL.
Succeeding panels expand on the information summarized on the primary panel. The SECONDARY and PHOTO PANELS add historical and visual credibility.
ARTIFACT CASE LABELS identify the contents of artifact cases.
NMMC STYLE GUIDE GALLERY TYPICALS 11
Gallery Title Panel Gallery Summary Panel Area Panel Primary Panel
Secondary Panel Photo Panel Artifact Case Label
The Marines will never let down their Country, ever.
-Col WaterhouseRR RR
RR
6 Artifact Case
Some of the most common components of a gallery at the National Museum of the Marine Corps.
NMMC STYLE GUIDE GALLERY TYPICALS 12
..a typical gallery at the Museum of the Marine Corps contains some or all of the following design elements.
1. GALLERY TITLE PANEL: MARKS
THE LOCATION OF A GALLERY.
Serves as a visual cue to identify the entrance to a gallery and displays the gallery name and time period the gallery covers.
2. GALLERY SUMMARY PANEL:
MARKS THE ENTRANCE TO A
GALLERY. Panel at the entrance to galleries which summarizes the overall theme of the gallery.
3. AREA PANEL: MARKS THE
ENTRANCE TO AN SCENE. The area panel functions as the key informative panel in a scene.
4. PRIMARY PANEL: INDICATES
THE START OF A NEW EXHIBIT.
Serves as a summary panel for an exhibit. A primary panel can be either 1. Embedded (printed) as a wall mural, or 2. Wall mounted as a stand-off panel.
5. SECONDARY PANEL:
SUPPLEMENTS PRIMARY PANEL
IN AN EXHIBIT. Serves as a supplement for an primary panel in an exhibit. A primary panel can be either 1. Embedded (printed) as a wall mural, or 2. Wall mounted as a Type B graphic (see production methods on page 5).
6. PHOTO PANELS:
SUPPLEMENTS PRIMARY AND
SECONDARY PANEL. Photo Panels add visual significance to an exhibit through the use of photos, illustrations or paintings.
7. ARTIFACT CASE LABELS:
IDENTIFIES AN ARTIFACT. An artifact case label provides a brief description and accession information on an artifact.
Artifacts are usually mounted in temperature controlled cases. Case labels are either 1. Mounted to the first surface of a cases’ glazing 2.
NMMC STYLE GUIDE GALLERY TYPICALS 13
Mounted to case furniture, or 3.
horizontal or vertical format.
8. INDIVIDUAL MARINE PANEL:
HIGHLIGHTS THE EFFORTS OF
INDIVIDUAL(S) MARINES IN A
PARTICULAR BATTLE OR PERIOD
OF HISTORY Highlights the individual efforts of a Marine or Marines during a particular conflict or battle that have contributed significantly to the success or completion of that battle or conflict.
9. MACRO ARTIFACT RAIL:
DETAILED INFORMATION OF
AN LARGE (MACRO)ARTIFACT.
A macro artifact rail is usally in front of a macro artifact, such as a tank or aircraft. It describes a macro artifact in detail, with information on exact dimensions and capabilities, along with a table outlining these details, along with photographs and technical illustrations, if available.
10. DIORAMA RAIL : DETAILS
THE STORY BEHIND A DIORAMA:
A diorama rail details the story behind a model in miniature representing a scene with three-dimensional figures.
11. SUSPENDED MACRO
ARTIFACT PANEL: MARKS
THE LOCATION OF OVERHEAD
AIRCRAFT IN THE MUSEUM
Macro artifact panels give intricate details on the aircraft and other macro artifacts located high above the museum’s exhibits. These details often include a table of the dimensions of the aircraft, engine capacity, etc. in addition to technical illustrations.
12. STORY RAIL : DETAILS THE
EXPLOITS OF A MARINE OR
SIGNIFICANT EVENT IN A BATTLE
Story rail panels are used to either tell the story of a famous Marine or to describe events leading to a important battle in Marine Corps history, along with supporting photos, text and/or illustrations.
13. WALL QUOTE: HIGHLIGHTS
THE REMARKS OF AN
INDIVIDUAL, A KNOWN
FACT OR A PUBLICATION.
Highlights a particular quote of an individual important to US or Marine Corps history as
NMMC STYLE GUIDE GALLERY TYPICALS 14
it relates to a gallery, scene or exhibit it is in. A wall quote can also state a known fact, or quote a publication. Most wall quotes include a credit line as well.
14. WE ,THE MARINES PANEL:
HIGHLIGHTS THE HISTORICAL
CHANGES IN MARINE CORPS
STRATEGY AND TECHNIQUES.
This panel offers in detail troop strength, significant statistics and events of importance in the Marine Corps for a certain time period. This information can be either KIA or MIA statistics for a battle or new strategic initiatives.
15. MARINE LIFE PANEL:
HIGHLIGHTS MARINE LIVING
CONDITIONS IN A PARTICULAR
PERIOD OF HISTORY Life Panels are used to draw attention to living conditions endured by Marines in combat during a particular period of Marine Corps history and how the Marine Corps has changed and /or adapted to that change.
NMMC STYLE GUIDE GALLERY TYPICALS 15
PRIMARY PANELS
contain scene specific information
SECONDARY PANELS
supplement primary panels
PHOTO PANELS provide visual historical evidence through archival photos, paintings or illustrations
Primary information panel of a scene
Artifact Case Label
Area Panel
ARTIFACT CASE LABELS
provide historical background and accession for artifacts
Photo Panel
Gallery Summary Panel
Gallery Title Panel
Primary way finding panel of a gallery
Primary information panel of a gallery
Primary Panel
Secondary Panel
NMMC STYLE GUIDE GALLERY TYPICALS 16
Eagle, Globe and Anchor (EGA) Design
Type H graphic:
Used on: Gallery Summary Panel pylons.
Justification: Centered on pylon blood stripe.* Dimensions: 4” w x 4.25” h Color: PMS 126 C.
Notes: See Design development drawings or page 7 for Type H graphic specifications.
Type A or Type B graphic:
Used in: Area Panels; Primary Panels; Secondary Panels; We, the Marines panels.
Justification: Centered above title text or centered along bottom edge of blood stripe.
Dimensions: 4” w x 4” h Color 1 (TOP ): PMS 124C Color 2 (MIDDLE ): PMS 123C Color 3 (SHADOW ): PMS Black C
Notes:Type 2 EGA can be either a silkscreen or digital print.
4.25
NMMC STYLE GUIDE GALLERY TYPICALS 17
Timeline Case Label(Fast Track) Design
Date:
FONT:
Impact 30 pt
LEADING: 36
TRACKING: 0
COLOR: 148C
MAXIMUM:
3 words (15 characters).
BACKGROUNDCOLOR: 532C
Body Text:
FONT:
Berthold Baskerville Reg 30 pt
LEADING: 36
TRACKING: 0
COLOR: 148C
MAXIMUM:
30 words (175 characters).
BACKGROUND COLOR: 532C
1 November 1943 Bougainville Following air and naval bombardments, 3rd Marine Division conducts an amphibious assault at Cape Torokina, Empress Augusta Bay and establish a beachhead perimeter.
NMMC STYLE GUIDE GALLERY TYPICALS 18
Gallery Title Panel Construction
Gallery 6 DEFENDING THE NEW REPUBLIC 1775-1865
Gallery 7 A GLOBAL EXPEDITIONARY FORCE 1866-1916 Gallery 8 MARINES IN WORLD WAR I 1917-1918 Gallery 9 MARINES HAVE LANDED 1919-1939 Gallery 10 UNCOMMON VALOR 1940-1945 Gallery 11 send in the marines 1946-1953 Gallery 12 IN THE AIR, ON LAND AND SEA 1954-1975 Gallery 13 GLOBAL READINESS 1976-2000 Gallery 14 SEMPER FIDELIS 2000-PRESENT
Title Font (by Gallery) Font and font size varies by gallery
133”
17 5.5” 2.5”
Length varies w/ date change
2.25”
Production Method
Type B graphic, see page 6 for production method details and page 19 for design details.
Notes:
The date s on both sides are process white screenprints printed at 75% opacity.
See construction drawings for hardware specifications for hanging.
NMMC STYLE GUIDE GALLERY TYPICALS 19
Gallery Summary Panel Construction
Vertical screenprint (date) FONT: Impact Regular 600 pt MAXIMUM: 9 characters
TRACKING: 50
JUSTIFICATION: Left COLOR: Outline White 12pt FILL: No �ll
168pt 225pt 168pt 171pt 171pt 177pt 177pt
171pt
Gallery 6 Caslon Antique Bold 164pt Gallery 7 Copperplate 30bc 200pt Gallery 8 Goudy Extra Bold 164pt Gallery 9 Passport Regular 192pt Gallery 10 Gill Sans Bold 171pt Gallery 11 Stencil 177pt Gallery 12 Lubalin Graph BC 177pt Gallery 13 Russell Square 216pt Gallery 14 Univers 67 Cond. Bold 171pt
Title Font and Drop Cap Size Font and Drop cap size by gallery TF DC
87 “
57.5”
4”
14”
EGA
4.25”H x 4” W See page 17 for specs
11”
33”
6”
6”
6”
25”
4.5”
2.5”
2”
Production Methods
Summary Panel: Type B graphic Vertical Date: Type F screen print EGA: Type H graphic, see page 5 for production method details.
Pylon: See construction drawings for fabrication details.
See page 21 for design details.
Notes:
The pylon can be constrcted to be viewed either left handed or right handed. The summary panel can be mounted on the left or the right of the pylon and the dates can be screenprinted on the left or the right. EGA is center mounted on blood stripe
NMMC STYLE GUIDE GALLERY TYPICALS 20
Gallery Summary Panel Design
DATE
Font: Impact 95 Pt
Color: Process White
Justi�cation: Centered Maximum word count:
9 Characters
DROP CAP
Font style and color: Font style and color are consistent with established font style and color scheme for gallery.
See pages 8 and 11 for details
Drop Shadow Color:
PMS Black 3C
BODY TEXT
Font: Berthold Baskerville Reg 60 Pt Color: Pms Black 3C
Leading: 79 Tracking: 25 Justi�cation: Left Maximum Word Count: 140 words or 896 characters
QUOTE
Font: Berthold Baskerville Medium 60 pt. First 24 characters (4-6 words, 25 characters) are in small caps.
Leading: Auto Justi�cation: Left headed by an em dash, used to set o� the sources of quotes.
Maximum word count:
20 words or 125 characters
GALLERY TITLE
Font style and color:
Gallery Title Font style varies by gallery. Gallery title font color is always PMS 124C and background color block is consistent with established color scheme for each gallery. See page 8 and 11 for details
Drop shadow Color: PMS Black 3C
Leading: Auto Maximum word count:
25 characters
ATTRIBUTION
Font: Berthold Baskerville Reg Italic 42 pt Color: PMS Black 3C
Justi�cation: Left Maximum word count:
16 words or 102 characters
NMMC STYLE GUIDE GALLERY TYPICALS 21
Area Panel Construction
168pt 225pt 168pt 171pt 171pt 177pt 177pt 168pt 171pt
Gallery 6 Caslon Antique Bold 180pt Gallery 7 Copperplate 30bc 200pt Gallery 8 Goudy Extra Bold 164pt Gallery 9 Passport Regular 192pt Gallery 10 Gill Sans Bold 171pt Gallery 11 Stencil 177pt Gallery 12 Lubalin Graph BC 177pt Gallery 13 Russell Square 216pt Gallery 14 Univers 67 Cond. Bold 171pt
Title Font and Drop Cap Size Font and Drop cap size by gallery TF DC
Production Methods
Summary Panel: Type B graphic, see page 5 for details.
EGA: Type H graphic, see page 5 for production method details.
Pylon: See construction drawings for fabrication details.
See page 22 for design details.
Notes:
Area panels can be mounted on the pylon to be viewed from the left or right side. The drop cap on the area panel is always PMS 187.
RR
30”
87”
57 1/2”
DEFENDING
THE NEW REPUBLIC
DEFENDING
THE NEW REPUBLIC
NMMC STYLE GUIDE GALLERY TYPICALS 22
Area Panel Design
RR
DEFENDING
THE NEW REPUBLIC
DEFENDING
THE NEW REPUBLIC
EGA
Color: See page 17 for details
Justi�cation: Centered
DROP CAP
Font style and color: Font style and color are consistent with established font style and color scheme for gallery.
See pages 8 and 11 for details
Drop Shadow Color:
PMS Black 3C
BODY TEXT
Font: Berthold Baskerville Reg 60 Pt Color: Pms Black 3C
Leading: 79 Tracking: 25 Justi�cation: Left Maximum Word Count: 140 words or 896 characters
QUOTE
Font: Berthold Baskerville Medium 60 pt. First 24 characters (4-6 words, 25 characters) are in small caps.
Leading: Auto Justi�cation: Left headed by an em dash, used to set o� the sources of quotes.
Maximum word count:
20 words or 125 characters
AREA TITLE
Font style and color:
Area Title Font style consistent with established gallery font. Area title font color is always PMS 124C.
See page 8 and 11 for details
Drop shadow Color: PMS Black 3C Leading: Auto Maximum word count:
25 characters
ATTRIBUTION
Font: Berthold Baskerville Reg Italic 42 pt Color: PMS Black 3C
Justi�cation: Left
NMMC STYLE GUIDE GALLERY TYPICALS 23
Primary Panel Construction
225pt 168pt 171pt 171pt 177pt 177pt
171pt
Gallery 6 Caslon Antique Bold 164pt Gallery 7 Copperplate 30bc 200pt Gallery 8 Goudy Extra Bold 164pt Gallery 9 Passport Regular 192pt Gallery 10 Gill Sans Bold 171pt Gallery 11 Stencil 177pt Gallery 12 Lubalin Graph BC 177pt Gallery 13 Russell Square 216pt Gallery 14 Univers 67 Cond. Bold 171pt
Title Font and Drop Cap Size Font and Drop cap size by gallery TF DC
114”
32”
6”
Production Methods
Primary Panel:
Type A primary panel, see page 5 for production method details.
Type B primary panel, see page 5 for production method details.
Notes:
A Primary panel can be either a digital print adhered to sign blank or printed as part a part of a wall mural with secondary panels.
The drop cap color for primary panels are always red (PMS 187C), regardless of gallery primary color.
See page 14 for complete definition of primary and secondary panels.
NMMC STYLE GUIDE GALLERY TYPICALS 24
Primary Panel Design
BODY TEXT
Font: Berthold Baskerville Reg 60 Pt Color: Pms Black 3C
Leading: 79 Tracking: 25 Justi�cation: Left Maximum Word Count: 100 words or 640 characters
QUOTE
Font: Berthold Baskerville Medium 60 pt. First 24 characters (4-6 words, 25 characters) are in small caps.
Leading: Auto Justi�cation: Left headed by an em dash, used to set o� the sources of quotes.
Maximum word count: 20 words or 160 characters
AREA TITLE
Font style and color:
Area Title Font style consistent with established gallery font. Area title font color is always PMS 124C.
See page 8 and 11 for details
Drop shadow Color: PMS Black 3C Leading: Auto Maximum word count:
25 characters
ATTRIBUTION
Font: Berthold Baskerville Reg Italic 40 pt Color: PMS Black 3C
Justi�cation: Left
EGA
Color: See page 17 for details
Justi�cation: Centered
DROP CAP
Font style and color: Font style and color are consistent with established font style and color scheme for gallery.
See pages 8 and 11 for details
Drop Shadow Color:
PMS Black 3C
NMMC STYLE GUIDE GALLERY TYPICALS 25
Secondary Panel Design
"The times that try men's souls" "The times that try men's souls"
BODY TEXT
Font: Berthold Baskerville Regular 50 pt Maximum word count: 75 words or 480 characters
DROP CAP
FONT: Gill Sans Extra Bold 133 pt COLOR: PMS Black 3C
Production Methods
For Type A or Type B secondary panel, see page 5 for production method details.
Notes:
Secondary panels can be either printed as part of a wall mural (Type A Print) or adhered to sign blank and mounted to substrate (Type B graphic).
R
QUOTE
Font: Berthold Baskerville Medium 50 pt First 24 characters (4-6 words, 25 characters) are in small caps.
Font color: PMS Black 3C Maximum word count: 25 words or 160 characters
SECONDARY PANEL TITLE
Font style and color:
Secondary Panel Font style consistent with established gallery font. Area title font color is always
PMS 124C.
See page 8 and 11 for details
Drop shadow Color: PMS Black 3C Leading: Auto
30 characters
NMMC STYLE GUIDE GALLERY TYPICALS 26
Photo Panel Construction
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PORTRAIT
24”
24”
18”
18”
18”
18”
14”
14”
14”
14”
10”
10”
Caption Band No less than 3” in height
Caption Band No less than 2.5” in height
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PORTRAIT
LANDSCAPE
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PORTRAIT
LANDSCAPE
LANDSCAPE
Production Methods
Photo Panel Layout Speci�cations
Type B primary panel, see page 5 for production method details.
Notes:
Refer to Design Development Package drawings for specific design details.
Caption Band No less than 2.0” in height
The captions, whether they are portrait or landscape, are left justi�ed and the text size (34 pt Berthold Baskerville Regular) remains the same.
The reason for this is some photo panels overlap, and this leaves room for text.
NMMC STYLE GUIDE GALLERY TYPICALS 27
Photo Panel Design
CAPTION TEXT
Font: Berthold Baskerville Regular 34 pt (Regardless of size of black band call out) Color: Process white Justi�cation: Left Maximum Word Count: 25 words or 160 characters
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Production Methods
Photo Panels
Type B primary panel, see page 5 for production method details.
Notes:
Photo panels are stand off panels and can be in portrait or landscape format. Black caption border must be proportionate to photo panel. See page 14 for definition of photo panels.
1”
1/2” Caption Band proportionate to size of photo panel ( See page 31).
NMMC STYLE GUIDE GALLERY TYPICALS 28
Wall Quote with Credit Line Design
Wall Quote:
Font: Berthold Baskerville Regular 300pt Font Color: PMS 124C Justification: Left
Credit Line:
Font: Berthold Baskerville Regular 200pt
Production Method(s):
Type A: See page 5 for production method details.
or Type H: See page 7 for production method details.
Notes:
Type H graphic (lettering cut from acrylic) would not have a drop shadow.
NMMC STYLE GUIDE GALLERY TYPICALS 29
Individual Marine Panel Construction
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T
BGen Herman H. Hanneken
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Lorm ipsum at inconsumes.
Loreum ipsum at inconsme strata te asumpe cof lore nosp tre con sutra trata strata nues trabe olarsoti.
Lorm ipsum at inconsumes.
T
BGen Herman H. Hanneken
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T
INDIVIDUAL MARINE PANEL TITLE
Font: Berthold Baskerville Medium 66 pt Color: PMS 124c Justi�cation: Left
Leading: 14.4 Tracking: 0 Maximum Word Count: 30 characters
IMAGE
DIMENSIONS: Size image to �t 12” w X 15” h
TITLE BACKGROUND
Color: PMS 187C
DROP CAP
Font: Gill Sans Extra Bold 112 pt Color: Process White Justi�cation: Left
SUBHEAD
Font: Berthold Baskerville Medium 40 pt Color: Process White Justi�cation: Left
Leading: 31.2 Tracking: 0 Maximum word count : 25 words or 160 characters
BODY TEXT
Font: Berthold Baskerville Medium 40 pt Color: Process White Justi�cation: Left
Leading: 31.2 Tracking: 0 Maximum word count : 75 words or 480 characters
NMMC STYLE GUIDE GALLERY TYPICALS 30
Individual Marine Panel Design
120”
39”
69” 53” from baseline of subhead
24” 30” 36”
6” Production Methods Individual Marine Panel:
Type B graphic panel, see page 5 for production method details.
Type A graphic panel, see page 5 for production method details.
Notes:
Refer to Design Development Package drawings for specific fabrication details. Individual Marine Panels can include quotes or additional images. They can also be printed as a digital print and adhered to sign blank or on wallpaper.
NOTE: Match existing Gallery Colors
BGen Herman H. Hanneken
R EUM IPSUM AT IN onsumes sltrata dolar treh asumpe colore ipsum nostre conatgu tres sutra elpotrata stratas nuestro.
Lorum ipsums atres inconsume strata trets asump mpe coftea lore ipsum nosp tret ctrones sutrae trata dolar nuestro it conatgu sotr dolar ipsum amet asumpte. Loreum to ipsums atre inco nsume stratas tre asumpe coftea lorems ctrons atgu sotre ipsum ametgu asumpte.
Loreum ipsums atrem inconsume strata tre mor asumpe coflore ipsum nosp tre con sutrae trata dolar nuestro itse conatgu strotrie dolared ipsum amet asumpte. Loreum treote ipsums atinconsu sume stratay asump ipsum dolar.
Loreum ipsum at inconsme strata te asumpe cof lore nosp tre con sutra trata strata nues trabe olarsoti.
Lorm ipsum at inconsumes.
Loreum ipsum at inconsme strata te asumpe cof lore nosp tre con sutra trata strata nues trabe olarsoti.
Lorm ipsum at inconsumes.
T
BGen Herman H. Hanneken BGen Herman H. Hanneken
R EUM IPSUM AT IN onsumes sltrata dolar treh asumpe colore ipsum nostre conatgu tres sutra elpotrata stratas nuestro.
Lorum ipsums atres inconsume strata trets asump mpe coftea lore ipsum nosp tret ctrones sutrae trata dolar nuestro it conatgu sotr dolar ipsum amet asumpte. Loreum to ipsums atre inco nsume stratas tre asumpe coftea lorems ctrons atgu sotre ipsum ametgu asumpte.
Loreum ipsums atrem inconsume strata tre mor asumpe coflore ipsum nosp tre con sutrae trata dolar nuestro itse conatgu strotrie dolared ipsum amet asumpte. Loreum treote ipsums atinconsu sume stratay asump ipsum dolar.
T R EUM IPSUM AT IN onsumes sltrata dolar treh asumpe colore ipsum nostre conatgu tres sutra elpotrata stratas nuestro.
Lorum ipsums atres inconsume strata trets asump mpe coftea lore ipsum nosp tret ctrones sutrae trata dolar nuestro it conatgu sotr dolar ipsum amet asumpte. Loreum to ipsums atre inco nsume stratas tre asumpe coftea lorems ctrons atgu sotre ipsum ametgu asumpte.
Loreum ipsums atrem inconsume strata tre mor asumpe coflore ipsum nosp tre con sutrae trata dolar nuestro itse conatgu strotrie dolared ipsum amet asumpte. Loreum treote ipsums atinconsu sume stratay asump ipsum dolar.
T
BGen Herman H. Hanneken
R EUM IPSUM AT IN onsumes sltrata dolar treh asumpe colore ipsum nostre conatgu tres sutra elpotrata stratas nuestro.
Lorum ipsums atres inconsume strata trets asump mpe coftea lore ipsum nosp tret ctrones sutrae trata dolar nuestro it conatgu sotr dolar ipsum amet asumpte. Loreum to ipsums atre inco nsume stratas tre asumpe coftea lorems ctrons atgu sotre ipsum ametgu asumpte.
Loreum ipsums atrem inconsume strata tre mor asumpe coflore ipsum nosp tre con sutrae trata dolar nuestro itse conatgu strotrie dolared ipsum amet asumpte. Loreum treote ipsums atinconsu sume stratay asump ipsum dolar.
T dolar nuestro itse conatgu strotrie amet asumpte. Loreum treote sume stratay asump ipsum
OPTIONAL LAYOUTS
2.5”
2.5”
Background color changes with gallery (see Gallery Color Chart on page 8)
6 “ baseboard (usually �at black or painted to match wallpaper color).
NMMC STYLE GUIDE GALLERY TYPICALS 31
Gallery Title Panel Design
Gallery Title FONT: All capitals; varies by gallery SIZE: Various
COLOR: PMS 124 C
MAXIMUM: 28
characters
Background
COLOR: PMS 2758 C
Date FONT: Impact Reg 800pt
TRACKING: 25
COLOR: 12pt white outline no �ll screened to 75% opacity
MAXIMUM: 9
characters
NMMC STYLE GUIDE GALLERY TYPICALS 32
Artifact Case Label Design (Vertical)
Production Methods
Artifact Case Label (Horizontal)
Type B primary panel, see page 5 for production method details.
Notes:
Refer to Design Development Package drawings for specific design details.
Apply doublespace between end of body text and start of accession line.
On the night of 8 March, 1945, Japanese forces under the command of Captain Samaji Inouye launched a banzai charge against the line held by the 23d and 24th Marines. This kai-gunto was captured by 1stLt Joseph LoPrete, E Company, 2d Battalion, 23d Marines, during the battle.
Donated by the Estate of Col. Joseph LoPrete 2007.30.1a-b
Kai-gunto
The steel combat helmet was adopted by the Japanese armed forces relatively late (in the early 1930s) in modern warfare.
This Imperial Army helmet was captured on the northern portion of Iwo Jima by Sgt Carl E. Crouch, HQ Company, 1st Battalion, 26th Marines.
Donated by Mr. Carl E. Crouch 2007.23.1a-b
Japanese Army Helmet
Firing a 7.7mm projectile from a 30-round box magazine, the Japanese Type 99 was based on the Type 96 light machine gun, but featured a monopod at the stock and a flash suppressor at the muzzle. Members of the 27th Marines captured this weapon while clearing Mount Suribachi’s caves.
Donated by Mr. Kenneth Stevenson 2005.8.1
Japanese Type 99 Light Machine Gun
Iwo Jima overflowed with hundreds of underground enemy positions. This Japanese pipe, disposable shaving razor, and pair of army-issue eyeglasses were recovered from Japanese bunkers by William “Wild Bill” Odom, who served with HQ Company, 1st Battalion, 21st Marines.
Donated by Mr. William F. Odom 2006.91.17, 2006.91.12a-c, 2006.91.5a
Japanese Personal Items
At the northern end of the island, the Japanese had begun to build a third airfield. This tool kit was captured in a makeshift bunker constructed from a wrecked truck chassis.
Japanese Tool Kit
1/2”
1/2” Radius
6”
Artifact Number Font: Impact 24 pt Title Font Color: PMS Blk C Background: Process White Justi�cation: Centered va ri ou s he ig ht s
Do not number single item artifacts!
TITLE
Font: Berthold Baskerville Medium 24 pt Color: PMS 124C Maximum word count: 50 characters
BODY TEXT
Font: Berthold Baskerville Regular 22 pt Body text Color: Process White Leading: 26.4 Maximum word count: 50 words or 320 characters
ACCESSION NUMBER
Font: Berthold Baskerville Italic 14 pt Justi�cation: Full
NMMC STYLE GUIDE GALLERY TYPICALS 33
Artifact Case Label Design (Vertical) cont.
Typical vertical label layout examples:
Iwo Jima overflowed with hundreds of underground enemy positions. This Japanese pipe, disposable shaving razor, and pair of army-issue eyeglasses were recovered from Japanese bunkers by William “Wild Bill” Odom, who served with HQ Company, 1st Battalion, 21st Marines.
On the night of 8 March, 1945, Japanese forces under the command of Captain Samaji Inouye launched a banzai charge against the line held by the 23d and 24th Marines. This kai-gunto was captured by 1stLt Joseph LoPrete, E Company, 2d Battalion, 23d Marines, during the battle.
the Japanese armed forces relatively late (in the early 1930s) in modern warfare.
This Imperial Army helmet was captured on the northern portion of Iwo Jima by Sgt Carl E. Crouch, HQ Company, 1st Battalion, 26th Marines.
box magazine, the Japanese Type 99 was based on the Type 96 light machine gun, but featured a monopod at the stock and a flash suppressor at the muzzle. Members of the 27th Marines captured this weapon
Iwo Jima overflowed with hundreds of underground enemy positions. This Japanese pipe, disposable shaving razor, and pair of army-issue eyeglasses were recovered from Japanese bunkers by William “Wild Bill” Odom, who served with HQ Company, 1st Battalion, 21st Marines.
At the northern end of the island, the Japanese had begun to build a third airfield. This tool kit was captured in a makeshift bunker constructed from a wrecked truck chassis.
Japanese Tool Kit
NOTE:
Vertical artifact labels should not exceed 64” from �oor and no lower than 32” from the �oor.
32” - 64” from �oor
NMMC STYLE GUIDE GALLERY TYPICALS 34
Artifact Case Label Design (Horizontal)
On the night of 8 March, 1945, Japanese forces under the command of Captain Samaji Inouye launched a banzai charge against the line held by the 23d and 24th Marines. This kai-gunto was captured by 1stLt Joseph LoPrete, E Company, 2d Battalion, 23d Marines, during the battle.
the Japanese armed forces relatively late (in the early 1930s) in modern warfare.
This Imperial Army helmet was captured on the northern portion of Iwo Jima by Sgt Carl E. Crouch, HQ Company, 1st Battalion, 26th Marines.
box magazine, the Japanese Type 99 was based on the Type 96 light machine gun, but featured a monopod at the stock and a flash suppressor at the muzzle. Members of the 27th Marines captured this weapon
1/2”
6” various widths
Production Methods
Artifact Case Label (Horizontal)
Type B primary panel, see page 5 for production method details.
Notes:
Refer to Design Development Package drawings for specific design details.
Apply doublespace between end of body text and start of accession line.
TITLE
Font: Berthold Baskerville Medium 24 pt Color: PMS 124C Maximum word count: 50 characters
BODY TEXT
Font: Berthold Baskerville Regular 21 pt Body text Color: Process White Leading: 21.5 Maximum word count: 50 words or 320 characters
ACCESSION NUMBER
Font: Berthold Baskerville Italic 14 pt Justi�cation: Full
Do not number single item artifacts!
1/2” Radius 1
Artifact Number Font: Impact 24 pt Title Font Color: PMS Blk C Background: Process White Justi�cation: Centered
NMMC STYLE GUIDE GALLERY TYPICALS 35
Artifact Case Label Design (Horizontal) cont.
ATTENTION!! DO NOT number single item artifacts! Horizontal layout single item artifact labels are always left justified.
Typical horizontal label layout examples:
NOTE:
If only 1 (one) label is required for artifact case labeling, do not number artifact case label!
The steel combat helmet was adopted by the Japanese armed forces relatively late (in the early 1930s) in modern warfare.
This Imperial Army helmet was captured on the northern portion of Iwo Jima by Sgt Carl E. Crouch, HQ Company, 1st Battalion, 26th Marines.
the Japanese armed forces relatively late (in the early 1930s) in modern warfare.
This Imperial Army helmet was captured on the northern portion of Iwo Jima by Sgt Carl E. Crouch, HQ Company, 1st Battalion, 26th Marines.
the Japanese armed forces relatively late (in the early 1930s) in modern warfare.
This Imperial Army helmet was captured on the northern portion of Iwo Jima by Sgt Carl E. Crouch, HQ Company, 1st Battalion, 26th Marines.
the Japanese armed forces relatively late (in the early 1930s) in modern warfare.
This Imperial Army helmet was captured on the northern portion of Iwo Jima by Sgt Carl E. Crouch, HQ Company, 1st Battalion, 26th Marines.
NMMC STYLE GUIDE GALLERY TYPICALS 36
Artifact Number Construction
Production Methods
ID Button: Other , either router cut by a CNC router or equivalent.
Lettering: Type G vinyl lettering
Notes:
The Artifact ID buttons, or “pucks,” are cut from 1/4 inch acrylic sheets and vinyl letters are adhered to them..
3/4” diam.
5/16” 3/8” diam.
1/8”
Vinyl Lettering FONT: Impact 36pt MAXIMUM: 2 characters VINYL COLOR: PMS Black C
Button Stand MATERIAL: 1/8” Brass
NMMC STYLE GUIDE GALLERY TYPICALS 37
Suspended Macro Artifact Panel Construction
Notes:
Refer to Design Development Package drawings for specific fabrication details.
See page 15 for complete definition of Macro Artifact Rail panel.
Story Rail Panels come in various lengths based on number of artifacts depicted and number of photos and/or illustrations.
The common height is 14 inches.
The basic design commonly contains a combination of title and body text, actual photos and/or painting or sketch reproductions, detailed illustration of artifact represented, and a table detailing artifact statistics.
Production Method
Type E graphic panel, see page 7 for production method details.
14”
5”
1/2” top & bottom borders
13.5” 1”
2” 14” 20”
Overall Length varies
COLOR: PMS 123C
NMMC STYLE GUIDE GALLERY TYPICALS 38
Suspended Macro Artifact Panel Design
Strata teasumpe of lore nosp ipsum Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum.
inconsume strata teasumpe of lore nosp ipsum
CURTISS A-2
CURTISS A-2
Title FONT: Impact 93 pt.
COLOR: PMS Black C MAXIMUM: 30 characters
Body Text
FONT:
Berthold Baskerville Reg 40 pt
COLOR:
PMS Black C
Maximum word count:
75 words or 480
Table Title
FONT:
Impact 52 pt (size will vary according to amount of text)
COLOR:
PMS 124C
MAXIMUM:
5 words (28 characters).
Title Box
BACKGROUND
COLOR: PMS
Black C Height: 3/4 inch Width: Varies with table size
Table
FONT:
Franklin Gothic Demi 20 pt
LEADING: 21
TRACKING: 25
COLOR: PMS
Black C
MAXIMUM:
80 words or 360 characters.
TABLE STROKE:
4 pt
BACKGROUND-
COLOR: PMS
7537C
Subhead
FONT:
Berthold Baskerville Med 40 pt
COLOR:
PMS Black C
Maximum word count
15 words or 96
Panel
COLOR: PMS 7539C
Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum Loreum ipsum at inconsume.
Strata teasumpe of lore nosp ipsum Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum. Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum
Illustrations can vary per artifact.
Strata teasumpe of lore nosp ipsum
Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum.
inconsume strata teasumpe of lore nosp ipsum nosp ipsum Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum.
nosp ipsum Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum.
Strata teasumpe of lore nosp ipsum
Strata teasumpe of lore nosp ipsum 100kg
Loreum ipsum at inconsume strata teasumpe of lore 10 ft x 200ft nosp ipsum Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum.
inconsume strata teasumpe of lore nosp ipsum nosp ipsum Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum.
nosp ipsum Loreum ipsum at inconsume strata teasumpe of lore nosp ipsum.
Displacement: 10000 ft/lbs
NMMC STYLE GUIDE GALLERY TYPICALS 39
Macro Artifact Rail Panel Construction Notes:
Refer to Design Development Package drawings for specific fabrication details.
See page 15 for complete definition of Macro Artifact Rail panel.
Story Rail Panels come in various lengths based on number of artifacts depicted and number of photos and/or illustrations.
The common height is 14 inches.
The basic design commonly contains a combination of title and body text, actual photos and/or painting or sketch reproductions, detailed illustration of artifact represented, and a table detailing artifact statistics.
Production Method
Type E graphic panel, see page 7 for production method details.
14”
5”
1/2” top & bottom borders
13.5” 1”
2” 14” 20”
Overall Length varies
NMMC STYLE GUIDE GALLERY TYPICALS 40
Macro Artifact Rail Panel Design
TITLE
Font: Gill Sans Extra Bold 64 Pt Font Color: Pms 124c Shadow Font: Gill Sans Extra Bold 64 Pt Shadow Font Color: Pms Black C Maximum: 30 Characters
CAPTION
Font: Berthold Baskerville Reg 24 Pt Font Color: Pms Black C Maximum: 25 words or 160 characters
Background Color
COLOR: PMS 7539 C
BODY TEXT
Font: Berthold Baskerville Reg 36 Pt Font Color: Pms Black C Justi�cation: Left Leading: Auto Kerning: Auto Maximum: 75 Words Or 480 Characters
TABLE
Title Font: Impact 34 Pt (All Caps) Title Font Justi�cation: Centered Title Font Color: Pms 124c Title Block Background Color: Pms Blk C
Body Font: Helvetica Med Cond 20 Pt Body Font Color: Pms Black C Body Font Justi�cation: Left Body Font Background Color: Pms 7537 C
2 PANEL RAIL
IMAGE SIZE:
4.5” h X 7” w
NMMC STYLE GUIDE GALLERY TYPICALS 41
Marine Life Logo Design
Production Methods
Marine Life Logo
Type F graphic panel, see page 7 for production method details.
Notes:
Refer to Design Development Package drawings for specific design details. Marine life logo along with text, can be either a screen print or Type B printed on MDF or wall covering.
Logo
COLOR: PMS 187C
21”
NMMC STYLE GUIDE GALLERY TYPICALS 42
Marine Life Panel Construction/ Design
Body Text FONT: Berthold Baskerville Reg 48pt COLOR: PMS Black C JUSTIFICATION: Left MAXIMUM TEXT: 134 words LEADING: Auto
Subhead FONT: Berthold Baskerville Med 48 pt COLOR: PMS Black C JUSTIFICATION: Left MAXIMUM TEXT: 34 words LEADING: Auto
Title FONT: Gill Sans Extra Bold 125pt COLOR: PMS Black C JUSTIFICATION: Left MAXIMUM TEXT: 14 words LEADING: Auto
Marine Life Screen Print SIZE: 21” w
COLOR: PMS 187C
JUSTIFICATION: Centered above title
Subhead Quote FONT: Berthold Baskerville Italic 33pt COLOR: PMS Black C JUSTIFICATION: Left MAXIMUM TEXT: 14 words LEADING: Auto
Production Methods
Marine Life Panel
Notes:
Refer to Design Development Package drawings for specific design details. Marine life Panel can be either a screen print or a Type B graphic, printed on MDF or wall covering.
“I WAS AN OGRE ON THE DRILL FIELD and in the huts of Montford. . . but I was fair.”
“Hashmark” Johnson became the first black drill instructor for the Montford Point Marines. Like drill instructors at Parris Island or San Diego, his fierce demeanor scared his recruits, but he also gave them the motivation needed to become combat Marines.
Drill instructors everywhere conducted “Junk on the Bunk” inspections to instill greater discipline into their recruits. In a stressful procedure familiar to all Marines, the recruits struggled to display their clothing and equipment_cleaned, labeled, serviceable_in exact compliance with
JUNK ON
THE BUNK
24” 11/2”
32”
Drop Cap FONT: Gill Sans Bold 100pt COLOR: PMS Black C JUSTIFICATION: Left MAXIMUM TEXT: 1 character
LEADING: 60
NMMC STYLE GUIDE GALLERY TYPICALS 43
Production Methods
Macro Artifact Flag Panel
Type B primary panel, see page 5 for production method details.
Notes:
Refer to Design Development Package drawings for specific design details.
Wake Island Flag This U.S. flag flew during the last days of the defense of Wake Island. With the surrender of American forces, it was captured by Lieutenant Commander Taro Fukatso of the Imperial Japanese Navy. Upon his return to Japan in the spring of 1943, he gave the flag to his mother.
Fukatso was killed on 25 October 1944, during the battle of Leyte Gulf. The flag was returned to the Marine Corps in 1956.
1” 3/4”1”
12”
8”
1 1/2”
Title FONT: Berthold Baskerville Bold 34pt
COLOR: PMS 124C
JUSTIFICATION: Left
Body Text FONT: Berthold Baskerville Med 28pt COLOR: Process White JUSTIFICATION: Left MAXIMUM TEXT: 90 words LEADING: Auto
Arrow FONT: Berthold Baskerville Med 28pt
COLOR: PMS 124C
DIMENSIONS: 1” w x 8” h
Background Color
COLOR: PMS 2758C
Macro Artifact Flag Panel Design
NMMC STYLE GUIDE GALLERY TYPICALS 44
“We, the Marines” Panel Construction
TOTAL STRENGTH
Loreum ipsums at inconsume strata te asumpe cofta lore ipsum nosp tre con sutrae trata dolar nuestro it conatgu so dolar ipsum amet asumpte. Loreum to ipsums at inconsume strata tre asumpe coftea lorems ipsum nosp tre con sutrae trata dolar nuestro ittog conatgu so dolar ipsum amet asumpte.
Loreum ipsums at inconsume strata te asumpe cofta lore ipsum nosp tre con sutrae trata dolar nuestro it conatgu so dolar ipsum amet asumpte. Loreum to ipsums at inconsume strata tre asumpe coftea lorems ipsum nosp tre con sutrae trata dolar nuestro ittog conatgu so dolar ipsum amet asumpte.
GLOBAL DEPLOYMENTS
WE, THE MARINES
1866– 1914
SUBTITLE
FONT: Gill Sans Bold 50pt (All Caps)
COLOR: PMS 124
JUSTIFICATION: Left Maximum word count: 30 characters
BODY TEXT (PER PARAGRAPH)
FONT: Berthold Baskerville Reg 50 pt COLOR: Process White JUSTIFICATION: Left Maximum word count: 50 words or 320 characters
BLUE BACKGROUND
COLOR: PMS 2758C
TITLE
FONT: Impact 220pt
COLOR: PMS 124C
JUSTIFICATION: Centered Maximum word count: 15 characters LEADING: Auto
TRACKING: 0
DATES
FONT: Impact 132pt COLOR: Process White JUSTIFICATION: Centered Maximum word count: 8 characters
EGA
SIZE: 4” h x 4” h see page 17 for speci�cations
BLOOD STRIPE
NMMC STYLE GUIDE GALLERY TYPICALS 45
“We, the Marines” Panel Design
TOTAL STRENGTH
Loreum ipsums at inconsume strata te asumpe cofta lore ipsum nosp tre con sutrae trata dolar nuestro it conatgu so dolar ipsum amet asumpte. Loreum to ipsums at inconsume strata tre asumpe coftea lorems ipsum nosp tre con sutrae trata dolar nuestro ittog conatgu so dolar ipsum amet asumpte.
Loreum ipsums at inconsume strata te asumpe cofta lore ipsum nosp tre con sutrae trata dolar nuestro it conatgu so dolar ipsum amet asumpte. Loreum to ipsums at inconsume strata tre asumpe coftea lorems ipsum nosp tre con sutrae trata dolar nuestro ittog conatgu so dolar ipsum amet asumpte.
GLOBAL DEPLOYMENTS
WE, THE MARINES
1866– 1914
SUBTITLE
FONT: Gill Sans Bold 50pt (All Caps)
COLOR: PMS 124
JUSTIFICATION: Left Maximum word count: 30 characters
BODY TEXT (PER PARAGRAPH)
FONT: Berthold Baskerville Reg 50 pt COLOR: Process White JUSTIFICATION: Left Maximum word count: 50 words or 320 characters
BLUE BACKGROUND
COLOR: PMS 2758C
TITLE
FONT: Impact 220pt
COLOR: PMS 124C
JUSTIFICATION: Centered Maximum word count: 15 characters LEADING: Auto
TRACKING: 0
DATES
FONT: Impact 132pt COLOR: Process White JUSTIFICATION: Centered Maximum word count: 8 characters
EGA
SIZE: 4” h x 4” h see page 17 for speci�cations
BLOOD STRIPE
NMMC STYLE GUIDE INDEX 46
INDEX
A
A Graphic, see Type A graphic, page 6
Area Panel Description 14 Construction 23 Design 24
Area Overhead Sign Description 14 Construction 25 Design 26
Artifact Case Labels
Vertical Label Layout Description 15 Design 35-36
Horizontal Label Layout Description 15 Design 37-38
Artifact Number Construction 39
B
B Graphic see Type B graphic, page 6
C
C Graphic see Type C graphic, page 6
D
D Graphic see Type D graphic, page 7
E
E Graphic see Type E graphic, page 7
EGA See Eagle, Globe and Anchor
Eagle, Globe and Anchor:
The official emblem and symbol of the United States Marine Corps.
F F Graphic see Type F graphic, page 7
G
G Graphic see Type G graphic, page 7
NMMC STYLE GUIDE INDEX 47
Gallery Title Panel Description 14 Construction 19 Design 20
Gallery Summary Panel Description 14 Construction 21 Design 22
H H Graphic see Type H graphic, page 7
I I Graphic see Type I graphic, page 7
Individual Marine Panel Description 15 Construction 33 Design 34
J
K
L
M Macro Artifact Panel Description 15 Construction 40 Design 41
Marine Life Logo Design 44
Marine Life Panel Description 15 Construction 45 Design 45
Macro Artifact Flag Panel Description 15 Construction 46 Design 46
N
O
P
Photo Panel Description 14 Construction 31 Design 32
Primary Panel Description 14 Construction 28 Design 29
NMMC STYLE GUIDE INDEX 48
S Secondary Panel Description 15 Design 30
Story Rail Panel Description 15 Construction 42 Design 43
T Type A Graphic Description 6
Type B Graphic Description 6
Type C Graphic Description 6
Type D Graphic Description 7
Type E Graphic Description 7
Type F Graphic Description 7
Type G Graphic Description 7
Type H Graphic Description 7
Type I Graphic Description 7
V
W
Wall Quote Description 15 Design 27
“We, the Marines” Panel Description 16 Construction 47 Design 48
X
Y
Z
NMMC STYLE GUIDE GLOSSARY 49
GLOSSARY
A B
Blood Stripe:
Refers to a scarlet stripe worn down the outside leg seams of trousers on the dress uniform of the United States Marine Corps.
C
CNC:
A CNCwood router is a numerical control tool that creates objects from wood. Parts of a project can be designed in the computer with a CAD/CAM pro-gram, and then cut automatically using a router to produce a finished part.
The CNC router works like a printer. Work is com-posed on a computer and then the design or draw-ing is sent to the CNC router for the hard copy. This outputs a 3-dimensional copy of the work. The CNC router uses a cutting tool instead of an ink jet. The cutting tool is generally a router but other cutters can be used as well.
D dHPL:
Digitally produced High Pressure Laminated graphic print suitable to withstand constant use.
DuraTrans:
Duratrans is a short term for Durable Transpar-ency and is a brand name of Kodak. Very often it is used as a generic term for backlit display prints.
While Duratrans may refer to a specific photograph-ic process and product, it has also become a general reference to any backlit imagery whether produced photographically or by other digital process such as ink jet printing.
Durst Rho:
E F
Folia:
Folia is a trade name for Folia products, a company that prints digital graphics on high pressure laminate (dHPL) stock for interior or exterior use.
G
H I iZone:
iZone is a trade name for iZone Manufacturing, a company that prints digital graphics on high pressure laminate (dHPL) stock for interior or exterior use.
J K L
Lambda:
Lambda printing, or LightJet printing, produces the highest quality photographic prints available for
NMMC STYLE GUIDE GLOSSARY 50
GLOSSARY
large format printing display graphics from digital artwork. Whether the prints are onto photographic paper, film or Duratrans, Lambda printing gives sharp photographic images, continuous tone and high-impact colour graphic prints.
Lambda is the name and common reference to the process, equipment and product which has taken over from the traditional photographic process.
M
MDF:
Medium Density Fiberboard.
Medium-density fibreboard (MDF) is an engineered wood product formed by breaking down hardwood or softwood residuals into wood fibers, often in a defibrator, combining it with wax and a resin binder, and forming panels by applying high temperature and pressure. MDF is more dense than plywood.
N O P Q R
Rexam:
Rexam is a short term reference to Rexam Imaging Products. which offers a variety of ink jet products that can be used to produce digitally printed custom decorative wall murals for both residential and commercial applications. The Rexam product line is available for use in a wide variety of printers.
S T
U V Vutek:
VuTEK is a trade name for VuTek Inc. , a company that manufactures a large and or super large for-mat digital printer that uses UV inks and UV curing technology to print. Any UV curable print, whether it is done on a Lambda or Durst Rho printer, is com-monly referred to as a VuTek print.
W X Y Z
File details come from the government source that posted it. Updated .