13b__2021_06_30_LOWE_PD2_FINAL_Graphics.pdf

Lowell National Historical Park Mogan Cultural Center Exhibit Planning & Design—Order Number 140P4319Q0037

GRAPHICS

Submission Date: June 30, 2021

PRODUCTION DESIGN 2 FINAL ORDER # 140P4319Q0037

SDII DDI PD1 PD2SDI DD2 DD3 PD2 FINAL

TYPOGRAPHY

GOTHAM BLACK

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KNOCKOUT ULTIMATE MIDDLEWEIGHT

KNOCKOUT WELTERWEIGHT

KNOCKOUT FULL WELTERWEIGHT

KNOCKOUT FULL CRUISERWEIGHT

GOTHAM MEDIUM

Sample graphics in this package are intended to help the team assess the typography and how it all works together. All selections adhere to ADA standards.

To review point sizes as they will appear in the exhibit, please see full size prints provided at DD2.

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz 1234567890

ABCDEFGHIJKLMNOPQRSTUVWXYZ

1234567890

ABCDEFGHIJKLMNOPQRSTUVWXYZ

ABCDEFGHIJKLMNOPQRSTUVWXYZ

ABCDEFGHIJKLMNOPQRSTUVWXYZ

ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz 1234567890

COLOR PALETTE

PMS 7699 PMS 668

PMS 7458 PMS 501

PMS 290 PMS 496

PMS 7490 PMS 7580

PMS 458 PMS 7563

PMS 7401 PMS 7534

PMS 405

GL-01.02-000 | 87” x 92” GL-01.01-000 | 53” x 86” GL-01.01-100 | 24” x 20”

GL-01.01-100 | 24” x 20” exhibits floor·plan exhibits fire exit exit/entrance key

EXHIBITS

FLOOR PLAN

you· are here

YOU

ARE

HERE

EXHIBITS

seating

SEATING

EXIT/ENTRANCE

FIRE

EXIT

ALL AREAS IN BLACK

ARE RAISED LINE

BRAILLE SHOULD

HAVE A ROUNDED

DOME SHAPE

CENTER OF STAR

SHOULD HAVE A

CIRCULAR INDENT

FOR FINGER

GL-01.02-100 | 56.5” x 86”

FULL GRAPHIC SHOWN

(CLOSE UP OF TEXT)

ACRYLIC HOLDERS AND

BROCHURES FPO

APPLIED PANEL

FULL GRAPHIC SHOWN

GL-01.02-150 | 12” x 22”

Much of Lowell’s large Cambodian population speaks Khmer. An audio version of the exhibit text is available in Khmer on the park’s mobile app. Numbers throughout the exhibit indicate Khmer translations.

You can listen to a Khmer translation of this exhibit on your own device using the free “NPS Lowell” app available at the App Store or Google Play.

Use these numbered symbols in the app to find the translation you want.

You can also use your phone or tablet web browser to visit lowell.oncell.com. If you’d like help or to borrow a device for your visit, just ask a staff person.

ប្រជាជនខ្ម្ររយ៉្រងច្រើននៅ Lowellនិយយខ្ម្ររ។ កំណ្រសំឡ្រងន្រពិពណ៍ជា ភាសាខ្ម្ររ គឺមាននៅក្នុងអ័ពចល័តរបស់សួន។ ល្រខនៅសព្វការពិណពណ៌ បង្ហ្រញ ការបកប្រ្រខ្ម្ររ។

អ្នកអាចសា្ដ្រប់ការបង្ហ្រញន្រះជាភាសាខ្ម្ររ នៅលើឧបករណ៍ផ្ទ្រល់របស់អ្នក ដោយ កម្មវិធី “NPS Lowell” ដោយឥតគិតថ្ល្រ រកបាននៅលើ App Store ឬ Google Play។

សូមប្រើសញ្ញ្រល្រខន្រះ [សូមបញ្ចូលសញ្ញ្រនៅទីន្រះ] នៅក្នុងកម្មវិធី នោះ ដើម្របីរក ការបកប្រ្រ ដ្រលអ្នកត្រូវការ។

អ្នកអាចប្រើទូរស័ព្ទដ្រ ឬកន្ល្រងរុករកព័ត៌មានតាមគ្រហទំព័រ នៅលើឧបករណ៍ អ្រឡិចត្រូនិករបស់អ្នក ដើម្របីចូលទៅគ្រហទំព័រ lowell.oncell.com។ បើអ្នក ត្រូវការជំនួយ ឬ ចង់ខ្ចីឧបករណ៍សម្រ្រប់ការទស្រសនារបស់អ្នក សូមសួរអនុរក្រស។

La mayoría de la población camboyana de Lowell habla jemer. La aplicación móvil del parque ofrece una versión de audio del texto de la exposición en jemer. Los números que aparecen a lo largo de la exposición indican las traducciones al jemer.

Puedes escuchar una traducción al jemer de esta exposición en tu propio dispositivo utilizando la aplicación gratuita “NPS Lowell” disponible en App Store o Google Play.

Utiliza estos símbolos numerados en la aplicación para buscar la traducción que desees.

También puedes utilizar el navegador de tu teléfono o tableta para visitar lowell.oncell.com. Si necesitas ayuda o que te presten un dispositivo para tu visita, solo tienes que pedírselo a un trabajador.

THIS GRAPHIC IS PRINTED

ON PAPER AND CAN BE RE-

PRINTED BY PARK WHEN

TECHNOLOGY UPDATES

GL-01.03-100 | 41.25” x 86”

NOTE: FLIP DOORS GET

ATTACHED OVER THESE

ELEMENTS

FPO BUMPERS

FPO HINGES

(GL-01.03-100)

(GL-01.03-100 close up)

(underneath flip door) (part of GL-01.03-100 | 43” x 86”) need high res image

From interviews conducted in 2021

From interviews conducted in 2021

ca. 1570-1679

PASSACONWAY

[PAPISSE

CONEWA]

GL-01.03-200 | 6” x 6”

GL-01.03-205 | 6” x 6”

CONTENT STILL NEEDS TO

BE CHOSEN/CREATED BY

PARK; SHOWN IS FPO

FPO HINGES

FLIP DOOR FRONT SIDE

FLIP DOOR BACK SIDE

FPO HANDLE

(part of GL-01.03-100 | 43” x 86”) need high res image

From interviews conducted in 2021

From interviews conducted in 2021

1798-1856

WALKER

LEWIS

GL-01.03-210 | 6” x 6”

GL-01.03-215 | 6” x 6”

CONTENT STILL NEEDS TO

BE CHOSEN/CREATED BY

PARK; SHOWN IS FPO

FPO HINGES

FLIP DOOR FRONT SIDE

FLIP DOOR BACK SIDE

(part of GL-01.03-100 | 43” x 86”) need high res image

From interviews conducted in 2021

From interviews conducted in 2021

1915-XXXX

DEOLINDA MELLO

GL-01.03-220 | 6” x 6”

GL-01.03-225 | 6” x 6”

CONTENT STILL NEEDS TO

BE CHOSEN/CREATED BY

PARK; SHOWN IS FPO

FPO HINGES

FLIP DOOR FRONT SIDE

FLIP DOOR BACK SIDE

(part of GL-01.03-100 | 43” x 86”) need image

From interviews conducted in 2021

From interviews conducted in 2021

MOSES

JOHNSTON

ca. 17XX-17XX

GL-01.03-230 | 6” x 6”

GL-01.03-235 | 6” x 6”

CONTENT STILL NEEDS TO

BE CHOSEN/CREATED BY

PARK; SHOWN IS FPO

FPO HINGES

FLIP DOOR FRONT SIDE

FLIP DOOR BACK SIDE

(part of GL-01.03-100 | 43” x 86”) need high res image

From interviews conducted in 2021

From interviews conducted in 2021

1789-1871

HUGH

CUMMISKY

GL-01.03-240 | 6” x 6”

GL-01.03-245 | 6” x 6”

CONTENT STILL NEEDS TO

BE CHOSEN/CREATED BY

PARK; SHOWN IS FPO

FPO HINGES

FLIP DOOR FRONT SIDE

FLIP DOOR BACK SIDE

(part of GL-01.03-100 | 43” x 86”) need image

From interviews conducted in 2021

From interviews conducted in 2021

XXXX-XXXX

NAME

NAME

GL-01.03-250 | 6” x 6”

GL-01.03-255 | 6” x 6”

CONTENT STILL NEEDS TO

BE CHOSEN/CREATED BY

PARK; SHOWN IS FPO

FPO HINGES

FLIP DOOR FRONT SIDE

FLIP DOOR BACK SIDE

(part of GL-01.03-100 | 43” x 86”) need high res image

From interviews conducted in 2021

From interviews conducted in 2021

1797-1866

BETSEY GUPPY CHAMBERLAIN

GL-01.03-260 | 6” x 6”

GL-01.03-265 | 6” x 6”

CONTENT STILL NEEDS TO

BE CHOSEN/CREATED BY

PARK; SHOWN IS FPO

FPO HINGES

FLIP DOOR FRONT SIDE

FLIP DOOR BACK SIDE

(part of GL-01.03-100 | 43” x 86”)

From interviews conducted in 2021

From interviews conducted in 2021

1908-1998

YVONNE

HOAR

GL-01.03-270 | 6” x 6”

GL-01.03-275 | 6” x 6”

CONTENT STILL NEEDS TO

BE CHOSEN/CREATED BY

PARK; SHOWN IS FPO

FPO HINGES

FLIP DOOR FRONT SIDE

FLIP DOOR BACK SIDE

(part of GL-01.03-100 | 43” x 86”) need image

From interviews conducted in 2021

From interviews conducted in 2021

CHUMMENG

SOUN

b. 1996

GL-01.03-280 | 6” x 6”

GL-01.03-285 | 6” x 6”

CONTENT STILL NEEDS TO

BE CHOSEN/CREATED BY

PARK; SHOWN IS FPO

FPO HINGES

FLIP DOOR FRONT SIDE

FLIP DOOR BACK SIDE

GL-01.04-100 | 45.5” x 92”

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S o m et im es it h as p ro vi ed o p o rt un it ie s fo r ch an g e.

is e xh ib it e xp lo re s th e m ee ti ng o f p eo an t he s ha re d e xp er ie nc es t ha t cr ea te t he co m m un it ie s th at m ak e up

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A v ec es e se p ro ce so h a si d o e m o ci o na nt e.

O tr as v ec es

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, o tr as m ás , h a o fr ec id o o p o rt un id ad es p ar a el c am b io

E st a e xh ib ic ió n ex p lo ra la r eu ni ó n d e p er so na s y la s ex p er ie nc ia s co m p ar ti d as ue cr ea n la s co m un id ad es q ue c o nf o rm an L ow el l en la a ct ua lid ad

BIRCH TEXTURE FPO;

GRAPHIC IS DIRECT PRING

TO BIRCH PLY

PORTIONS OF THE DIRECT-PRINTED GRAPHIC

ARE PRINTED TO A SOLID WHITE BACKGROUND

TO CREATE BETTER OPACITY. SEE FOLLOWING

PAGE FOR DETAILS.

GL-01.04-100 (cont.) | 44” x 92”

DIRECT PRINT ELEMENTS THAT ARE NOT

PRINTED ON A WHITE BASE FOR OPACITY;

PRINTED SECOND

DIRECT PRINT ELEMENTS THAT ARE

PRINTED ON A WHITE BASE FOR

OPACITY; PRINTED FIRST

GL-02.00-000 | x” x 202”

( W A

LL

B

R E

A K

NOTE ON SCENE 2 GRAPHIC WALL:

FABRICATOR TO TAKE SITE DIMENSIONS

AND CONFIRM WIDTHS OF WALLPAPER

NEED

HIGHER RES

IMAGE

NEED

REPLACEMENT

IMAGE

22GL-02.00-000 | x” x 202” (cont.)

AREAS AROUND WINDOW

TO BE CUT OUT ON SITE

AREAS AROUND WINDOW

TO BE CUT OUT ON SITE

AREAS AROUND WINDOW

TO BE CUT OUT ON SITE

PLEASE NOTE THAT PORTIONS OF THIS MURAL WILL BE CUT AND WRAPPED TO REMOVABLE PANELS OVER EXISTING LOWER WINDOW AREAS AND HVAC AREAS (SEE ELEVATION DRAWINGS FOR LOCATIONS);

FABRICATOR TO TAKE SITE MEASUREMENTS AND CONFIRM EXACT LOCATIONS

NEED

HIGHER RES

IMAGE

NEED

HIGHER RES

IMAGE

NEED

HIGHER RES

GL-02.00-000 | x” x 202” (cont.)

NEED

HIGHER RES

IMAGE

NEED

GL-02.00-010 | approx 30” x 77”

GL-02.00-020 | approx 45” x 56” GL-02.00-030 | approx 50” x 21”

GL-02.00-040 | approx 16” x 150”

GL-02.00-050 | approx 67” x 39”

GL-02.00-060 | approx 43” x 68”

GL-02.00-070 | approx 74” x 26”

COLOR IS PRINTED TO BACK SIDE OF

ACRYLIC; ELEMENT SHOULD REMAIN

TRANSLUCENT

GL-02.00-080 | 50” x 15”

GL-02.00-200 | 8” x 4”

The following individuals and institutions have provided images for the mural:

NEED TRANSLATION The following individuals and institutions have provided images for the mural:

Prints and Photographs Division, Library of Congress; Lowell Sun;

WBUR Radio; James Higgins; Jen Myers; Southeast Asian Digital Archive, University of Massachusetts Lowell; Center for Lowell History, University of Massachusetts Libraries.

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C u lt u re i s th e s e t o f a tt it u d e s, b e li e fs v a lu e s, a n d p ra c ti c e s th a t w e c re a te n d s h a re w it h o th e rs

So m e cu lt ur ex re ss io ns a re v is ib le t o t he w o rl d li si ng in g

, d an ci ng

, a nd c o o ki ng . O th er s ar e in te rn al li ke t he w ay w e th in k an d w ha t w e b el ie ve

C ul tu re s in te rs ec t in c it ie s lik e Lo w el l.

W e ex p re ss o ur se lv es in w ay s th at re ti nc ti ve o f o ne o r a b le nd in g o f m an y.

L a c u lt u ra e s e l c o n ju n to m p o rt a m ie n to s, c re e n c ia s, v a lo re s y ti v id a d e s q u e c re a m o s y c o m p a rt im o s c o n l o s d e m á s.

L a d an za

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O tr as e xp re si o ne s d e la c ul tu ra , c o m o n ue st ra fo rm a d e p en sa r y nu es tr as c re en ci as , s e m an ti en en e n un p la no m ás p ri va d o.

E n la s ci ud ad es c o m o

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GL-02.01-100 | 37.5” x 81.5”

BIRCH TEXTURE FPO;

GRAPHIC IS DIRECT PRING

TO BIRCH PLY

PORTIONS OF THE DIRECT-PRINTED GRAPHIC

ARE PRINTED TO A SOLID WHITE BACKGROUND

TO CREATE BETTER OPACITY. SEE FOLLOWING

PAGE FOR DETAILS.

GL-02.01-100 (cont.) | 37.5” x 81.5”

DIRECT PRINT ELEMENTS THAT ARE NOT

PRINTED ON A WHITE BASE FOR OPACITY;

PRINTED SECOND

DIRECT PRINT ELEMENTS THAT ARE

PRINTED ON A WHITE BASE FOR

OPACITY; PRINTED FIRST

EXPRESS

PERFORM

REVEAL

SPEAK

EXPRESAR

សំដែង (របាំ)

REVELAR

និយាយ

GL-02.01-200 | 42” x 8” (front side)

GL-02.01-201 | 42” x 8” (back side)

GL-02.01-205 | 42” x 8” (front side)

GL-02.01-206 | 42” x 8” (back side)

GL-02.01-210 | 42” x 8” (front side)

GL-02.01-211 | 42” x 8” (back side)

GL-02.01-215 | 42” x 8” (front side)

GL-02.01-216 | 42” x 8” (back side)

GL-02.01-150 | 37.5” x 81.5” (back of GL-02.01-100)

BIRCH TEXTURE FPO

(DIRECT PRINT TO BIRCH)

ALL TEXT WILL GET WHITE

PRINTED BEHIND TEXT FOR

MORE OPAQUE PRINT

DEMONSTRATE

GL-02.01-225 | 52” x 8”

DEMOSTRAR

បង្ហែញ

CREATE

CREAR

REMEMBER

ចងចាំ

INSPIRE

INSPIRAR

SABOREAR

TASTE

ភ្លកែសរសជាតិ

ភ្លកែសរសជាតិ

GL-02.01-220 | 42” x 8”

GL-02.01-230 | 42” x 8”

GL-02.01-235 | 42” x 8”

GL-02.01-240 | 42” x 8”

GL-02.01-245 | 42” x 8”

GL-02.01-250 | 42” x 8”

GL-02.01-255 | 42” x 8”

GL-02.01-260 | 42” x 8”

GL-02.01-265 | 42” x 8” (front side)

GL-02.01-270 | 28” x 14” (front side)

GL-02.01-266 | 42” x 8” (back side)

GL-02.01-271 | 28” x 14” (back side)

BIRCH TEXTURE FPO

ALL TEXT WILL GET WHITE

PRINTED BEHIND TEXT FOR

MORE OPAQUE PRINT

ត ើអ្នក

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W e m a y d a n lo n e w it h o th e rs o r in o u r im a g in a ti to x p re ss w h o w e a re o r w h o w e x p e c te d t o b e

¡L a s p e rs o n a s b a il a n

L o s p a so s c u id a d o sa m e n te m a rc a d o s o l o s m o v im ie n to s e sp o n tá n e o s n o s a y u d o m p a rt ir a le g rí a s y p e n a s, c e le b ra r a c o n te c im ie n to s im p o rt a n te s o d is fr u ta r d e r a to s d e o c io s in n in g u n a p re o c u p a c ió n

P o d e m o s b a il a r so lo s, c o n o tr o s o u e st ra i m a g in a c ió n p a ra e x p re sa r q u ié n e s so m o s o q u ié n e s se e sp e ra q u e s e a m o s.

X

GL-02.02-100 | 18” x 40”

BIRCH TEXTURE FPO ALL ELEMENTS ON MAIN

PANELS GET HIT WITH

WHITE INK FIRST FOR

GREATER OPACITY

TI

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A ft e r b e in g f o rc e d t o g o t u p le c la ss e s, I b e g a n t o r e a li ze h w t h e se v a ri o u s a rt f o rm s ro te d s o d e e p ly i n m y c u lt u re

D e sp u é s d e q u e m e o b li g a ra ir u n p a r d e c la se s, e m p e c é rm e c u e n ta d e c u á n a rr a ig a d a s e st á n e st a s d iv e rs a s fo rm a s rt e e n m i c u lt u ra

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S h e e n ro ll e d n I n d ia n c la ss ic a l d a n c e a c a d e m y.

a n d o y o t e n ía u n o s se is a ñ o s, m i m a d re q u e rí e a p re n d ie ra s o b re m i le g a d o

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A de ne d ov er t im e to p er fo rm er

“e xp er t da nc e” w it h th e

“g ra ce de vo ti on

, a nd e nd ur an ce o f a t ru e

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X

GL-02.02-200 | 18” x 34”

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P ra y e r, so w h e n I d a n c e

I o ft e n f in d d s te a d y a n d c le a r.

so w h e n I d a n c e

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DANCE

Dance, drama, and music have always been prominent in Khmer society, but these cherished traditions were nearly wiped out when the Khmer Rouge controlled Cambodia in the 1970s. Artists were among those deliberately targeted. More than 90% perished or fled. Today, as Cambodians around the world work to rebuild, the people see the resurrection of their music and dance as testimony of the endurance of their culture.”

ANGKOR DANCE TROUPE, 2018

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Traditional Cambodian Arts Organization

Founded in 1986, the Angkor Dance Troupe is a nationally recognized arts organization. The Troupe instructs young people and certifies new master teachers in traditional Cambodian dance.

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DANZA

La danza, el teatro y la música siempre han ocupado un lugar destacado en la sociedad jemer, pero estas valiosas tradiciones estuvieron a punto de desaparecer cuando los jemeres rojos ejercieron el control de Camboya en la década de 1970. Los artistas fueron uno de los blancos deliberados. Más del 90% perecieron o huyeron. Hoy, que los camboyanos del mundo entero se esfuerzan por reconstruir, la gente ve el resurgimiento de su música y su danza como testimonio de la perdurabilidad de su cultura”.

COMPAÑÍA DE DANZA DE ANGKOR , 2018

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Organización de artes tradicionales camboyanas

Fundada en 1986, la compañía de danza Angkor es una organización artística reconocida a nivel nacional.

La compañía instruye a los jóvenes y certifica a nuevos maestros en la danza tradicional camboyana.

GL-02.02-400 | 8” x 10” GL-02.02-405 | 8” x 10”

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GL-02.02-410 | 8” x 10” GL-02.02-415 | 8” x 10”

DAR VUELTA PARA ESPAÑOL

DANCE

Quote quote”

DARMERY MONTOYA, 2020

X

Darmery Montoya was born in Colombia.

Her parents immigrated to Lowell in the 1970s. She and her sisters arrived in 1978.

In 1984, Darmery met and soon married Elkin Montoya. Together, they perform a Colombian dance called the Cumbia as part of a dance troupe.

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DANZA

Quote quote”

DARMERY MONTOYA, 2020

X

Darmery Montoya nació en Colombia. Sus padres emigraron a Lowell en la década de 1970. Ella y sus hermanas llegaron en 1978.

En 1984, Darmery conoció a Elkin Montoya y pronto se casó con él. Juntos interpretan un baile colombiano llamado cumbia como parte de una compañía de danzas.

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Irish step dancing began in the 1600s. Step dancers move their legs and feet in precise patterns and rhythms to perform jigs and reels.

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DANCE X

STEP DANCERS PERFORMING

AT AN OUTDOOR VENUE

El baile de paso irlandés surgió en los años 1600. Los bailarines de paso usan sus piernas y pies, y se mueven al unísono para interpretar jigs y reels.

BAILARINES DE PASO ACTÚAN

EN UN LUGAR AL AIRE LIBRE

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DANZA X

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Dance4Peace is a youth-driven initiative of Lowell

Community Health Center that promotes non-violence and conflict resolution. The annual event features a variety of young dancers.

FOREIGN VIBES

PERFORMS IN A DANCE4PEACE AT

LOWELL MEMORIAL AUDITORIUM, 2018

DANCE X

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DANZA X

Dance4Peace es una iniciativa liderada por jóvenes del Centro de Salud Comunitario de Lowell que promueve la no violencia y la resolución de conflictos.

El espectáculo anual del evento está protagonizado por una variedad de jóvenes bailarines.

FOREIGN VIBES

ACTÚA EN DANCE4PEACE EN EL LOWELL

MEMORIAL AUDITORIUM, 2018

Lowell Sun

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SPANISH interpretation is a paragraph comprised of thirty five words. The text still needs to be written, andtemporary placeholder only. This length is best for sidebars, and even for some lengthier captions.

ENGLISH interpretation is a paragraph comprised of thirty five words. The text still needs to be written, andtemporary placeholder only. This length is best for sidebars, and even for some lengthier captions.

ARTIFACT NAME ARTIST NAME

2002 | ORIGIN | MATERIAL

Donor info

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GL-02.03-200 | 18” x 34”

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GL-02.03-250 | 18” x 34”

ART

This beautifully crafted statue will serve as a reminder that, not only does the city still care about our people, but that it cares about history, the voice of our people, and the continuing education of the public of the people that inhabited this land for centuries before it was the City of Lowell.”

THOMAS EAGLE RISING LIBBY, 2018

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Chief, Greater Lowell Indian Cultural Association

Where do you see yourself reflected in the physical landscape? Public art and memorials can visually connect a group to a place. For the Greater Lowell Indian Cultural Association, the installation of this statue near the Pawtucket Falls would serve as a vital reminder of the area’s Indigenous history. This quote is from GLICA’s request to the Lowell City Council to install this important piece of public art.

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ARTE

Esta estatua bellamente elaborada servirá como recordatorio de que, no solo la ciudad sigue interesándose por nuestra gente, sino que se interesa por la historia, la voz de nuestro pueblo y la educación continua del público de las personas que habitaron esta tierra durante siglos antes de que fuera la ciudad de Lowell”.

THOMAS EAGLE RISING LIBBY, 2018

X

Jefe de la Asociación Cultural India del área metropolitana de Lowell

¿Dónde te ves reflejado en el entorno físico? El arte público y los monumentos conmemorativos pueden vincular visualmente a un grupo con un lugar. Para la asociación cultural indígena del área metropolitana de Lowell, la colocación de esta estatua cerca de las cataratas de Pawtucket sería un recordatorio importante de la historia indígena de la zona. Esta cita procede de la solicitud de GLICA al Ayuntamiento de Lowell para la colocación de esta importante pieza de arte público.

GL-02.03-400 | 8” x 10” GL-02.03-405 | 8” x 10”

ART

This is an important and sacred space for artists. . . . Imagine what the artists would produce if they had permission to work here. It would be fascinating.”

NICK RIVERA, 2015

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Aerosol Artist

Aerosol artists create stunning graffiti art on walls around Lowell. Many of these murals are intended as grand public statements by the artist.

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ARTE

Este es un espacio importante y sagrado para los artistas Imagínate lo que producirían los artistas si tuvieran permiso para trabajar aquí. Sería fascinante”.

NICK RIVERA, 2015

X

Artista del aerosol

Los artistas del aerosol crean espectaculares grafitis en los muros de Lowell. Muchos de estos murales están concebidos como grandes declaraciones públicas del artista.

GL-02.03-410 | 8” x 10” GL-02.03-415 | 8” x 10”

Athanoasios Solominides paints religious eikons of devotional figures. The eikon represents the divine presence—not just the image—of the person depicted.

ATHANASIOS

SOLOMINIDES,

GREEK ICONOGRAPHER

XXXX

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ART X

Dean Contover

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ARTE X

Athanoasios Solominides pinta eikons religiosos de figuras devocionales. El eikon representa la presencia divina de la persona representada, no simplemente su imagen.

ATHANASIOS

SOLOMINIDES,

ICONÓGRAFO GRIEGO

XXXX

Dean Contover

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GL-02.03-300 | 8” x 10” GL-02.03-305 | 8” x 10”

Local residents of all ages are invited to express their creativity by decorating paper lanterns at the Lowell Points of Light Festival and then floating them on the Western canal.

LOWELL POINTS OF

LIGHT FESTIVAL, 2017

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ART X

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Se invita a todos los residentes locales a expresar su creatividad decorando linternas de papel en el Festival de los Puntos de Luz de Lowell y luego poniéndolas a flotar en el canal Western.

FESTIVAL DE LOS

PUNTOS DE LUZ DE LOWELL, 2017

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XARTE

Lowell Sun

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GL-02.03-300 | 8” x 10” GL-02.03-305 | 8” x 10”

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GL-02.04-100 | 18” x 40”

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Some of the other girls that worked with my grandmother at the hat factory said that they had heard about this band My grandfather and his two brothers and a couple of other men all played instruments.

. . . They happened to be the band that was playing. . . . My grandfather noticed my grandmother in the audience and asked her if she would come back the following week. . . . I guess she did and eventually they got together.”

NYOLA VAILLANCOURT, 2008

Nyola (Romanauskas) Vaillancourt’s grandparents immigrated to Lowell from Lithuania. Her story shows how music brings people together, sometimes in unexpected ways.

MUSIC X

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NYOLA VAILLANCOURT, 2008

Los abuelos de Nyola (Romanauskas) Vaillancourt emigraron a Lowell desde Lituania. Su historia muestra cómo la música une a las personas, a veces de forma inesperada.

MÚSICA X

Algunas de las otras chicas que trabajaban con mi abuela en la fábrica de sombreros dijeron que habían oído hablar de esta agrupación. . . . Mi abuelo y sus dos hermanos y un par de hombres más tocaban instrumentos. . . . Resulta que ellos eran la agrupación que estaba tocando Mi abuelo se dio cuenta de que mi abuela estaba entre el público y le preguntó si volvería la semana siguiente. . . . Supongo que lo hizo y al final se unieron”.

GL-02.04-400 | 8” x 10” GL-02.04-405 | 8” x 10”

Ebony magazine . . . had an article on the Black conductors, maestros . . .

it’s an interesting aspect . . . in the United States, that one is perceived as a Black American, and not just as American. I’ve guest conducted in Bangkok, Thailand . . . . And there the newspapers referred to me as an American, certainly woman which is more unusual, but an American woman conductor. And not a question of my race.”

KAY GEORGE ROBERTS, 1989

Kay George Roberts was the first woman and only the second Black person to receive a PhD in orchestra conducting from Yale University, and is one of the few Black orchestra conductors in the United States. She is the founder of the UMass Lowell String Project, which provides music education to local youth.

MUSIC X

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KAY GEORGE ROBERTS, 1989

Kay George Roberts fue la primera mujer y apenas la segunda persona negra en recibir un doctorado en dirección de orquesta de la Universidad de Yale, y es una de las pocas mujeres negras que dirigen orquestas en Estados Unidos. Ella es fundadora del Proyecto UMass Lowell String, que ofrece clases de música a los jóvenes locales.

MÚSICA X

La revista Ebony . . . publicó un artículo sobre los directores de orquesta negros, los maestros . . . es un aspecto interesante . . . en los Estados Unidos, donde se percibe que uno es un negro americano, y no simplemente un americano. He dirigido como invitada en Bangkok, Tailandia. . . . Y allí los periódicos se refirieron a mí como una americana, por supuesto mujer, lo que es poco común, una conductora americana.

Y nada que ver con mi raza”.

GL-02.04-410 | 8” x 10” GL-02.04-415 | 8” x 10”

French-Canadian fiddle music traces its roots to French settlers to North America in the 1700s. Musicians learn to provide foot rhythm for dancers performing jigs, quadrilles, and other steps. Gideon Boisvert taught new fiddle players traditional songs.

FRENCH-CANADIAN

FIDDLE PLAYER GIDEON BOISVERT,

C. 1920

DAR VUELTA PARA ESPAÑOL

MUSIC X

Center for Lowell History

La música de violín francocanadiense tiene sus raíces en los colonos franceses que llegaron a Norteamérica en el siglo

XVIII. Los músicos aprenden a marcar el ritmo con los pies para los bailarines que interpretan jigs, cuadrillas y otros pasos. Gideon Boisvert les enseñaba a los nuevos violinistas canciones tradicionales.

VIOLINISTA

FRANCOCANADIENSE GIDEON

BOISVER, C. 1920

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MÚSICA X

Center for Lowell History

GL-02.04-300 | 8” x 10” GL-02.04-305 | 8” x 10”

Capoeira is an Afro-Brazilian martial art that combines elements of music, dance, and acrobatics. Capoeira is often led by music made with traditional Portuguese and African instruments, providing tempo for the exercises.

LOWELL CAPOEIRA

STUDENTS

DAR VUELTA PARA ESPAÑOL

MUSIC X

Flickr – Anne Ruthman

La capoeira, es un arte marcial afrobrasileño que combina elementos de música, danza y acrobacia. La capoeira suele estar guiada por la música tocada con instrumentos tradicionales portugueses y africanos que marcan el ritmo de los ejercicios.

ESTUDIANTES DE

CAPOEIRA DE LOWELL

MÚSICA X

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Flickr – Anne Ruthman

GL-02.04-310 | 8” x 10” GL-02.04-315 | 8” x 10”

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(FADO MUSICIANS)

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MUSIC X

Library of Congress

MÚSICA X

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(FADO MUSICIANS)

TEXT TBD

Library of Congress

GL-02.04-320 | 8” x 10” GL-02.04-325 | 8” x 10”

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MUSIC X

TIM BERGERON

LHS IDOL, 2008

Lowell Sun/Julia Malakie

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MÚSICA X

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TIM BERGERON

LHS IDOL, 2008

Lowell Sun/Julia Malakie

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GL-02.04-8xx | 7” x 5” (actual size)

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BE CHOSEN/CREATED BY

PARK; SHOWN IS FPO

SPANISH interpretation is a paragraph comprised of thirty five words. The text still needs to be written, andtemporary placeholder only. This length is best for sidebars, and even for some lengthier captions.

ENGLISH interpretation is a paragraph comprised of thirty five words. The text still needs to be written, andtemporary placeholder only. This length is best for sidebars, and even for some lengthier captions.

ARTIFACT NAME ARTIST NAME

2002 | ORIGIN | MATERIAL

X Donor info

GL-02.04-500 | 18” x 13”

NEED

ើអ្នក

បរ ិភោ

គអ ្វី?

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W h a t w e e a t a n d h o w w e s h a re f o o d w fa il y a n d f ri e n d s a re e ss e n ti a l to o u r li v

W e n p e o p le o f d if fe re n t c u lt u re s m e e t, t h ft e n s h a re r e c ip e s a n d s o m e ti m e s p ro d u o n s th a t c o m b in e f a v o ri te d is h e s.

W h a t w e c o o k a t h o m e w h e re w e e a t o u t, a n d h s h a re f o o d r e fl e c ts w h o w e a

Q é c o m e m o s y c ó m o c o m p a rt im o s lo s a li m e n to s c o n n u e st ra f a m il ia y a m ig o s so n e se n c ia le s e n n u e st ra s v id a s.

C u a n p e rs o n a s d e d if e re n te s c u lt u ra c u e n tr a n su e le n c o m p a rt ir r e c e ta s c e s p ro d u c e n f u si o n e s q u e c o m b in a n s u s p la to s fa v o ri to s.

L o q u e c o c in a m o s e n c a sa d ó n d e c o m e m o s fu e ra y c ó m o c o m p a rt im o s lo s a li m e n to s re fl e ja q u ié n e s so m o s.

X

GL-02.05-100 | 18” x 40”

BIRCH TEXTURE FPO ALL ELEMENTS ON MAIN

PANELS GET HIT WITH

w a sn

’t a b le t o c o o k a l o t o f

M e x ic a n f o o d s h e re e sp e c ia h e b e g in n in g b e c a u se t re d ie n ts w e re j u st n o t a v a il a a ll

A q u í n o p u d e c o c in a r m u c h a s d e l a s c o m id a s m e x ic a n re t o d o a l p ri n c ip io p o rq c il la m e n te n o s e e n c o n tr a b in g re d ie n o u ld f in d t h e P u e rt o

R ic a n s to re t h a t y n b u y s o m e o f th e i n g re d ie n ts b u t n o t re a ll y m o st o f th e m

I h a v e a d a p te d m f th e m li k e C h il e s

R e ll e n o s, b u t

I ju st d o

’t o k t h e m t h e s a m e w a y.

l a t ie n d a p u e rt o rr iq u e ñ a p u d e e n c o n tr a r a lg u n o s d e l o s in g re d ie n te s, p e ro n o y o rí a

H e a d a p ta d o l a m a y o rí a d e e ll m o l o s c h il e s re ll e n o s, p e ro n o l o s c o c l a m is m a m a n e ra

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H ow w ou ld y ou c oo k th e re ci pe s yo u lo ve if y ou c ou ld n’ t ge t th e ri gh t in gr ed ie nt s?

M ar ga ri

Tu rc ot te e m ig ra te d fr om M ex ic

, a nd h as k ep t he r tr ad it io na l re ci pe s al iv e w it h sa ls a an d ot he r in gr ed ie nt s br ou gh t ba ck fr om vi ts t o

M ex ic o.

¿C óm o co ci na rí as la s re ce ta s qu gu an s i n o pu di er as c on se gu ir lo s in gr ed ie nt es n ec es ar io s?

M ar ga

Tu rc ot te e m ig ró d e M éx ic o en y, h a m an te ni do v iv as s us r ec et as ic io na le s co n sa ls a y ot ro s in gr ed ie nt es q ue t ra e de s u re gr us v is it as a

M éx ic o.

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GL-02.05-200 | 18” x 34”

Chinese Restaurant Corner of Central and Middle Sts.— We make a specialty of FRENCH and AMERICAN COOKING, as well as all the latest Chinese dishes. Everything neat and clean, and cooked by Chinese Joe . . . one of the best Chinese cooks in the country.

WONG & CO., 1909

Chinese-American Restaurant Advertisement in the Lowell Sun

Preparing and serving traditional foods can be an occupation, but sometimes chefs modify their recipes to satisfy customer tastes. In 1920, about one-third of Chinese Americans living in Lowell worked in restaurants, and many of those altered their recipes to please a mainly Euro-American population.

FOOD X

TURN OVER FOR ENGLISH

WONG & CO., 1909

Restaurante chino-americano Anuncio en el Lowell Sun

Preparar y servir comida tradicional puede ser una carrera, pero los chefs algunas veces cambian las recetas para satisfacer los gustos de los clientes. En 1920, una tercera parte de los chinos estadounidenses que vivían en Lowell trabajaban en restaurantes. Muchos de ellos adaptaron sus recetas para complacer a una población mayoritariamente euroamericana.

ALIMENTOS X

Restaurante chino Esquina de las calles Central y Middle — Nuestra especialidad es la cocina francesa y americana, así como los más novedosos platos chinos. Todo ordenado y limpio, y cocinado por el chino Joe . . . uno de los mejores cocineros chinos del país.

GL-02.05-400 | 8” x 10” GL-02.05-405 | 8” x 10”

We witnessed gardens transform vacant lots into community hubs where residents with seemingly little in common forged bonds and built stronger neighborhoods.

We served customers who finally could get fresh greens in their neighborhood, without having to hire a cab to get to a grocery store.”

LYDIA SISSON and

FRANCEY SLATER , 2017

Co-Founders, Mill City Grows

In 2020, roughly one in five children in Massachusetts lacked regular access to healthy food. Mill City Grows is a service organization in Lowell that promotes food justice by organizing community gardens, after-school programs, and a farmers market.

FOOD X

TURN OVER FOR ENGLISH

Fuimos testigos de cómo los huertos transformaban los terrenos baldíos en centros comunitarios en los que residentes con aparentemente poco en común forjaban vínculos y construían barrios más fuertes. Atendimos a clientes que por fin podían conseguir verduras frescas en su barrio, sin tener que contratar un taxi para ir a una tienda de comestibles”.

LYDIA SISSON y FRANCEY SLATER, 2017 Cofundadoras, Mill City Grows

En 2020, aproximadamente uno de cada cinco niños de Massachusetts carecía de acceso habitual a alimentos saludables. Mill City Grows es una organización de servicios de Lowell que promueve la justicia alimentaria con el establecimiento de huertos comunitarios, programas extraescolares y un mercado agrícola.

ALIMENTOS X

GL-02.05-410 | 8” x 10” GL-02.05-415 | 8” x 10”

Originally from Somalia, the Ahmeds arrived in 2017, after living as refugees in Kenya for 20 years. A local group of volunteers helped welcome the Ahmeds with a Thanksgiving dinner of American turkey and stuffing as well as Somali samosas and pooris.

SOMALI AND

AMERICAN FAMILIES SHARE

THANKSGIVING TOGETHER, 2017

DAR VUELTA PARA ESPAÑOL

FOOD X

WBUR

Originarios de Somalia, los Ahmed llegaron en 2017, tras vivir como refugiados en Kenia durante 20 años. Un grupo local de voluntarios colaboró para dar la bienvenida a los

Ahmed con una cena de Acción de Gracias a base de pavo americano y relleno, así como samosas y pooris somalíes.

FAMILIAS SOMALÍES

Y ESTADOUNIDENSES COMPARTIENDO

EL DÍA DE ACCIÓN DE GRACIAS, 2017

TURN OVER FOR ENGLISH

ALIMENTOS X

WBUR

GL-02.05-300 | 8” x 10” GL-02.05-305 | 8” x 10”

For many families, cooking is a joyful combination of family and cultural traditions. Lamaan Haji-Hasan and her

14-year-old daughter Arjina Hasan work together in their

Lowell kitchen to prepare a Syrian dish.

SYRIAN REFUGEES

LAMAAN HAJI-HASAN AND ARJINA

HASAN COOKING TOGETHER, 2015

FOOD X

DAR VUELTA PARA ESPAÑOL

Lowell Sun

Para muchas familias, la cocina es una divertida combinación de tradiciones familiares y culturales. Lamaan

Haji-Hasan y su hija Arjina Hasan, de 14 años, trabajan juntas en su cocina de Lowell preparando un plato sirio.

LOS REFUGIADOS

SIRIOS LAMAAN HAJI-HASAN Y ARJINA

HASAN COCINANDO JUNTOS, 2015

ALIMENTOS X

TURN OVER FOR ENGLISH

Lowell Sun

GL-02.05-310 | 8” x 10” GL-02.05-315 | 8” x 10”

GL-02.05-900 | 18” x 40”

E v e ry r e c ip e t e ll s a s to ry . T he in g re d ie nt s fo r em p an ad as , p ie ro g i, sp an ak o p it a, a nd s p ri ng r o lls e w it h g ra in s an d v eg et ab le s g ro w n in d iff er en t p th e w o rl d . T ho ug h re ci p es m ig ht b e ve ry d iff er en t, w e ca n se e co m m o n in g re d ie nt s, o ft en s p ic es

, i n fo o d s fr un d t he w o rl d

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FRONT SIDE

STICKY NOTES ARE FPO

GL-02.05-901 | 18” x 40”

T o d a r e c e ta c u e n ta u n a h is to ri a

. L o s in g re d ie nt es d e la s re ce ta s co m o la s em p an ad as

, l o s p ie ro g i, la s p an ak o p it a y lo s ro lli to s d e p ri m av er a se e la b o ra n co n ce re al es y v er d ur as c ul ti va d as e n d if er en te s p ar te s d el m un d o.

A un q ue la s re ce ta s p ue d en s er m uy d if er en te s, p o d em o s ve r in g re d ie un es e n lo s al im en to s d e to d o e l m un d o, p o er al lo s co nd im en to s.

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R ec on oc es a lg s in gr ed ie nt es

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អ្វដី ែល

យ ើងប

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BACK SIDE

STICKY NOTES ARE FPO

GL-02.05-950~ | 12.5” x 11”

TITLE

TITLE

មោរេ តហាន ឹោរដស

X

This is a paragraph comprised of twenty five words. The text still needs to be written, and this block should serve as a temporary placeholder only.

X DISH NAME

DISH NAME

COUNTRY | COUNTRY

INGREDIENTS

Something

Something something

INGREDIENTS

Something

Something something

X DISH NAME

DISH NAME

COUNTRY | COUNTRY

INGREDIENTS

Something

Something something

INGREDIENTS

Something

Something something

X

This is a paragraph comprised of thirty five to fourty words. The text still needs to be written, and this serves as a temporary placeholder only. This is a paragraph comprised of thirty five to fourty words. This is a paragraph comprised of thirty five to fourty words.

This is a paragraph comprised of thirty five to fourty words. The text still needs to be written, and this serves as a temporary placeholder only. This is a paragraph comprised of thirty five to fourty words. This is a paragraph comprised of thirty five to fourty words.

X

This is a paragraph comprised of thirty five to fourty words. The text still needs to be written, and this serves as a temporary placeholder only. This is a paragraph comprised of thirty five to fourty words. This is a paragraph comprised of thirty five to fourty words.

This is a paragraph comprised of thirty five to fourty words. The text still needs to be written, and this serves as a temporary placeholder only. This is a paragraph comprised of thirty five to fourty words. This is a paragraph comprised of thirty five to fourty words.

PUSH the lever up to smell the dish.

PUSH the lever up to smell the dish.

CONTENT STILL NEEDS TO

BE CHOSEN/CREATED BY

PARK; SHOWN IS FPO

ើអ្នក

ច ែកចា

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T h ro u g h s to ri e s, w e c o n v e y o ld a n d n a s, e x p lo re p la c e s, a n d m e e t p e o p le

W e e n c o u n te r st o ri e s e v e ry d a y n v e rs a ti o n n o v e ls fi lm s, a n d e v e o g a m e s.

S to ri e s h e lp u s m a k e s e th e w o rl d

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T o d o s lo s d ía s c o n o c e m o s h is to ri a s a t ra v é s n v e rs a c io n e s, n o v e la s, p e lí c u la lu so v id e o ju e g o s.

L a s h is to ri a s n o s a y u d a n a e n c o n tr a rl e s e n ti d o a l m u n d o

X

GL-02.06-100 | 18” x 40”

BIRCH TEXTURE FPO ALL ELEMENTS ON MAIN

PANELS GET HIT WITH

u t w e h a v e r e a if fe re n t e x p e ri e n c e s.

p e ro t e n e m o s e x p e ri e n c ia s re a lm e n te d if e re n te s”

I th in k s o m e ti m e s it c a n b e r e a ll y e a sy k

‘o h f iv e b la c k w o m e n t h e y a ll h a s a m e st o ri e s)

C re o q u e a v e c e s p u e d e s e r m u y f á il n sa r, ‘a h c in c o m u je re s n e g ra s ti e n a s la s m is m a s (h is to ri a s)

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B ro w n an d th e

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Ta le s:

S to ri es o f B la ck

H ai r-i-T ag e” t o am pl ify st re ng th en t he v oi ce of e un de rr ep re se nt ed in pe rf or m in g ar ts

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ri e s o f

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-i -T a g e am pl ía n y re fu er za n la s vo ce in fr ar re pr es en ta do s en la s ar te s es cé ni ca s.

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GL-02.06-200 | 18” x 34” lw a y s c o n si d e re d w ri ti d u ty o n e a rt h

S ie m p re c o n si d e ré q u e e sc ri m i d e b e r e n l a t ie rr a

A ls o t h e p re a c h m e n t o f u n iv e rs a l k in d n e ss w h ic h h y st e ri c a l c ri ti c s h a v e f a il e d t o n o ti n e a th f re n e ti c a c ti v it y o f m y t ru e

-s to ry n o v o u t

‘b e a t’ g e n e ra ti o n

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’s m ot iv at io n fo r w ri ti ng

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K er ou ac e s co no ci do p or s u no ve la , e sc ri ta e n el e st ilo n ar ra vo fl uj o de c on ci en ci a, O n t a d a un qu e ta m bi én e sc ri bi ó br e la v id a de s u ci ud ad n at al

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(E l v ia je lit ar io no s da u na id ea d ot iv ac ió n de K er ou ac p ar a es cr ib

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C it y fi re e sc ap e in ne ed tr an sl at io n he re

GL-02.06-250 | 18” x 34”

When I was a teenager I didn’t embrace my [Liberian] cultural background because I didn’t understand it. . . . But as I got older I learned it was those differences that made me special.”

SAM STEVQUOAH, 2020

Lowell Sun, 2020

Comic Book Creator

STORIES X

The African American hero of Sam Stevquoah’s “Mill City’s Finest” confronts the “internal war within themselves” that first-generation immigrants face:

“caught between the choices they’d like to make, versus the choices their culture/ heritage wants them to make.”

TURN OVER FOR ENGLISH

Cuando era adolescente no aceptaba mi origen cultural [liberiano] porque no lo entendía. . . . Pero a medida que fui creciendo aprendí que eran esas diferencias las que me hacían especial”.

SAM STEVQUOAH, 2020

Lowell Sun, 2020

Creador historietas

HISTORIAS X

El héroe afroamericano de “Mill City’s Finest”, de Sam Stevquoah, se enfrenta a la “guerra interior” a la que se enfrentan los inmigrantes de primera generación:

“atrapados entre las opciones que les gustaría tomar, frente a las opciones que su tradición cultural les impone”.

GL-02.06-400 | 8” x 10” GL-02.06-405 | 8” x 10”

STORIES X

‘Tis a letter from home;

and it cometh to say

That the absent and loved ones remember us yet;

And the pen, at the homestead, can never portray

The sun-shine of hope, and the shade or regret.

“EUGINA” 1842

“The Letter From Home” The Lowell Offering

Storytellers can help us reflect on the difficult decisions we make in life.