MAS - System One Holdings, LLC - GS07F0571Y

GENERAL SERVICES ADMINISTRATION

Federal Supply Group: Professional Services

Authorized Price List

On-line access to contract ordering information, terms and conditions, up-to- date pricing, and the option to create an electronic delivery order are available through

GSA Advantage!, a menu-driven database system. The INTERNET address for GSA Advantage! is: http://www.GSAAdvantage.gov.

Multiple Awards Schedules (MAS)

FSC Group: Professional Services FSC Class:

Contract Number: GS-07F-0571Y

Price List Current as of Modification #PS-0024 effective April 25, 2022

For more information on ordering from Federal Supply Schedules go to the GSA

Schedules page at GSA.gov

Period Covered by Contract: September 17, 2022 through September 16, 2027

System One Holdings LLC System One Holdings, LLC

Business Size: Large Business

Contract Administrator – Ernest Crow P: 301-706-4837/F: 202-454-0664

210 6th Ave., FL 31 Pittsburgh, PA 15222 Main: 202 587-4111 Fax: 202 454-0664

Web: www.teampeople.tv http://www.gsaadvantage.gov/ http://www.teampeople.tv/

GS-07F-0571Y (p) 202.587.4111 (f) 202.454.0664 www.teampeople.tv 210 6th Ave, Fl. 31, Pittsburgh, PA 15222

TABLE OF CONTENTS

I. SIN 512110 Rate Chart

II. SIN 541810ODC Rate Chart

III. Company Overview

IV. Customer Information

V. Labor Category Descriptions

VI. SCA Matrix

GSA Prices quoted are per hour and include the IFF.

SIN Labor Category 9/17/2022

9/16/2023

Rate

9/17/2023

9/16/2024 Rate

9/17/2024

9/16/2025 Rate

9/17/2025

9/16/2026 Rate

9/17/2006

9/16/2027 Rate

512110 Actors, On Camera, Speaking (SAG/AFTRA) $184.39 $189.46 $194.67 $200.02 $205.52 512110 Actors, On Camera, Speaking (non-union) $152.85 $157.05 $161.37 $165.81 $170.37 512110 Art Director $96.04 $98.68 $101.40 $104.19 $107.05 512110 Assistant Director $74.32 $76.36 $78.46 $80.62 $82.84 512110 Associate Producer $86.66 $89.05 $91.49 $94.01 $96.60 512110 Associate Producer (Film Style) $112.08 $115.16 $118.33 $121.58 $124.92 512110 Audio Engineer (Field - ENG/EFP) $65.36 $67.16 $69.01 $70.90 $72.85 512110 Audio Engineer Level 1/Audio Assist (Studio) $56.04 $57.58 $59.16 $60.79 $62.46 512110 Audio Engineer Level 2 (Studio) $65.36 $67.16 $69.01 $70.90 $72.85 512110 AVID Certified Systems Engineer $105.24 $108.13 $111.11 $114.16 $117.30 512110 Casting Director $74.73 $76.78 $78.90 $81.07 $83.29 512110 Character Generator Operator $46.70 $47.99 $49.31 $50.66 $52.06 512110 Communications Technician $87.11 $89.51 $91.97 $94.50 $97.09 512110 Director (film-style) $127.26 $130.76 $134.36 $138.05 $141.85 512110 Director (film-style) Senior Level $186.19 $191.31 $196.57 $201.97 $207.53 512110 Director (live studio broadcast) $123.78 $127.19 $130.68 $134.28 $137.97 512110 Director of Photography $123.78 $127.19 $130.68 $134.28 $137.97 512110 Director/ Technical Director $112.05 $115.14 $118.30 $121.55 $124.90 512110 DVD/CD-ROM Authorer $67.23 $69.08 $70.98 $72.93 $74.93 512110 Engineer/Video Technician $65.36 $67.16 $69.01 $70.90 $72.85 512110 Extra, Non-Speaking $47.72 $49.04 $50.38 $51.77 $53.19 512110 Final Cut Server Certified Engineer $113.32 $116.44 $119.64 $122.93 $126.31 512110 Floor Director $105.24 $108.13 $111.11 $114.16 $117.30 512110 Gaffer $56.04 $57.58 $59.16 $60.79 $62.46 512110 Graphic Designer (2-D) $56.04 $57.58 $59.16 $60.79 $62.46 512110 Grip (key, dolly) $96.04 $98.68 $101.40 $104.19 $107.05 512110 IT Specialist $57.62 $59.20 $60.83 $62.50 $64.22 512110 Jib Camera Operator $99.07 $101.79 $104.59 $107.47 $110.42 512110 Lighting Director $127.26 $130.76 $134.36 $138.05 $141.85 512110 Makeup Artist $74.73 $76.78 $78.90 $81.07 $83.29 512110 Medical Animator $96.15 $98.79 $101.51 $104.30 $107.17 512110 Non-Linear Video Editor Level 1 $101.51 $104.30 $107.17 $110.11 $113.14 512110 Non-Linear Video Editor Level 3 (Senior) $93.40 $95.97 $98.60 $101.32 $104.10 512110 On-Camera Moderator $263.22 $270.46 $277.89 $285.54 $293.39 512110 Producer Level 1 $104.99 $107.87 $110.84 $113.89 $117.02 512110 Producer Level 2 $105.26 $108.16 $111.13 $114.19 $117.33 512110 Producer Level 3 $137.36 $141.14 $145.02 $149.01 $153.11 512110 Producer/On-Camera Reporter (field) $127.26 $130.76 $134.36 $138.05 $141.85 512110 Producer/Director Level 1 $129.51 $133.07 $136.73 $140.49 $144.35 512110 Producer/Director Level 2 $132.68 $136.33 $140.08 $143.93 $147.89 512110 Production Assistant $56.04 $57.58 $59.16 $60.79 $62.46 512110 Production Coordinator $89.05 $91.49 $94.01 $96.60 $99.25 512110 Production Manager $80.95 $83.17 $85.46 $87.81 $90.23

512110 Script Supervisor $109.10 $112.10 $115.18 $118.35 $121.60 512110 Scriptwriter $106.11 $109.03 $112.03 $115.11 $118.27 512110 Senior Engineer $99.07 $101.79 $104.59 $107.47 $110.42 512110 Set Decorator/ Property Manager $81.82 $84.07 $86.38 $88.76 $91.20 512110 Steadicam Operator $127.26 $130.76 $134.36 $138.05 $141.85 512110 Still Photographer $64.75 $66.53 $68.36 $70.24 $72.18 512110 Storyboard Artist $89.05 $91.49 $94.01 $96.60 $99.25 512110 Technical Director $84.05 $86.36 $88.74 $91.18 $93.69 512110 Technician/ Installer $85.84 $88.20 $90.62 $93.12 $95.68 512110 Teleprompter Operator $56.04 $57.58 $59.16 $60.79 $62.46 512110 Transcriptionist $109.10 $112.10 $115.18 $118.35 $121.60 512110 Video Animation Designer (3-D) $109.10 $112.10 $115.18 $118.35 $121.60 512110 Video Archivist $67.23 $69.08 $70.98 $72.93 $74.93 512110 Videographer (Field - ENG/EFP Camera

Operator) $88.40 $90.83 $93.33 $95.90 $98.54

512110 Videographer (Studio Camera Operator) $57.62 $59.20 $60.83 $62.50 $64.22 512110 Videotape/ Server Operator $60.71 $62.38 $64.10 $65.86 $67.67 512110 Voiceover Talent (off camera) $1,080.05 $1,109.75 $1,140.27 $1,171.63 $1,203.85 512110 Wardrobe Manager $56.04 $57.58 $59.16 $60.79 $62.46

GSA Prices quoted include the IFF.

SIN

SUPPORT PRODUCT/ LABOR (ODCs)

UNIT OF

ISSUE

9/17/2022- 9/16/2023

Rate

9/17/2023- 9/16/2024

Rate

9/17/2024- 9/16/2025

Rate

9/17/2025- 9/16/2026

Rate

9/17/2006- 9/16/2027

Rate

541810ODC

SD Betacam-SP ENG/EFP package w/2 person crew

Day

$ 1,172.80

SD Digital Betacam ENG/EFP package w/2

$ 1,465.99

HD DigitalBetacam or Panasonic Varicam ENG/EFP package w/2-

$ 1,856.93

541810ODC XD Cam SD package w 2-person crew Day $ 1,465.99 $ 1,465.99 $ 1,465.99 $ 1,465.99 $ 1,465.99 541810ODC XD Cam HD package w 2-person crew Day $ 1,759.19 $ 1,759.19 $ 1,759.19 $ 1,759.19 $ 1,759.19 541810ODC DVCPRO 50 package w 2-person crew Day $ 1,172.80 $ 1,172.80 $ 1,172.80 $ 1,172.80 $ 1,172.80

DVCPRO SD Varicam package w 2 people crew

541810ODC DV Cam SD/HD package w 2/person crew Day $ 1,172.80 $ 1,172.80 $ 1,172.80 $ 1,172.80 $ 1,172.80 541810ODC Wide Angle Lens Day $ 185.69 $ 185.69 $ 185.69 $ 185.69 $ 185.69 541810ODC Matte Box w/Filters Day $ 83.07 $ 83.07 $ 83.07 $ 83.07 $ 83.07 541810ODC ENG Audio Package Day $ 97.73 $ 97.73 $ 97.73 $ 97.73 $ 97.73 541810ODC Wireless Lavalier Mic (each) Day $ 83.07 $ 83.07 $ 83.07 $ 83.07 $ 83.07 541810ODC Mobile Scan Converter Day $ 366.50 $ 366.50 $ 366.50 $ 366.50 $ 366.50 541810ODC Wide-mouth Beta Playback Deck Day $ 342.07 $ 342.07 $ 342.07 $ 342.07 $ 342.07 541810ODC Satellite Uplink Truck Day $ 3,054.16 $ 3,054.16 $ 3,054.16 $ 3,054.16 $ 3,054.16 541810ODC Grip Truck Day $ 684.13 $ 684.13 $ 684.13 $ 684.13 $ 684.13 541810ODC HMI Lighting Package (2 lights) Day $ 610.83 $ 610.83 $ 610.83 $ 610.83 $ 610.83 541810ODC Tungsten Lighting Package (4 lights) Day $ 586.40 $ 586.40 $ 586.40 $ 586.40 $ 586.40 541810ODC Kino Flo Lighting Package (2 lights) Day $ 488.66 $ 488.66 $ 488.66 $ 488.66 $ 488.66 541810ODC Peewee dolly w/track Day $ 610.83 $ 610.83 $ 610.83 $ 610.83 $ 610.83 541810ODC Camera Jib Day $ 283.43 $ 283.43 $ 283.43 $ 283.43 $ 283.43 541810ODC Generator Day $ 1,172.80 $ 1,172.80 $ 1,172.80 $ 1,172.80 $ 1,172.80 541810ODC Teleprompter Equipment Day $ 342.07 $ 342.07 $ 342.07 $ 342.07 $ 342.07 541810ODC Steadicam Rig Day $ 781.86 $ 781.86 $ 781.86 $ 781.86 $ 781.86 541810ODC Betacam-SP - Tape 30 minutes each $ 18.04 $ 18.04 $ 18.04 $ 18.04 $ 18.04 541810ODC Betacam-SP - Tape 60 minutes each $ 34.21 $ 34.21 $ 34.21 $ 34.21 $ 34.21 541810ODC Betacam-SP - Tape 90 minutes each $ 53.75 $ 53.75 $ 53.75 $ 53.75 $ 53.75 541810ODC Digital Betacam Tape 32 Minutes each $ 34.21 $ 34.21 $ 34.21 $ 34.21 $ 34.21 541810ODC Digital Betacam Tape 64 Minutes each $ 53.75 $ 53.75 $ 53.75 $ 53.75 $ 53.75 541810ODC Digital Betacam Tape 94 Minutes each $ 87.96 $ 87.96 $ 87.96 $ 87.96 $ 87.96 541810ODC DVCAM Tape 32 Minutes each $ 18.04 $ 18.04 $ 18.04 $ 18.04 $ 18.04 541810ODC DVCAM Tape 64 Minutes each $ 34.21 $ 34.21 $ 34.21 $ 34.21 $ 34.21 541810ODC DVCAM Tape 94 Minutes each $ 41.05 $ 41.05 $ 41.05 $ 41.05 $ 41.05 541810ODC XD Cam Single Sided Disc each $ 57.61 $ 57.61 $ 57.61 $ 57.61 $ 57.61 541810ODC XD Cam Dual Sided Disc each $ 122.17 $ 122.17 $ 122.17 $ 122.17 $ 122.17

541810ODC 500GB 7200rpm HardDrive USB2/FW800 each $ 190.58 $ 190.58 $ 190.58 $ 190.58 $ 190.58 541810ODC 1TB 7200 rpm Hard Drive USB2/FW800 each $ 254.11 $ 254.11 $ 254.11 $ 254.11 $ 254.11 541810ODC HD tape (DVCPro) 66 Minutes each $ 36.16 $ 36.16 $ 36.16 $ 36.16 $ 36.16 541810ODC TeamStream - Virtual Meetings and Events

Production Platform Each $ 1,500.00 $ 1,500.00 $ 1,500.00 $ 1,500.00 $ 1,500.00

Company Overview

System One Holdings, LLC (d.b.a. under the “TeamPeople” brand), located at 210 6th Ave, Fl.

31, Pittsburg, PA 15222, is a business that provides multimedia production support services and customized, fulltime and temporary staffing solutions to broadcast, corporate and government clients. System One also holds a “Top Secret” Level facility clearance. We specialize in merging top-notch personnel with an intimate knowledge of “network caliber” production values and believe a key element of any decision to seek an externally managed solution for production support services is the desire to benefit from both the industry’s best practices and its most current thinking. Our clients expect the best from their creative and technical staff and the provision of these services is System One Holdings’ core competency.

System One Holdings’ capabilities include:

• Project Management

• Television Production and Production Management

• A/V Operations Management

• Network & Broadcast Operations Management

• Production Department Management

• Design Department Management

• Live/Virtual Event Production Management

• Video Teleconferencing

• Interactive Video Tele-training (Distance Learning)

• Interactive Courseware Development

• Presentation/Public Address Support

• Full time, flexible placement and day-hire staffing in a broad range of media production disciplines. Please see the descriptions of our available Labor Categories and our GSA pricelist.

• Production equipment. Please see available items listed in our Schedule 541810ODC (ODCs).

System One Holdings brings significant value-added to every project and contract. By working with us, clients have the benefit of all our services including payroll administration, on-site managed, temporary and day-hire staffing, global recruiting and permanent placements, and consulting. A highly capable staff led by a team of industry pros supports all of these initiatives.

Founded in 2004, our company’s broadcast and cable experience includes work for some of the most popular television networks in America, including ABC, BBC America, BET, Bloomberg Television, CNN, Discovery Communications, Inc., ESPN, The History Channel, Lifetime, The National Geographic Channel, NBC, PBS, Travel Channel and TVOne. We count BMW, The Boeing Company, Primedia, The National Alliance of Business, Pitney Bowes, Procter & Gamble, The World Bank, Department of State, NASA and Department of Health and Human Services among our corporate and government customers.

Whether on-air, in the world of business, or in service to government agencies, System One Holdings responds with quality staffing solutions and media products that provide fitting and innovative solutions to our clients' needs. Please visit www.teampeople.tv for more information on our company, capabilities and case studies.

GS-07F-0571Y (p) 202.587.4111 (f) 202.454.0664 www.teampeople

Customer Information

1a. Table of Awarded Special Item Numbers:

SIN OLM

512110: Video/Film Production 541810ODC: Other Direct Costs

1b. Prices shown are net prices. Price list included.

1c. System One Holdings, LLC is offering labor categories at hourly rates and ODCs at hourly and daily rates.

2. Maximum order: $1,000,000

3. Minimum order: $100

4. Geographic coverage: Domestic

5. Point(s) of production (city, county, and State or foreign country): Not applicable

6. Discount from list, prices or statement of net price: Government Net Prices (discounts already deducted.)

7. Quantity discounts: None

8. Prompt payment terms: Net 30 days. Information for Ordering Offices: Prompt payment terms cannot be negotiated out of the contractual agreement in exchange for other concessions

9. Foreign items (list items by country of origin): None

10a. Time of delivery: To be negotiated at Task Order level

10b. Expedited delivery: Available, contact Contractor

10c. Overnight and 2-day delivery: Available, contact Contractor

10d. Urgent requirements: Contact Contractor

11. F.O.B. point(s): Destination

12a. Ordering address: System One Holdings, 210 6th Ave., Fl. 31, Pittsburgh, PA 15222

12b. Ordering procedures: For supplies and services, the ordering procedures, information on Blanket Purchase Agreements (BPAs), are found in the Federal Acquisition Regulation (FAR) 8.405-3.

13. Payment address: 210 6th Ave., Fl. 31, Pittsburgh, PA 15222

14. Warranty provision: Warranties: System One Holdings, LLC warrants that the Services to be provided under this Agreement shall be performed in a professional manner conforming to generally accepted industry standards and practices. In addition, all personnel provided by System One Holdings, LLC will adhere to the provisions of the System One Holdings, LLC Code of Conduct. A copy of the Code of Conduct will be provided to the Client on request.

15. Export packing charges: Not applicable

16. Terms and conditions of rental, maintenance, and repair: Not applicable

17. Terms and conditions of installation: Not applicable

18a. Terms and conditions of repair parts indicating date of parts price lists and any discounts from list prices: Not applicable

18b. Terms and conditions for any other services:

Time, Overtime & Cancellation: Labor categories are quoted per hour. The minimum order accepted per labor category, per day is 5. ODCs are quoted per day or per unit. For ODCs available by “day” rate, a day within a studio/facility environment is considered 8 hours on-site. For location/field work, a day is based upon 10 hours on-site with a meal break to be determined by production schedule. For all Contractor personnel paid on a daily/hourly basis, Client is billed at one and one-half the GSA rate for hours beyond 8 (studio/facility personnel) or 10 (location/field personnel) in any single day. Any potential costs for travel or location expenses will be discussed with the Client in advance and to the extent possible will be estimated and pre-approved by the Client. Short notice cancellations will result in charges to the Client. Ordered services cancelled with less than 24 hours notice prior to scheduled start time will be charged 100% of the value of the services ordered.

Ordered services cancelled with less than 48 hours notice prior to scheduled start time will be charged 50% of the value of the services ordered.

Work For Hire: System One Holdings, LLC and its Contractors assign to the Client all rights and use in all current and future media throughout the universe in perpetuity of any and all designs, creations, improvements, original works of authorship, formulas, processes, know-how, techniques, inventions and all other information or items created by Contractor in the course of or related to performance of services under this Agreement. The rights assigned include title and interest in all patents, copyright, trade secret, trademark and other property rights. Contractor hereby assigns to the Client all right, title and interest that Contractor may have in such materials and creations without entitlement to any additional compensation and free of all liens and encumbrances of any type. Exclusions to this provision include those instances where the assignment of rights is not within System One Holdings’ legal rights (e.g. stock image/footage, performance talent rights, music rights, etc.).

Supervision & Control: System One Holdings, LLC expressly disclaims liability for any claim, loss or liability resulting from Client’s failure to supervise, control or safeguard premises; or without System One Holdings’ prior approval, entrusting Contractors with unattended premises, equipment, cash, checks, keys, credit cards, merchandise, confidential or trade secret info or other valuables. Client requesting or permitting contractors to use any vehicle, regardless of ownership, in connection with the performance of services for Client is prohibited unless System One Holdings has given its express prior approval in writing.

Indemnification: System One Holdings agrees to defend, indemnify and hold Client harmless of and from any and all claims or losses that Client actually incurs (including attorney’s fees) proximately caused by the fault, negligence, gross negligence, or recklessness of System One Holdings employees or Independent Contractors provided by System One Holdings. Client agrees to defend, indemnify and hold System One Holdings harmless of and from any and all claims or losses that System One Holdings actually incurs (including attorney’s fees) proximately caused by the fault, negligence, gross negligence, or recklessness of Client or Client’s representatives or which arise from Client’s breach of this Agreement or that arise from risks inherent in Client’s business.

19. List of service and distribution points: Not applicable

20. List of participating dealers: Not applicable

21. Preventive maintenance: Not applicable

22a. Special attributes such as environmental attributes (e.g., recycled content, energy efficiency, and/or reduced pollutants): Not applicable

22b. If applicable, indicate that Section 508 compliance information is available on Electronic and Information Technology (EIT) supplies and services and show where full details can be found (e.g. contractor’s website or other location.) The EIT standards can he found at www.Section5O8.gov/.:Not applicable

23. Data Universal Number System (DUNS) number: 805876856

24. Notification regarding registration in SAM database: Registered http://www.section5o8.gov/

Labor Category Descriptions:

Labor Category

Labor Category Description Education Experience Education/ Experience Trade-Off, If Allowed

A. Actors, On Camera, Speaking

(SAG/AFTR

A)

The Government routinely uses professional union (SAG/AFTRA) talent in its productions.

Many video productions require role-players who can memorize lines, give plausible performances of scripted events, and repeat actions multiple times for multiple takes.

H.S. Diploma or equivalent

1year None

B. Actors, On Camera, Speaking (non-union)

The Government routinely uses professional non-union talent in its productions. Many video productions require role-players who can memorize lines, give plausible performances of scripted events, and repeat actions multiple times for multiple takes.

H.S. Diploma or equivalent

1 year None

C. Art Director

The Art Director works with the Producer and/or the Director to create the overall artistic approach of the program and ensure that the artistic vision is realized. He/she helps scout locations, design sets, acquire furniture, purchase or fabricate props, suggest camera angles or positions, consult with the costume and makeup departments, design graphic approaches/ elements, and consult with the editor and graphic artist during post-production.

Bachelor’s Degree in related area

4 years 4 years of additional directly-related industry experience plus a high school diploma may substitute for a bachelor’s degree.

2 years of additional directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a

D. Assistant Director

The Assistant Director helps the Director coordinate large, complex productions. Under the supervision of the Director, the Assistant Director may participate in production planning, casting, scouting of locations, location of stock footage, and direction of staff during virtual, field or studio productions.

Bachelor’s degree in related field

3 years of relevant experience

4 years of additional experience may substitute for Bachelor’s degree directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

E. Associate Producer

The Associate Producer provides production and post-production services and assists the Producer.

Duties may include reviewing and logging of video tape footage, story research, pre- selection interviewing of potential subjects, assist in setting up interview and production schedules, assist in the directing of video editing, assist with script development, assist on video production shoot with logging and miscellaneous duties as directed by the Producer. The Associate Producer should also have some familiarity with the technical aspects of video production.

Bachelor’s degree in related field

3 years of relevant experience

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

F. Associate Producer (Film Style)

The Associate Producer (Film Style) provides production and post-production services and assists the Producer on high-end projects. Duties may include reviewing and logging of video tape footage, story research, pre-selection interviewing of potential subjects, assist in setting up interview and production schedules, assist in the directing of video editing, assist with

Bachelor’s degree in related field

3 years of relevant experience

4 years of additional experience may substitute script development, assist on video production 2 years of shoot with logging and miscellaneous duties as additional directed by the Producer. The Associate Producer directly- (Film Style) should also have familiarity with related documentary, entertainment and industry commercial/promo/PSA production and the experience technical aspects of such video production. plus a related

2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

G. Audio Engineer (Field -

ENG/EFP)

The field Audio Engineer is responsible for acquiring all audio necessary for video production in field locations. The task includes using a field microphone mixer and operating shotgun, boom, hardwire, and/or wireless microphones. The field audio engineer is responsible for ensuring that a quality audio signal is provided to the camera or other recording device.

Bachelor’s degree

2 years of related experience

4 additional years of experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

H. Audio Engineer Level 1/Audio Assist (Studio)

The studio Audio Engineer is responsible for acquiring all audio necessary for video production in studio/virtual. The task includes placing a variety of microphones on or near talent (including hard-wired or wireless lavaliere microphones and/or shotgun or boom mikes).

Bachelor’s degree

2 years of related experience

4 additional years of experience may substitute for Bachelor’s degree

2 years of additional directly-related industry experience plus a related 2-year degree

(or 60 college credits) may substitute for a bachelor’s degree.

I. Audio Engineer Level 2 (Studio)

The studio Audio Engineer is responsible for acquiring all audio necessary for video production. The task includes placing a variety of microphones on or near talent (including hard-wired or wireless lavaliere microphones and/or shotgun or boom mikes). During studio/virtual shoots, the Audio Engineer Level 2 operates a multi-channel analog/digital audio mixer, and controls and integrates other audio, music and sound effects systems as required by the production and under the direction of the Director.

Bachelor’s degree

5 years of related experience

4 additional years of experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

J. AVID

Certified Systems Engineer

The Certified Systems Engineer shall be responsible for troubleshooting and maintaining all AVID digital editing systems and related equipment to include monitoring, troubleshooting, and performing routine maintenance on AVID systems to optimize system operability. This position requires the Engineer to have obtained and maintain the latest manufacturer’s system/server/peripherals certification(s).

Bachelor’s degree in related field and appropriate certification

3 years of relevant experience

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

K. Casting Director

The Casting Director is responsible for finding actors, hosts, or narrators suitable for each role articulated in the script. Using intimate

Bachelor’s Degree in Business, 3 years of experience selecting

4 years of experience as knowledge of local or regional talent, he or she conducts auditions and establishes a viable list of actors for each part. Then, working in conjunction with the Producer and/or Director, he or she develops a final cast for the production. He or she has a good working relationship with agents and managers and understands the rules of working with SAG/AFTRA talent.

Communications, Psychology, or an industry-related field actors for roles that fit with their talents and appearance a casting assistant or casting associate can be substituted for a Bachelor’s degree

2 years of additional directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

L. Character This individual operates a broadcast character H.S. Diploma or 1 year of None Generator generator system, such as a Chyron, Type Deko, equivalent position- Operator Vizrt, etc. He or she should be able to design, specific create, save, and play back graphical show experience elements such as backgrounds, banners, titles, lower thirds, and credit rolls. He or she needs to work quickly, typing in names of callers during call-in segments of live/virtual television programs.

He or she should be able to use other graphic programs such as Adobe Photoshop that integrate with character generator systems.

M.

Communicati ons Technician

The Communications Technician is knowledgeable and experienced in a variety of studio/remote/virtual production and post-production roles. These may include: basic lighting, camera operation, character generator (basic input and recall), teleprompter (basic input and operation), video server operation (ingest and payout), basic audio setups and operation of basic audio boards, ingest for edit systems such as AVID and Final Cut Pro, digital audio/video file compression, signal routing and basic satellite transmission operations.

Bachelor’s degree in related field

3 years 4 years of additional experience may substitute directly-related industry experience substitute for a bachelor’s degree.

N. Director (film-style)

The Director directs dramatic/documentary (film style) productions. He or she is responsible for all aspects of the production and for supervising and coordinating the efforts of all members of the production crew. The Director must be highly skilled in breaking down scripts, developing storyboards, developing a shooting plan and schedule, casting talent, and establishing the overall look and feel of the piece. He or she must be able to block scenes and direct actors; establish camera position, framing, and camera movement;

ensure thorough coverage of each scene without “crossing the line;” work with the Director of Photography to light each scene, select lenses and filters; work with the script supervisor to ensure thorough coverage and continuity; and work with the editor and others in post-production to make each scene and the overall production as effective as possible. Has achieved a high level of expertise in video/film. The Director encompasses a wealth of experience working with scripts, talent, and crews. He or she should possess a very high level of creativity and quality and an ability to work independently if required.

Director has a Bachelor’s degree in Radio, Television, Drama, Film or Communications

5 years of directing experience

4 years of additional directing and/or assistant directing may be substituted for a Bachelor’s directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

O. Director (film-style) Senior Level

Same qualifications as Director (film style), however this individual has achieved a higher level of industry recognition for specialized work or work with celebrity talent or the highest-end companies/products.

Director has a Bachelor’s degree in Radio, Television, Drama, Film or Communications

5 years of directing experience

4 years of additional directing and/or assistant directing may be substituted for a directly-related industry experience credits) may substitute for a bachelor’s degree.

P. Director (live studio broadcast)

The Director directs live/virtual broadcasts and other studio productions. He or she is responsible for all aspects of the production and for supervising and coordinating the efforts of all members of the production crew. The Director must be highly skilled in directing and managing complex, live, virtual, scripted productions that have multiple guests, roll-ins, and live call-ins.

He or she must be able to “call a show” and supervise the technical director, graphic artist, audio engineer, broadcast engineer, floor director, teleprompter operator, and multiple camera operators. In addition, the Director communicates and coordinates with the Client on transmission requirements before and during broadcast events.

Director has a Bachelor’s degree in Radio, Television, Drama, Film or Communications

3 years of directing experience

4 years of additional directing and/or assistant directing may be substituted for a directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

Q. Director of Photography

The Director of Photography, normally deployed during a high-quality film-style field/virtual shoot, is responsible for planning and executing all videography, in consultation with, and under the direction of the Producer and/or Director.

This person has experience in a variety of lighting techniques and with a variety of lighting equipment but may work closely with a Lighting Director to produce images that are dynamic, visually appealing, and within engineering specifications for video. The Director of Photography may be required to select lenses and work with tripods, dollies, cranes, steadicams, matte boxes, or other equipment and/or direct those who specialize in using such equipment.

Bachelor’s degree in related field

5 years of experience operating camera equipment and lighting

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college substitute for a

R. Director/ Technical Director

The Director/Technical Director has all the duties and skills of the Director and Technical Director.

Bachelor’s degree in related field

5 years of relevant experience

4 years of additional experience may substitute for Bachelor’s degree

2 years of additional directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

S. DVD/CD- The DVD/CD-ROM Authorer encodes digital H.S. Diploma or 1 year of None ROM video and audio files for incorporation into equivalent position- Authorer multimedia products and streaming media specific websites. This person shall encode/compress a experience variety of MPEG and AVI format files for use in multimedia products such as CD-ROM’s and DVD’s. This person shall also encode QuickTime, Windows Media, and Real Video files for use in streaming media websites. This person may use AVID Media Composer, Discreet Cleaner, Sorensen Squeeze, DVD Studio Pro, Digital Rapids, and Adobe Premiere on both the Macintosh and PC platforms to perform the encoding/compression work. The DVD Authorer designs and produces discmedia based upon existing videotape assets. his person may be required to create graphics and interactive menus.

He/she captures and encodes video assets, and "burns" DVD/CD-ROMs that has playback compatibility with personal computers and/or standalone players. This person may also archive project files via DLT (Digital Linear Tape) back-up systems. This person may also create basic designs and graphics for disc labels and outer case packaging. This person may use Sonic DVD authoring software, AVID Media Composer, Adobe Encore, Macromedia Director, DVD Studio Pro software, and Dantz Retrospect

T.

Engineer/Vid eo Technician

The Engineer/Video Technician serves as technical liaison within a television production facility and with outside television production facilities and uplink sites responsible for producing and transmitting entertainment, news, distance/virtual learning and information programming, etc. He/she communicates and coordinates with management and operations staff before and during production and virtual/broadcast events; performs technical set-up and “balancing/matching” of cameras prior to production; coordinates with engineering staff at other facilities to verify signal quality and signal path continuity to its final destination if the program is to be transmitted; monitors all broadcasts; and corrects any problems.

Bachelor’s degree in Broadcast or related technical field

3 years of relevant experience

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

U. Extra, Video productions often need extras, non- H. S. Diploma or None 1 year of Non- speaking actors who serve as background. These equivalent acting Speaking extras may be union or non-union. experience may be substituted for a H.S.

Diploma or equivalent V. Final Cut Server Certified Engineer

The Certified Systems Engineer shall be responsible for troubleshooting and maintaining all Apple Final Cut Pro editing systems and related equipment to include monitoring, troubleshooting, and performing routine maintenance on Apple Final Cut Pro systems to optimize system operability. This position requires the Engineer to have obtained and maintain the latest manufacturer’s system/server/peripherals certification(s).

Bachelor’s degree in related field and appropriate certification

3 years of relevant experience

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree degree.

W. Floor Director

The Floor Director serves as the rehearsal and broadcast/virtual day studio supervisor for staff and talent in a studio environment under the direction of the Producer and/or Director. The Floor Director helps direct on-set talent and assists with timing, blocking, and camera movement.

Associate’s degree in related field

1 year of relevant experience

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

X. Gaffer The Gaffer is responsible for executing a lighting plan. He she/has the technical knowledge of all required electrical systems, lighting instruments and lighting controls/control boards. The Gaffer typically reports to the Director of Photography or Lighting Director.

High school diploma or equivalent

1 year of relevant work experience

None

Y. Graphic Designer (2- D)

The Graphic Artist produces original, still artwork or 2-D animation for incorporation into video.

This person may use PowerPoint, Adobe Photoshop, Adobe After Effects and Adobe Illustrator or equivalent Apple products and must be familiar with all procedures for importing graphics into video environments, such as Alpha Channels and Mattes.

Bachelor’s degree in Graphic Design or related field

2 years of relevant experience

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college

Z. Grip (key, dolly)

The grip assists the Lighting Director with setting up various lighting instruments; laying cable to provide power; dressing cables for safety on the set; using gels or diffusion to affect the color or quality of light; using flags or scrims to affect the intensity or direction of light; setting up generators if required; and loading equipment in and out of the grip truck as necessary. Grips may also be required to set up and operate camera dollies.

High school diploma or equivalent

1 year of relevant work experience

None

AA. IT

Specialist

The IT Specialist is responsible for the information technology infrastructure in a production and/or post-production facility. This person should be knowledgeable and experienced in the networking and operation of computers, server/storage systems, and signal routers, with the ability to troubleshoot and maintain related personal computers and enterprise-wide components. He/she should be able to handle a wide variety of file formats, digital compression and distribution challenges.

Bachelor’s degree in related technical field

3 years of relevant experience

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

BB. Jib Camera Operator

The Jib Camera Operator operates a camera jib, ensuring that “crane” shots meet the needs of the Producer and/or Director.

Bachelor’s degree in related field

3 years of relevant experience

4 years of additional experience may substitute directly-related industry experience plus a related bachelor’s degree.

CC. Lighting Director

In a studio/virtual production, the Lighting Director is responsible for designing lighting schemes and for hanging, focusing, and operating all lighting equipment in the studio. In a field environment, the Lighting Director is responsible for scouting the location, establishing a lighting plan, working with the Producer and/or Director and a lighting equipment rental company to obtain rental equipment, coordinating the delivery of the equipment to the location, supervising grips, and lighting each scene.

Bachelor’s degree in related field

5 years of relevant experience

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

DD. Makeup The Makeup Artist applies makeup to professional High school 1 year of 2 years of Artist talent and panelists for proper television/virtual diploma or experience as experience appearance. The makeup artist provides equivalent plus a makeup may substitute necessary makeup and associated supplies. The cosmetology artist for still for artist may be required to have additional training, certificate photography, cosmetology skills, and experience, as he/she may also be program/vocation television or certificate asked to style hair, provide wardrobe services, al program in film program/vocat and/or create special makeup effects such as cosmetology ional training wounds or scars.

EE. Medical Animator

Specializes in creating detailed animations for productions focusing on medical issues. This individual may use a variety of software programs such as 3-D Studio Max, Adobe After Effects, Maya and Photoshop.

Bachelor’s degree in related field

3 years of relevant experience

4 years of additional experience may substitute for Bachelor’s degree

2 years of additional directly-related industry experience substitute for a bachelor’s degree.

FF. Non- Linear Video Editor Level

Post-production on Client video programs is typically performed using AVID or Final Cut Pro non-linear editing systems. The Non-Linear Video Editor Level 1 shall be capable of basic operation of NLE systems. He/she shall digitize media, create sequences, mix multiple tracks of video and audio, and output to tape or DVD as required. Editing shall be performed using Client non-linear editing equipment unless otherwise specified in task orders. He or she shall be experienced in producing 2-D graphics using the AVID or Final Cut editing system. Knowledge and experience using other graphics/animation software/systems such as Adobe Photoshop, Genarts Sapphire, Adobe After Effects and/or AVID Marquee is highly desirable. The Video Editor shall also have highly developed storytelling skills and be able to visualize scripts and work without direct supervision.

Bachelor’s degree in Media/Communi cations or equivalent

3 years of experience as an NLE editor

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

GG. Non- Linear Video Editor Level 3 (Senior)

The Non-Linear Video Editor Level 2 (Senior) shall have all the skills and experience of the Non- Linear Video Editor Level 1. Post-production on Client video programs is typically performed using AVID or Final Cut Pro non-linear editing systems. The Senior Editor is experienced at creating and integrating 2-D graphics/animation into a video project. Experience with graphics/animation software/systems such as Adobe Photoshop, Genarts Sapphire, Adobe After Effects and/or AVID Marquee programs is required. The Senior Editor shall be capable of advanced operation of NLE systems. He/she shall digitize media, create sequences, mix multiple tracks of video and audio, and output to tape, files or DVD. The Senior Editor shall also have highly developed storytelling skills and be able to visualize scripts and work without direct supervision. Editing shall be performed using Client-owned non-linear editing equipment unless otherwise specified in task orders. The Senior Editor also shall be capable of authoring DVD’s –

Bachelor’s degree in Media/Communi cations or equivalent

5 years of experience as an NLE editor

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a creating menus with branching and handling closed captioning files.

HH. On- Camera Moderator

This individual hosts a live/virtual or live-to-tape broadcast/production. He or she must be able to moderate a live/virtual program, working with a teleprompter system, an IFB, and off-camera stage direction to host a smooth presentation. He or she must be able to field live/virtual telephone/ audience questions and smoothly recover should any technical or other problems occur during the live/virtual broadcast. The client may pay “scale” rates for professional union talent or non-scale for non- union talent.

Bachelor’s degree in related field

1 year of relevant experience

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

II. Producer Level 1

The Producer is responsible for planning and coordination of video production for live, virtual, taped, or edited video productions. He or she works with the Client to assess needs and make recommendations as to the best and most effective way to achieve objectives through the use of the video medium. Obtains needed releases, performs archival research and supervises post-production activities. Must understand all elements of production and some writing skills.

Bachelor’s degree in Media, Communications, Film or other related field of study

3 years of experience as an associate producer or production assistant in broadcast film, cable or multimedia industries.

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

JJ. Producer The Producer is responsible for planning and Bachelor’s 5 years of 4 years of Level 2 coordination of video production for live, virtual, degree in Media, experience as additional taped, or edited video productions. The types of Communications, a producer in experience productions could include: live/virtual distance Film or other broadcast may substitute learning and information broadcasts; taped educational, related field of film, cable or for Bachelor’s instructional, and dramatic scripted show;

planning and coordinating all types of virtual/broadcast events and video production projects; and working with the Client to assess needs, make recommendations as to the best and most effective way to achieve objectives through the use of the video medium. Must understand all elements of production and excellent writing skills.

study multimedia industries degree 2 years of additional directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

KK.

Producer Level 3

In addition to possessing the same skills as the Producer Level 2, the Producer Level 3 has at least 10 years of producing experience and has achieved a high level of expertise in video/film.

The Producer is responsible for producing live/virtual distance learning and information broadcasts; producing taped educational, instructional, and dramatic scripted shows;

planning and coordinating all types of virtual/broadcast events and video production projects; and working with the Client to assess needs, make recommendations as to the best and most effective way to achieve objectives through the use of the video medium.

Bachelor’s degree in Media, Communications, Film or other related field of study

7 years of experience as a producer

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

LL.

Producer/On- Camera Reporter (field)

The Producer/On-Camera Reporter gathers information for stories, conducts on camera interviews, and directs the camera crew in the taping of additional news footage. The Producer Reporter shall have on-camera reporting experience, speak well and understandably, have a pleasant voice and a professional on-camera appearance. In addition, he/she will have experience researching and developing stories, have excellent script writing skills, and experience planning and assembling news stories and formulating interview questions. He/she shall have experience in field production and in directing editing sessions.

Bachelor’s degree in related field

1 year of relevant experience

4 years of additional experience may substitute directly-related industry credits) may substitute for a bachelor’s degree.

MM.

Producer/ Director Level 1

The Producer/Director has all the skills of the Producer, combined with the skills of the Director.

Bachelor’s degree in related field

3 years of relevant experience

4 years of additional experience may substitute for Bachelor’s degree

2 years of additional directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

NN.

Producer/ Director Level 2

The Producer/Director has all the skills of the Producer, combined with the skills of the Director, with greater experience.

Bachelor’s degree in Radio, Television, and Film or in Communications

5 years of experience in video production

4years of additional experience in video production may be substituted for a Bachelor’s degree.

2 years of additional directly-related industry experience plus a related 2-year degree (or 60 college

OO.

Production Assistant

The Production Assistant provides a variety of support services to the production and the Producer and/or Director. Duties may include coordinating and transporting equipment, logging tape, duplicating tape, digitizing footage in a non-linear edit system, obtaining photo releases, focusing lights under the direction of the Lighting Director, and other duties as assigned.

Bachelor’s degree in related field

1 year of relevant experience

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

PP.

Production Coordinator

Handles requests from the Client and/or other designated production personnel to determine the need for additional support and organize and coordinate resources. This person has strong customer service skills, organizational skills, and technical and creative experience in a time-sensitive, pressure-filled environment. Able to handle coordinating multiple projects of varying complexity with differing timelines and production values.

Bachelor’s degree in related field

3 years of relevant experience

4 years of additional experience may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

QQ. Has the same skill set as the Production Bachelor’s 5 years of 4 years of Production Coordinator with greater experience. The highest degree in related relevant additional Manager level of customer service is required for this field experience experience position. may substitute directly-related industry experience plus a related 2-year degree (or 60 college credits) may substitute for a bachelor’s degree.

RR. Script Supervisor

This individual works closely with the Director in film-style shoots, making sure that all scenes are adequately covered,…